Reunited: Trapped on "Logan's Run!"

We grew up loving the 1976 sci-fi thriller Logan's Run. In fact, it was a huge childhood fave of mine that I still occasionally like to revisit.  The story line (of a post-apocalyptic society in which people are only permitted to live - in a general state of pleasure - until they turn 30) was exciting, scary and titillating enough to this 9 year-old that I was near ecstatic when I found out that there was going to be a resultant weekly TV series version. (Hey, there were all sorts of leftover sets, props and costumes on hand that could be put to good use.)

Michael York played Logan, a sandman whose tasks included chasing down anyone who was over-30 and did not submit to the ceremony of "Carousel," in which a chance at rebirth was possible, but more often ended in death. He "ran" when his own time was taken from him, joined on his adventure by fellow runner Jessica, played by Jenny Agutter.

Sadly, I was left bewildered when the characters I'd come to know were no longer essayed by York and Agutter. In their place were a couple of young performers who bore no physical resemblance to their big-screen counterparts. The role of Logan was now performed by Gregory Harrison (who I would soon enough come to adore in other things) and his fellow runner Jessica was played by Heather Menzies. At least I knew her from her childhood role as Luisa von Trapp in The Sound of Music (1965), a much-beloved movie of mine.

Menzies was rather blatantly styled to resemble then-white-hot Farrah Fawcett, who had a small supporting role in Logan's Run, thus combining the attributes of two women into one.

Harrison was, and is, cute as a bug, but he shared almost nothing in common with the lithe, "veddy-British" York. And at this point had only scratched the surface of a screen career, unlike the then-in-demand York.

Following the series' pilot, the story focused on Harrison and Menzies struggling in the barren outside world, always looking for "Sanctuary," the promised land of all runners. The second episode found our duo surrounded by sand and rock formations with no available water.

Little do they know that they're being watched by a pair of glitzily-dressed strangers. Linden Chiles (an actor who only occasionally dabbled in sci-fi; more often portraying businessmen and lawyers) and Leslie Parrish portrayed these folks. Parrish, an actress most often used decoratively, had figured in a memorable episode of Star Trek as a crewmember who is coveted by a Greek-godlike alien.

 

Miraculously, Harrison and Menzies find a sumptuous oasis nestled in the desert and immediately hop in the water, cooling off and drinking it simultaneously.

Soon enough, they are greeted by a fellow runner who tells them that they are within striking distance of Sanctuary.

 

They are taken there and shown the "idyllic" location, complete with swans in the surrounding lake. (Not sure where this was filmed, but this is the damnedest-looking place one could think of... and I don't think it was a "set" specifically constructed for this show, but perhaps it was.)

Parrish and Chiles form the welcoming committee and show the weary couple to their quarters.

Once inside, Menzies is given a new dress "just like one she had" at the City of Domes and then is presented with an old friend of hers, a runner whose fate she was unsure of.

The old pal is played by Lawrence Casey.

Harrison can't help noticing how cozy the two are after seeing one another again and finds the whole thing rather suspect. He is also alarmed by the fact that there is a video book in their room turned to the precise page that he left his own on before fleeing the city!

Some of you may recall Casey from his days on The Rat Patrol, a WWII desert adventure series. His delicate Nordic features had taken a beating from the scorching Nevada sun. Not to seem unkind, but he was only 36 here! Having retired in 1992, he is 81 today.

There is just nothing like 1960s & '70s sci-fi when it comes to the slinky, often hilarious, costuming. I love it all so much, no matter how tacky or humiliating. And the sets, too!

These two lunkheaded guards filled out their tights pretty nicely, especially the one on the right.

But I digress. The title of this post is not "Guest Who" as I sometimes do. It's "Reunited." Thus, I have deliberately avoided letting you see the face of one of the episode's key guests. I'm rotten that way... Ha ha!  (Though I know that most of you will never ever see this program anyway!) It concerns the runner who met up with Harrison and Menzies at the tropical oasis.

Surely you've got it now...

Yes, this is Angela Cartwright. She had earned her sci-fi stripes on the series Lost in Space, but this was a reunion for her with Menzies as Cartwright had portrayed her younger sister Brigitta in the aforementioned The Sound of Music. 

Rare is the person who has never seen this enduring blockbuster (though they are out there!)

I couldn't love Eleanor Parker's face here any more if I tried. I also love the composition in this frame.

