Tuesday, May 16, 2023

My Fair "Ladykillers"

I struggled and struggled for a title on this post. I considered "My Bare Ladykillers," "Cheap- endales" and a variety of others. This 1988 TV-movie could scarcely be ranked any higher than "Fair" in a video guide, but that doesn't mean it isn't vastly entertaining for all the wrong reasons...! Ladykillers came towards the end of the wondrously tackilicious 1980s and combines bouffant and beefcake, two of our favorite things! I could never describe this project as good, but it a true guilty pleasure (recommended to me by a faithful reader who apparently knows me all too well!)  

Ladykillers is in fact a rather female-centric movie (with the typical power positions men might hold being instead filled by women), but as a result it's the men who are the most objectified. That's fine by me! We begin with Thomas Calabro awakening after a tryst with his lady love.

Said lady is portrayed by Marilu Henner. Henner can hardly take her eyes off the handsome, younger buck that she's had the good fortune to land.

And who can blame her? He's cute as a bug and has quite the physique going.

The title of the film refers to a male strip club. We're shown the work of a graphic designer who is using a claw-like tool to prepare some promotional material for the club. But this tool will soon enough be carving up more than vinyl artwork...!

The owner of this advertising firm is played by Miss Susan Blakely, sporting hair about as big as we've ever seen on her!

She's in full-on power mode as the demanding boss lady of the studio. (Her earrings are vintage. Tony Curtis fended off the enemy with them in The Black Shield of Falworth, 1954! Ha ha!)

The camera enters a, like, totally-'80s mansion and follows to the bathroom upstairs where a gentleman is showering. (He's also - badly - singing a once popular, but since practically forgotten song by Living Colour called "Glamour Boys." The soundtrack for this flick is surprisingly great!)

If you've been reading very much in these here parts as of late, you know that practically every post I've done since mid-April has involved a shower! Why stop now?!

The occupant, Gary Hudson, can sense that someone is in the home, perhaps watching him.

Sure enough, he's right! It's Blakely. It's her home and he's just finished making it with another woman in her bed!

Slimy as his behavior might be, she can hardly withstand his physical charms as he's standing before her dripping. She eventually gives into him regardless of the risk to not only her mental well-being, but also her hair!

That evening, her heavenward blow-out has been replaced by a softer, curlier 'do, perhaps a side-effect of her own impromptu trip into the shower...! Here, she's dropping Hudson off at work - with a warning not to bed down any more ladies besides herself. But where does he work?

Why, at Ladykillers, of course! This isn't he. This is a different stripper we'll call "She-Man: Master of the Universe."

This place is wild. True, they only strip down to bikini briefs, not G-strings, but the female clientele is HANDS-ON. (In the early-'90s gay bars in my area, it was a strict hands-off policy -- This is what I hear anyway! Ha ha!)

I assure you this is not Little Richard, but another of the themed strippers at Ladykillers.

He launches into a very athletic and frenetic dance.

We'll call him "The Lion Queen."

Did I say hands-on? It's also LIPS-ON!

The crowd goes wild. But who owns this establishment?

Ladies and gentlemen... I present to you the spectacularly astonishing Miss Lesley-Anne Down. There really wasn't anything that could fully prepare me for the level of '80s styling applied to Lesley-Anne and it took every bit of power in my being not to make this solely a post of screen-caps of her face!

Her role gets off to a smashing start as one of her disgruntled dancers loses his temper and slams her into a large mirror in her office!

Stunned by this burst of violence, she conducts an acting experiment in the various stages of shock and disbelief, all the while with a teeny chunk of glass resting atop her hairdo. (In all truthfulness, the Aqua Net probably took most of the brunt of this experience...)

The best way I can think of to describe Down's personal design aesthetic here is to suggest what might have happened if Alexis Carrington had produced a daughter by Prince...!

Down in the smoky, oily, hilarious dressing room, various strippers are pumping up in preparation for their big moments on stage. Don't fret over the fact that this dumbbell (the actual weight, not the man) is obscuring your view...

Soon enough it is down during a curl, affording us a glimpse of those pale purple briefs.

They wouldn't...

They would!

Among the others is Hudson, our man from the shower earlier. He's all excited to be performing the night's big finale. (Why is he in full costume for the finale when all the other dancers who would presumably come before him aren't even in costume yet? One of many probing questions from this Pulitzer Prize winning teleplay...)

