Showing posts with label Sid Caesar. Show all posts
Showing posts with label Sid Caesar. Show all posts

Wednesday, July 17, 2024

Poseidon Quickies: Beefy "Burnett"

While this isn't the first time I've pointed out a dose of beefcake to be found on the long-running, iconic variety series The Carol Burnett Show, this was a new one to me. (For those keeping track, it's season one, episode fourteen, from December of 1967.) I watched it on Crackle, though it may be available elsewhere.  The segment, cleverly called "Fiddler on the Forum" took its title from shows like "Fiddler on the Roof" and "A Funny Thing Happened on the Way to the Forum," the later having been released as a feature film the prior year, though the sketch's plotline leaned more towards something like Quo Vadis? (1951) or Samson and Delilah (1949.) 

This "disclaimer" was hilarious! The scroll also noted stars such as "Ursula Undress," "Warren Body," "Raquel Wench" and "Sex Harrison."

We find a flamboyant Harvey Korman as an indulgent emperor along the lines of Nero or Caligula.

As was so often the case, costume designer Bob Mackie had a field day coming up with the elaborate, yet abbreviated, costumes for all the cast members of the sketch. These gals, of course, being part of the Ernie Flatt Dancers.

Then Burnett makes her grand entrance as Empress Passionata. Um, speaking of abbreviated, check these "togas" on the servants carrying Burnett's litter!

As much fun as Mackie had outfitting the girls, I'm sure he had at least as enjoyable a time arranging these get-ups! 

Things clearly aren't exactly blissful between the Empress and Emperor.

Things start to look up for Burnett when slave/prisoner Sid Caesar shows up in chains.

She prefers his (supposed!) brawn over the foppish Korman.

I can just about tolerate Caesar and never thought he was handsome, but it must be said that his arms and overall physique don't look bad here.

Korman flashes a ton of leg as he rises to protest this little snuggle-up between his wife and a captive. Tale notice, too, of the statue behind Korman. It's a neat set piece.

Burnett tries to shield Caesar from her spouse's wrath. (But check out the guy with the painted on goatee between them. He's a dreamboat!)

If he isn't your thing, perhaps his travel-sized buddy will do?

Next thing you know, Caesar is compelled to take on one of the top gladiators, a towering brute.

Needless to say, he has his reservations...!

Seeing this dude brought back fond memories of when I played Miles Gloriosus in "A Funny Thing Happened on the Way to the Forum," though I didn't bare my chest... (Sorry, folks. Just had to stick my fat face into this post! Ha ha!)

This is how sketch comedy needs to be done. Semi-nude statuary and semi-nude background players... HA!

Again, this scenario brought back memories. What I covered up on top, I made up for with bare legs. Something a true gladiator would never have. Heigh ho...

Unlikely as it seems, Caesar is able to fell the gargantuan brute.

Then Korman, again flashing plenty of leg, gets in on the action.

Somehow Caesar (whose name really fits this sketch!) manages to do away with him as well. (This shot affords a good look at Burnett's elaborate costume - if you can tear your eyes away from the guy on the far left!)

The skit comes to an end with Caesar and the various remaining cast members assembled. 

They proceed to shake their groove things in a group dance.

Here's a better look at goatee man. But wait, there's more...!

Does his pal, the man on the right here, seem at all familiar? He's given his own little "bit" in the sketch.

This is among the earliest work of Broadway actor Lee Roy Reams. A Masters graduate of the Cincinnati Conservatory of Music (CCM), he had worked on The Great White Way in "Sweet Charity" before appearing in 13 episodes of The Carol Burnett Show in 1967 and '68. He went on to play in "Oklahoma!," "Applause" (as seen here with Lauren Bacall), "Hello, Dolly!," "42nd Street" (a Tony nominee) and "La Cage aux Folles," among others.

Later, he played the LEAD in "Hello Dolly!" in drag and took on the role of cross-dressing Roger in "The Producers." So you never know what you're going to stumble upon while checking out vintage TV (or, for that matter, Poseidon's Underworld!)

Till next time!


Wednesday, March 4, 2015

Departure From Columbia 409

Two years ago I did something a little different in that I paid tribute to all the performers we lost the prior year who had been featured in my beloved 1970s disaster movies. I didn't do it last year (even though we lost Miss Karen Black in 2013!), but this year I couldn't help noticing that in 2014 three participants from 1974's Airport 1975 flew away to that great beyond in the sky. So I'm belatedly giving them a little send off.