The actors who portrayed the Von Trapp children in the hit movie formed a close bond and a lifelong association with one another.

Many, many times over the years, often on anniversaries of the movie's release, the "kids" would be reunited for another round of photos and reminiscences.

And, every so often, such as here, they might get to work with one another again. Of course, most of the Von Trapp children moved out of the biz upon adulthood. But the ones who continued to act would sometimes find him or herself working again with their on-screen sibling.

As a regular costar, this was certainly Menzies' show and, thus, Cartwright had a less prominent role to fulfill.

Dig that "futuristic" '70s decor!

But it did at least give them the opportunity to perform together again, not to mention spend time with each other during the shooting schedule.

And Cartwright figured rather importantly in the finale of the episode, too.

This program ought to have been quite a draw for "leg men" out there! Parrish, who was then about 42, still had hers. She would retire from the screen altogether, though, the year after this. She'd just wed author Richard Bach and was always heavily invested in sociopolitical and environmental issues. She's still with us today at 86.

Her cohort on this episode, Chiles, continued to act in countless television projects and low-budget movies. He died in 2013 at age 80 after making the fateful decision to ascend a roof, which resulted in a deadly fall.

Menzies worked less frequently after this brief series was canceled. She had wed TV actor Robert Urich in 1975 and most often popped up in his hit shows. He bravely fought cancer before being claimed at only age 55 in 2002. Sadly, she later faced cancer herself and it was a shock when she died in 2017 at age 68. Harrison is a favorite here and has long had his very own tribute. Also up for the role of Logan was one Nicholas Hammond, Friedrich in The Sound of Music. Soon after, though, he landed the leading role in the short-lived The Amazing Spider-Man. (And he guested on Logan, too! Maybe sometime I'll take a look at that as well.)

Surely it was a treat for these fine, "feathered" friends (see what I did there?) to get to work together again. Cartwright opted to work less and less as adulthood took hold. Having married in 1976, she preferred to focus on motherhood to her two children as well as her lifelong interest in photography. Now 69, she periodically pops up with a cameo role in various incarnations of her old Lost in Space series.

Friends for more than 50 years.

The End! (I know... butt I just couldn't resist...!)

Guest Who: "Vega$" Show Girls

What scarce free time we achieve in The Underworld is nearly always devoted to vintage movies or TV and we always try to share that which catches our eye (in the event that it may also please your own!) During some recent viewings of the Aaron Spelling-produced private eye show Vega$ (1978-1981), we got a small kick out of some of the ladies selected to make guest appearances, thus this entry in a long series of posts on the subject of TV guest stars. (At least once before, we hit on some of these folks as well.) Depicted here is the show's star Robert Urich and a gaggle of actual Las Vegas showgirls (grainy footage of who was shown over and over and over duing the series' run!)

In its first season, Vega$ was outfitted with an extensive supporting cast, rather unwieldy in truth, because they always had to somehow fit in a moment or two with each character. Shown here are Judy Landers (as Urich's ditzy secretary), Urich, Phyllis Elizabeth Davis (as Urich's girl Friday) and Tony Curtis (as owner of the Desert Inn and Urich's boss.) Landers was dropped by the second season, policewoman Naomi Stephens (not shown) was also dropped and Curtis was always recurring, actually, appearing less and less as it went on.

Shown here are Mission: Impossible's Greg Morris (as the local police chief), who was added early on and stayed, and Bart Braverman (as Urich's bumbling assistant), who remained with the show all along, too. Note the now-brunette hair of Davis. Before we begin the guest star parade, I want to mention that I did something a little different this time, which I hope might make it more fun. It was accidental at first, then purposeful thereafter. I'm going to show the guest with her face turned away so that you might attempt to guess her identity before the next, revealing, photo. So you may want to keep this in mind when scrolling if you wish to endure this. LOL

First up we have a female arche- ologist. The lady is inside a cave containing thousands upon thousands year-old American Indian cave drawings (this is assuming that Tori Spelling didn't wander on to the set and scrawl them on there while visiting daddy at work??) While in there dusting the place, she hears the sound of motorcycles outside and wanders out with her binoculars in time to see some bad guys making a getaway in the wake of a crime.