After a long day of telling people that their work isn't any good, Blakely is on hand at the bar to watch her lover shake his groove thing for wads of singles.

And he obliges. (He's also set upon by a pack of voracious female clientele who are all over him!)

There's someone out there, though, who might have something to say about how the performance winds up. Despite the intense danger of a neoprene wig in the midst of all those candles, there is a nutjob preparing to cut the night short, so to speak. And he/she does just that! 

Who's on the case? It's Henner! She's a police detective who finds herself pressed into service when Hudson is slashed to death before everyone's eyes by a disguised and deranged fan.

Seen here with members of her team, including rookie Calabro on the far right, this could almost be a scene from "Cagney and Racy!"

It's a tough job, but someone's got to find out why someone is offing those who take it all off...

Henner scopes out the scene of the crime while club owner Down provides what info she can.

As garish and overdone as it may seem by today's standards, I lived for this sort of glam at the time. And within just a couple of years it would be nearly as extinct as the dinosaurs once Seattle grunge and a general lack of glitz settled in.

Probably this moment drives home the idea of "Woman are in charge - Men are eye candy" aspect of the production more than any other. In what is a story twist akin to Joan Crawford's Berserk! (1968), the attacks have not diminished attendance, but increased it at the club.

Things begin to become a bit sticky when Henner (shock of shocks) has to confront the fact that she is not only the lover of Calabro, but also his boss...!

I mean, this movie is female-forward in a few ways, but this chick has to be one of THE least professional police detectives ever. And it's only going to get worse.

Following another near-killing, Henner has a plan up her sleeve. She contacts Down to get her on board with it.

Several of the officers in her squad are called into the line-up room...

...whereupon they are all instructed to DANCE.

This is all "witnessed" by the divine Miss Down, who is more than skeptical at what she's being shown. Before we can get too complacent with the total lack of rhythm on display...

...Henner orders her subordinates to start taking off their clothes!! They do so, albeit with a sense of jocularity.

Down, who's used to specimens of incredible physical quality and possessing remarkable ability of movement, is not having it.

Just then, a latecomer arrives, presumably having actually been at work on a case unlike practically everyone else around. (Even the female police officers have put down their notepads to come and take in this display.) To Henner's discomfort, Calabro starts to shake what his mama gave him as his hapless coworkers look on.

Next comes the shirt...!

Where our rookie detective learned to dance like "Magic Mike: the Prequel," we don't know, but he's got it goin' on!

And the owner of Ladykillers is down with it, too... He's hired!

Even though it was all her idea, Henner makes a feeble attempt to get him to resist joining all the strippers at the club in order to fish out a murderer.

He's all in, though, and before long he's being given the rules and regulations set forth by the gal in charge.

This is not Calabro, but another themed dancer. So what if there's been one murder and one attempted murder at the club... The show must go on! 

Just Sheik it off!

I loved seeing his hair all slicked back... until I saw that he was sporting this rancid ponytail! But he's lookin' good nonetheless. (And fans of his owe it to themselves to see this flick.)

Somehow the newest and least-experienced dancer has been handed the much-coveted finale number...!

How this doesn't lead to mutiny from his fellow peelers I don't know, but most of them are pretty pleasant to him and even offer him oil to slather on himself (though they stop short of rubbing it in.)

Off he goes and off go his clothes... But will be survive the experience?! I'll never tell. But you may see all this and more for yourself by following this YouTube link. Due to the rather low-quality of the upload (for which we're nonetheless grateful) and the already hazy videography of the production, this might be one video that will look better on your phone!

I have to honestly reveal that I have long been immune to the charms of Henner. The costar of the popular sitcom Taxi (which I also rarely watched) was soon to land as Burt Reynolds wife on Evening Shade, another TV success. She has continued to work steadily thereafter and now has enjoyed a 45-year career on screen. It's not that she's bad in this. The role is hideously written to start with. But she's not one of "my" people. Trivia Tidbit: Henner has hyperthymesia, which is total recall memory. She can recall practically every detail of every day of her life since she was a child...! She still acts on TV today at age 71.

Model-turned-actress Blakely is a costar in two 1970s disaster movies, The Towering Inferno (1974) and The Concorde... Airport '79 (1979), so we're more than familiar with her. Once the face in so many ads, catalogs and on magazine covers, she debuted in movies in 1972, later turning to TV with the miniseries Rich Man, Poor Man, which earned her much attention. Having acted with some degree of regularity over the years, she went into semi-retirement following two appearance on This is Us in 2018. But she did return in a 2022 independent film.  She will soon be turning 75.