First up, in alphabetical order, is funnyman Sid Caesar. Though he got his start in the movies in the mid-1940s, it was really television that put him on the map. His legendary spoofs and skits on Your Show of Shows (1950-1954) along with many other variety show performances assured him a spot in TV history.



As you can see below, he was a rather nice looking guy in his youth.
He, however, got the most mileage out of screwing up his face into zany expressions for comedic effect.
Never afraid of being (in fact, eager to become) a buffoon for the cameras, he worked like a dog on the weekly, LIVE ninety-minute show.
Shown with him here is his partner in crime from Your Show of Shows, Imogene Coca, who some of you may recall as the crotchety Aunt Edna in National Lampoon's Vacation (1983.) (In real life, Caesar had one of showbiz's most successful marriages, lasting nearly sixty-seven years and ending only with her death in 2010.)
Caesar was paired closely in Airport 1975 with Miss Myrna Loy. He played an eager-beaver bit actor who was proud that a movie he'd recently appeared in was being shown on the flight.
She played a lady who enjoyed having a beverage or two, specifically a boilermaker (a combination of beer and whisky!)
Caesar's other memorable films included It's a Mad, Mad, Mad, Mad World (1963), Silent Movie (1976) and Grease (1978), to name a few. He was ninety-one when he died of natural causes on February 12th, 2014.
Next up is Ed Nelson. Nelson started out with bit roles in low-budget, mid-1950s movies, many by director Roger Corman. Among the prestigious titles he toiled in are Swamp Women (1956), Attack of the Crab Monsters (1957), Invasion of the Saucer Men (1957), Teenage Cave Man (1958) and The Brain Eaters (1958.)

He proceeded to steady work in television, appearing on countless episodes of various popular dramas, adventures, crime shows and westerns.
In 1964, he landed the principal male role on the prime time soap opera Peyton Place (on which he appeared until 1969.) He's seen here with costars Mia Farrow and Dorothy Malone.
The goings on of the small, yet elegant, town of Peyton Place gripped viewers as the series ran twice a week (and, for a time, three times per week!)
The cast changed quite a bit over the course of the show, but Nelson was on for the entire run (along with Barbara Parkins and - except for a period of illness - Malone.)
Nelson's role in Airport 1975 is small (and his face is obscured during much of it due to the heavy fur around his hood, his helmet and the goggles he wears.)
He plays the Air Force major who attempts to dangle from a cable attached to a high-speed helicopter and insert himself into the cockpit of the disabled airplane (which has a gaping hole on one side caused by a mid-air collision.)
Nelson continued to be a fixture on television through the '70s, '80s and '90s. Like Caesar, he had a very successful marriage (and six children), the sixty-three-year union only coming to an end upon his death of heart failure on August 9th at the age of eighty-five.
Lastly, we come to Efrem Zimbalist Jr. Zimbalist first began acting on the stage. Then, after an earlier abortive attempt in the movies (partly halted due to his wife's terminal illness from cancer), he began working in them with more frequency in the late-1950s.

Among his movies were Too Much, Too Soon (1958) with Dorothy Malone, The Crowded Sky (1960), in which he flew a small jet into Dana Andrews' passenger liner - the exact opposite of what happens in Airport 1975, and By Love Possessed (1961) opposite Lana Turner.
He also played Jane Fonda's love interest in the hooty 1962 film The Chapman Report.
However, TV was his primary bread and butter. He starred on the highly successful detective series 77 Sunset Strip from 1958-1964.
Then he proceeded to the even more successful and long-running series The F.B.I. (1965-1974), as seen here with hunky William Reynolds.
In 1967, he played Audrey Hepburn's husband in the thriller Wait Until Dark.
His role in Airport 1975 was that of the stalwart pilot whose facial expression reflects the oncoming small plane, piloted by Dana Andrews, that is headed right for them.
As a result, he is badly injured, blinded, yet insists he be kept conscious in order to help provide possibly helpful information to the stewardess who's been left to fly the aircraft. Zimbalist's remarriage was one that lasted fifty-one years and yielded his third child, daughter Stephanie, who became a successful actress in her own right (notably with Remington Steele, 1982-1987.) When he died of natural causes on May 2nd, he was ninety-five years of age.

These three gentlemen enjoyed longevity in career, marriage and life and in the wacky, warped universe that is Poseidon's Underworld, they are immortal because they were hired to work on a sometimes tacky, often silly, sequel to a Hollywood blockbuster. But that is life in the Underworld. We worship what we want, no matter what the surface dwellers might think! We thank them for being part of our universe.