The lady archeologist is, of course, famed relic (sorry, I simply could not resist!) Joan Van Ark, later of Knots Landing! Prior to her lengthy gig on Landing, Van Ark made a ton of TV guest appearances, some of which have been noted here before. This was one of her very last ones before showing up on Dallas as Valene Ewing, which soon lead to her starring role on Knots Landing.

One thing that always sort of intrigued me what the choice of eyebrow delineation that Ms. Van Ark selected for herself... They were peculiarly thin, but also very straight across. Recently, I read that you can tell when a man has had a brow lift because male eyebrows are generally straight across/horizontal while women's tend to be arched. Not here! If you followed her show, she went in for some crazy-ass hair in the mid-to late '80s, but eventually resumed more subdued locks.

Next up, we have dim bulb Judy Landers taking "dance" classes from an instructor. They're actually "exotic" dance classes, intended for strippers because I believe Landers was about to audition for a role in something that called for a stripper, so she needed help. (She hardly ever wore many clothes on Vega$ to begin with, so God only knows what she was going to be taking off...!) So, anyway, the guest is the exotic dancing instructor.

The actress in question is Vivian Blaine, star of movie musicals during the 1940s and '50s. One of her key movie roles was in the 1945 State Fair, in which she was a big band singer who breaks Dick Haymes' heart. But her casting here is of interest for another reason.

Blaine had originated the role of Miss Adelaide, singer and Hot Box dancer (burlesque strippers) at The Kit Kat Club in Broadway's Guys and Dolls. She'd peel off bits of costume in songs like "A Bushel and a Peck" or "Take Back Your Mink." In 1955, she repeated the role in the movie Guys and Dolls, opposite Frank Sinatra, committing her famous solo "Adelaide's Lament" to film.

The way the episode was going, I wondered if they were ever going to throw the poor dear a close-up! They kept the focus mainly on Landers, but finally the camera did make its way to Blaine's then fifty-seven year-old face.

I don't know how many of you will be aware, but Miss Blaine was one of THE first - and most vocal - advocates for the awareness of AIDS and the need to offer support, education, compassion and funds to the disease which was claiming so many lives in her chosen business of entertainment. It took a higher profile celebrity (Elizabeth Taylor) to really get the movement started on a grand scale, however, but we salute Blaine for speaking up and out during a confusing, scary and controversial period. (Others who were lending their name at the time included Betty Garrett, Adele Jergens, Terry Moore, Virginia O'Brien, Mamie Van Doren, Marie Windsor and Jean Simmons.)

Here we see Urich approaching a Las Vegas costumer for the splendid shows performed there. I think this one will be a gimme to some of you due to the hair (and, alas, those who don't recognize the hair probably won't know her under any circumstances!)

The costume designer is played by the ever- elegant Miss Anne Jeffreys. Jeffreys seemed to be at virtually every Hollywood social event of the 1980s and her precisely coordinated and perfectly accessorized get-ups were often chronicled in Star Magazine's "What Were They Wearing?" two-page spread. I chose this shot with her eyes closed so you could see her make-up. This was 1979, still a while yet before the world got a glimpse of Joan Collins and her ultra-heavy eyes on Dynasty (which didn't hit their stride until about 1983 or 1984. Nor did Donna Mills' on Knots until about that time or maybe a touch sooner!)

Miss Jeffreys' character runs a high-stakes poker game out of her home, which Urich wants to observe as he's hunting down a killer and only has a sketch to go by. She was about fifty-six at this time. It's interesting how today's fifty-six varies significantly in a lot of ways (generally younger clothing, hair and so on...), but I do think she looks good.

Later, Urich heads to her house and she's heavily-swathed in a green chiffon number as she lets him in through the back, kitchen entrance. Did you know that the durable Miss Anne Jeffreys carried on a seventy-one year career before the cameras and is still alive and kicking today at ninety-four?? Good for her.

In our next episode, we find Urich placed in charge of escorting a Middle Eastern princess who is visiting the U.S. under threat of danger. This duty (of being a bodyguard) is outside his usual realm of expertise and he initially declines the job... until he meets her!

The pert young thing is played by Kim Cattrall, then only in her early-twenties! She's painted a deep brown, with her hair tinted dark to complete the effect. The man at her side, by the way, is Puerto Rican-descended actor Henry Darrow of The High Chaparral (1967-1971), who would later portray the Cuban cigar model Fidel Santiago on a memorably hilarious episode of The Golden Girls.