"I Love the '80s!"

This was a really early role for Calabro, who'd begun in New York theatre and made his movie debut in Exterminator 2 (1984.) Having made the rounds on shows like Father Dowling Mysteries, Columbo, Law & Order and a failed drama Dream Street, he was cast in the prime time soap Melrose Place in 1992. The performers went through a variety of shakeups during the series' run and he wound up being the only remaining original cast member when it was finally canceled. (He also popped up on a 2009 reboot of the show.) Today at 64 he still performs on occasion. Cute as he was in this telefilm, I think he got even more handsome as he grew older. His transformation into a villain on Melrose surely helped develop his acting muscles in contrast to the physical ones he had on display here.  

Down is someone who, for me, can sometimes come off as so ordinary (as in The Betsy, 1978, or Sphinx, 1981) and then suddenly appear fantabulously captivating (such as with the miniseries The Last Days of Pompeii or North and South, in which she perfected the stunned, put-upon heroine.) As I mentioned before, I could hardly get enough of her look here. It gave me the idea of what she'd have been like had she gotten a juicy role on a prime-time soap in the '80s. As it was, she did appear in a handful of episodes on Dallas, but by then (1990), the glory days of glitz were over and she assumed a more toned-down appearance. (Barbara Carrera was the one who occupied the over-the-top glam spot there in a season - 1985-86 - that was so unpopular it was written off as a dream!) Down later had a showy role on The Bold and the Beautiful for several years, but has not acted on screen since 2019. She is currently 69.

The End! (Or is it...?)

:::BONUS PICS:::

I offer a few other things before departing.

I said earlier that I felt Calabro got better looking with age... See if you agree!

These two pics are among several that were used to promote this TV-movie overseas. They (and others like them) show a bit more and go further than the actual content found in the movie.

We never see Blakely with wet hair in the actual telefilm.

This is not necessarily a spoiler. It's one of the first scenes in the movie, so you know that Blakely isn't killing Gary Hudson. She's just pissed. LOL This was used on video covers and so on to entice people to rent the tape.

15 comments:

http://ricksrealreel.blogspot.com/ said...

Wow! Never heard of this cheese fest, I was still waiting tables, I guess!

The first photo of "The Lion Queen" made me think, "Is that Billy Porter?!"

Funny comparison to "Berserk. "This is a strip club, not a charm school!"

Cheers, Rick

Dan said...

Just the medicine I needed for this cold I brought back from vacation. Cheapindales! Brilliant! And couldn’t agree more about Calabro. Never cared much for the baby face type, but once they start getting a touch craggy - mmm.
Thanks for the much needed laughs.

hsc said...

When I started reading this review, I was thinking I had seen this movie, but I quickly realized that I was actually thinking about FOR LADIES ONLY, the 1981 male stripper TV-movie with Gregory Harrison and Marc Singer (and with the participation of Miss Patti Davis (Reagan), the new First Daughter). But I do remember seeing it advertised, even though I missed it somehow.

This one sounds like a lot more fun, and for all the right reasons!

It's a shame the image quality of the available YouTube copy is so bad you recommend watching it on a phone, but maybe someone will dig up and upload a better print somewhere, or it'll resurface on streaming. (Still, if your framecaps look this good, it's probably at least acceptable quality.)

I actually laughed out loud while reading this one, both at your witty comments (I love the way you write) and at the hideous '80s fashion and "hair-don'ts" and the ridiculous stripper get-ups!

The presence of Lesley-Anne Down is particularly amusing to me because I frequent another website ("Frock Flicks") devoted to costuming in period-set movies and TV. They do an annual "Snark Week" making fun of particularly bad efforts (usually '80s-'90s mini-series), and one of the things they've skewered was all the "Books" of NORTH AND SOUTH.

Lesley-Anne Down's costuming, hairdos and makeup came under particular fire in those write-ups, particularly what they dubbed "contractually required cleavage" she constantly displayed. They even renamed her throughout the review because of this-- so forever after now, to me she'll always be "Tits Out" whenever I see her. (Though Stephanie Beacham has certainly given her a run for that name in *her* mini-series appearances.)

One of the things I love about your posts is that you strike EXACTLY the right balance of showing points of interest without revealing too much of the plot, so that's there's still enough to discover if you do follow up and watch-- and even if you don't, your overview is already plenty satisfying in itself. It's an absolute gift you have!