Cattrall is likely best-known for her run on Sex and the City (1998- 2004) as the sexually voracious and adventurous Samantha Jones (though my generation probably knew her best as the rather vocal object of desire of Boyd Gaines in the raucous Porky's, 1981!) On Sex and the City, she always had blonde hair, so, for fans of her on that, it's likely quite a surprise to see here here in "brownface!"

In the course of the guest appearance, she charms Urich almost immed- iately, causing him to undergo quite a bit of worry when, first, someone tries to kill her and then, later, she is kidnapped! As shown below, Cattrall enjoyed a variety of outfits in this guest shot, though her hair was always straight and usually very shiny throughout.

Now we move on to the next chick. This gal plays a young lady who'd once had a difficult upbringing in Las Vegas, then left for a while, only to return once more bearing the weight of a heavy secret.

You may recognize her as the daughter of Tippi Hedren, one Melanie Griffith (then twenty-three), sporting what might be her actual natural hair color (something we've seen precious little of since the 1980s dawned.)

Griffith comes back to Vegas and is greeted by her benefactor and virtual foster parent, played by semi- regular Will Sampson, but, before long, she's knifed to death in his hotel suite, with him facing the blame for her murder...

She, of course, went on to a string of leading lady roles in the cinema, notably 1988's Working Girl, for which she won a Golden Globe and earned an Oscar nomination (which went to Jodie Foster in The Accused.) Now fifty-nine, she still makes the occasional film, but recently popped up on several episodes of the Hawaii 5-0 redux (if you can recognize her!)

Incidentally, in this very same episode, Las Vegas fixture Lola Falana makes a cameo appearance as herself (being interviewed by '70s TV staple Laraine Stephens.) For reasons known only to her, she performs the entire scene as herself in this completely ditzy, wide-eyed, perfectly ridiculous manner that is more than a little head-scratching!

Next we come to one of TV's most hoary cliches, the cloistered nun suddenly having to be exposed to the outside world. In this case, she rents a room in a "no-tell" motel and doesn't seem to realize it...

The nun is played by, of all people, Camel-voiced Cassie Yates, then coming off a string of movie roles, but soon to become more situated in TV guest roles and telefilms. Her character has left the convent in order to track down a beloved (and bejeweled) cross, which was stolen by a bummed-out loser. This look was apparently considered light make-up in those days!

Urich has to explain to her why there are mirrors on the ceiling over her bed, before finally transporting her out of the flea bag motel and placing her in a room at the Desert Inn. He then assists her in her quest for the cross (as she lucks out at the slot machines and gaming tables, turning her loose change into enough money to pay her way through the adventure.)

At one point, she is forced to go undercover (or come out from being covered?) and show her hair and don secular clothing in order to ferret out the thief. This character, presumably due to the bantering chemistry that she and Urich established, returned in 1980 for a follow-up appearance.

Here we have a down on her luck runaway, being arrested for nabbing hotel guests' sandwiches and the fruit garnishes from their drinks in order to nourish herself (her pregnant self.)

You might not recognize this guest star even after clearly seeing her face!

Nevertheless, chances are that you have seen her or - almost certainly - have heard her before! She sort of has a chameleon-like face that changes from shot to shot based on the lighting.

This is Terri Nunn, whose character is being hotly pursued by a number of people, some of who aren't what they claim to be. Nunn guest-starred in a series of TV shows from Police Story to Barnaby Jones to Lou Grant and T.J. Hooker as well as appearing in Thank God It's Friday (1978.)

But her biggest claim to fame, by far, came when she revolutionized her looks and became the lead singer for the '80s pop group Berlin. Berlin had several big hits including "The Metro," "Sex (I'm a...)," "No More Words" and, especially, "Take My Breath Away" from Top Gun (1986.) Nunn (and Berlin) is still at it. She is currently fifty-five.

Our next guest is a swimsuit designer (for Goddess Swimwear.) You can see from the silhouette that it is not Esther Williams, though she'd have been a fun choice to play this particular guest role...

The lady in question is played by the colorful Eve Arden, shown here with her son, the resistible Gary Crosby, and one of her models, Barbi Benton.

Someone is trying to sabotage her swimwear line and the planned poolside fashion show (which also features a bevy of synchronized swimmers in the pool, another facet that would have made Williams at home, though Arden is always enjoyable to watch.)

Arden appears in a variety of flowing, flouncy get-ups and, as always, is made up to the hilt.