I have to wonder when I see the stripper costumes in this thing, though-- were they *trying* to poke fun at it a little, or were they actually serious?

I guess male stripper costumes were a bit ridiculous sometimes-- Ted Prior appeared on a 1984 DONAHUE episode (one of the first things I ever videotaped on a VCR!) in a baby costume, peeling and shaking it to a disco version of "Baby Face"-- but these are just bizarre. I have a feeling "She-Man" was supposed to be an '80s heavy metal rocker and "the Lion Queen" was supposed to be a nod to CATS, but geez, they're over-the-top and not sexy.

Anyway, an EXCELLENT review! Thanks for another great post and for all you do, Poseidon! Love to all, and be safe and well, everyone!

Gingerguy said...

Omg love love love!! I'm stealing cheapindale's!! So good. That totally tacky mansion, peach and neon. And so true about Blakely's hair, it looks medium fine so that took a lot to get that big. Those dancers are so queeny. Lol on Leslie, she is very Vanity/Apollonia. This was hilarious and truly a perfect combination

A said...

Well, I guess I know what schlock I'm watching tonight.

Thanks, Poseidon, great post!

josh said...

fun post - reminds me of the somewhat similarly themed patti davis/gregory harrison & joan collins/jon erik hexum tv movies - all produced in the fabulous '80s :)

also - you crossed my mind this afternoon while i was at the dentist - i got to catch quite a lot of a CHEYENNE episode with CLINT WALKER and to my surprise and thrill his guest star was PAUL MANTEE - unfortunately they did not have a manly shirtless scene together or display any affection toward each other :(

Gingerguy said...

I went back and watched the whole thing. I also ordered a t shirt that says Cheapindale's. Genius. Morgana/Lesley's outfits were actually laugh out loud. This is a classic. I echo the "cats" reference. I think that guy might have done that show, it looked so familiar. I was so surprised that the police lineup scene was so funny, this type of film is usually only funny where it shouldn't be

joel65913 said...

Hi Poseidon!

Ah what a walk down memory lane!! I did happen to catch this TV opus when it originally aired back when its three main female stars were to varying degrees queens of the movies of the week genre. I think Marilu was the hottest at that moment still in the afterglow of Taxi but Susan Blakely, once she realized big screen stardom wasn't in the cards for her, was the most prolific though Lesley-Anne certainly was in demand. So with the three convening in one place...and with men peeling off in the bargain...this was an unmissable one for me.

While I can't say it was cinematic gold it accomplished its job of passing the time and providing eye candy so I'd say it was a win. Aside from all the (ridiculous) dance routines by the scantily clad men my main memory of this is that Marilu and Susan's characters took an instant hate to each other and Susan referring to herself sarcastically as "An Old-Fashioned Girl" when she was anything but! I also remember liking her character best of the three ladies.

Thomas Calabro was pretty new at the time, and VERY attractive and fit. I never was a Melrose Place watcher but I was aware that as these 80's himbos go his career was pretty consistent and successful. Doing a quick google search he has aged very well. Another example that the aging process is often easier for men than women, especially if they are performers.

Though I saw Susan Blakely on something recently she looks terrific, no question she's had work done but very careful and skillful. She still looks like herself with a becoming hairdo and without an excess of makeup. The last time I saw Lesley-Anne she was playing Margaret Thatcher in the Dennis Quaid "Reagan" biopic. There were some on set photos and she looked great. In her day she did love the big hair, I recall her time on the short-lived soap "Sunset Beach" (LOVED that show!) and she frequently went big, bigger biggest there in the hair department. Marilu Henner on the other hand is a tribute to Botox.

Even if the quality is poor I think I may have to revisit this, you know just to refresh my memory :-)

Poseidon3 said...

Rick, I was a Red Lobster waiter myself in 1988! LOL But I had a VCR... I must have just not felt the need to record this opus.