I include this shot (of tardy Benton - who is ridiculously short compared to the other models - racing out to the pool to make it into the photo) because of the hilariously stiff and stationary extras who were placed next to the doors for atmosphere. Well, speaking of atmosphere, his skimpy swimwear did take my breath away for a moment!

Up now is a hot pop singer, headed to Vegas for a fabulous show.

Turns out this is Lisa Hartman (perhaps known better these days as Lisa Hartman Black, thanks to her marriage to country crooner Clint Black.)

In a series that was never lauded for its extreme taste- fulness, this has got to be one of the most seedy and trashy episodes. Hartman is seen bathing in a bubble bath before being dragged from the water by a rapist wearing nothing but a ski mask, who proceeds to molest her on camera! Urich has to convince her to report the crime, lest it happen to anyone else.

Hartman, who went on to play Neely O'Hara in the wretched miniseries Jacqueline Susann's Valley of the Dolls (1981), gets a bit of a dry run for the role here as she berates a wardrobe mistress over the cut and style of her revealing stage costume.

She winds up being kidnapped by the sicko, but rescued by Urich in time to hit the stage that night and perform her little fanny off to a roaring crowd of fans... This was a reunion of sorts for Hartman and Urich for, in between his hit series S.W.A.T. (which was cancelled prematurely due to an anti-violence on TV movement) and Vega$, he gave comedy a try on Soap and also on Tabitha, as love interest to Hartman's bewitching character (the grown up daughter from Bewitched!)

Now sixty, Hartman Black rarely acts anymore, but concen- trates more on her singing and her marriage to Black, whom she wed in 1991. After this Vega$ appearance, she continued to remain busy on TV in movies and on series until 1982 when she joined the cast of Knots Landing. Her character was killed off, but she was popular enough to return again as a lookalike, staying until 1986.

In this episode, the storyline concerned a Private Eye convention. One of the attendees, a female detective, was played by an actress we all know from her youth.

The lady in question is Heather Menzies, known for her role of Louisa Von Trapp in the blockbuster musical The Sound of Music (1965.) She's seen here with fellow guest star Gary Collins in the navy blue sportcoat.

Menzies, though, was a particularly special guest on Vega$ because she was married in real life to the series' star Urich.

The two of them had fun as she demonstrated self-defense techniques on her real-life hubby, flipping him and dumping him on his keister (in his li'l blue Nike gym shorts.)

Someone at the convention is bumping off detectives one by one, and Menzies is in danger herself! Of course, Urich is on hand to protect her the best he can. The two were wed from 1975 until Urich's altogether premature death from cancer in 2002.

The prior episode was not the first time that Menzies showed up on Vega$. She appeared the previous season as a pretty blonde police officer with her eye on Urich. (That one has a truly hysterical, "must see" finale!) She made a third and last appearance on the show in 1981. Miss Menzies-Urich is now sixty-seven and has not acted on screen since 1990, her last couple of gigs being opposite her beloved husband.

Now we come to the finale, the storyline focusing on an explosive women's right activist who is jailed for murder and must be defended by a tough, skilled attorney, the woman shown here with her back to us. I can't imagine this is anything but a gimme to the seasoned film fan...

Yes, the lawyer in question is played by Miss Shelley Winters. Though Winters had previously shown up on McCloud and Kojak and also took part in the miniseries The French Atlantic Affair (1979), it was still a rather rare thing to find her working as a guest on TV at this time.

For most of the episode, she's outfitted in some business- like suits, though always accented with chunks of jewelry, as she strives to clear her tempestuous client (played by Lynne Marta.)

The customary Winters line readings and facial expressions are in place, though she attempts to present a more straight- laced persona than usual. She also wears a steady variety of hats on the show, doubtless courtesy of producer Aaron Spelling's favorite costume designer Nolan Miller.

To that end (and the end of this post), I give you the divine Miss W. in a glamorous fur concoction that would have made even Dynasty's Alexis sit up and take notice! I don't think I have ever seen her so glitzed out. Winters never partook of any of the multitudinous 1980s primetime soap offerings, but this sequence shows us what it might have been like had she ever been tempted into doing a run on Dallas, Dynasty, Falcon Crest or any of the others! (When she did finally turn to series TV on a recurring basis, it was, surprisingly enough, on the decidedly blue collar Roseanne.)