Dan, I'm glad you liked this. I was impressed at the way Calabro matured! He was cute back in the day, but wowza... Handsome now.

hsc, The National Enquirer heralded the coming of "For Ladies Only" with drool-inducing color pics of Gregory in his Zorro briefs so you can bet your ass I was in front of the TV for that, somehow managing to throw my mother off the scent by claiming, at age 14, that I wanted to see Lee Grant in it. Ha ha ha!!!! She knew I liked her already from "Airport '77." I'm glad you enjoyed my pithy remarks. This one seemed to lend itself to more of them than usual. I just watched North & South I & II and am in the middle of the negligible III and I did marvel at Down's cleavage, often at such inappropriate times! I appreciate your comment about my use/disuse of spoilers. I have to reveal some things, but I do hate to ruin a show or movie for people who have yet to view it! Thank you so much!! One thing I never found very sexy in a male stripper is dancing that is *too* legitimate. I mean, grind it out, don't flit and pirouette around like a ballet dancer! Ha ha! Thanks.

Gingerguy, thanks so much for bringing this ol' dog such a fun bone to chew on. I was skeptical at first, but soon found myself howling at the crazy on display. I don't really go in much for "sculpted" bods, so I sorta liked seeing the everyday cops peel their shirts off and dance badly. At least they were laughing during it and not too toxic in their attitude. (The one short one was very thunderstruck by Calabro's impromptu routine and had funny expressions of reaction!) Take care!

joel65913, absolutely! An unusual triumvirate of TV-movie & miniseries gals. I recall Susan popping up in one called "Secrets" which had her catting around on her husband! Of course her turn as Frances Farmer is the most striking one, I think. With the aforementioned Lee Grant as Mom that was a must-see! I heartily recommend watching Susan's interview on YouTube in the Pioneers of Television channel. She looks WONDERFUL in it and was very articulate in her answers. I only recently found out about Lesley-Anne playing Thatcher and was dumbstruck. I will have to take a look at that at some point...! I hope you watch the movie and enjoy it. Thanks!

http://ricksrealreel.blogspot.com/ said...

Oh, and Playgirl model/dancer/actor Scott Layne as "Gene!"

joel65913 said...

Susan Blakely did well as Frances Farmer, no match for Jessica Lange's performance of that same tragic beauty but that's an impossibly high bar to meet, however the showpiece performance in "Will There Really Be a Morning?" was Lee Grant's horrifying mother. After seeing both this and the theatrical "Frances" I couldn't help but wish that Lee had taken the mother role in "Frances". Kim Stanley was fine but Lee Grant's chilling maliciously ice cold monster (the scene where she put her daughter to bed and told her if she didn't behave men would come and cut out her mother's heart "Snip, Snip, Snip" is something I remember with horror to this day!) was a match for Jessica's titanic work.

I did see Susan's Pioneers of Television interview (a wonderful series) and agree she looked marvelous.

rigs-in-gear said...

For years after this TV flick, I kept hoping some European version would surface with g-stringed dance numbers replacing the bikini panty ones. But no such luck. Your posting revives my hope. I just know that in some vault in some Eastern bloc country languishes a cut of this film with Calabro and Hudson, in the tiniest of thongs, shaking their money-makers for all they're worth.

Poseidon3 said...

Rick, I don't recall "Gene" in the movie, but I won't soon forget those pics of Scott...!

joel, I completely agree with you! Lee would have been awesome in the feature film. I have nothing against Stanley (who tends to be quite revered), but she doesn't usually speak to me the way many other actresses do. (And, yes, I've seen "Seance" and other things of hers.)

rigs-in-gear, I hear you on that. There is a photo out there of Blakely atop a male (I won't spoil which one) and she's clearly topless, though obscured. Although she does show pretty much in that scene for a 1980s TVM. Just a better lit shot from another angle. I thought I found a longer version on ok.ru, because the run-time was 4 minutes more, but I think it's due to a glitch or two in the tape that was uploaded. ;-)

joel65913 said...

Hi Poseidon!

I'm right there with you on Kim Stanley. A very talented woman but she doesn't register on film the same way others do, including Lee Grant. I remember the first time I watched Kim in Paddy Chayefsky's thinly veiled portrait of Marilyn Monroe "The Goddess". Her performance was solid but I felt nothing for her character because she remained remote and unknowable throughout.

It comes down I think to that elusive something that makes a movie star (or star supporting player) vs. a talented actor. Best example I think since they were so similar-Tallulah Bankhead and Bette Davis. Tallulah got there first and was supposedly electric on stage (as apparently Kim Stanley was as well) but while she's entertaining on film she doesn't pop (except maybe in Lifeboat) the way Bette does even in dreck. There's just something innate in her presence that MAKES you watch her.

Shawny said...

I didn't know about Calabro, but man is he handsome! Better older for sure. I googled him and daddy daddy daddy!