Guest Who: Hammer Time!

There have been countless TV series devoted to police work, from the procedural (Dragnet) to the family friendly (Adam-12) to the hip (The Mod Squad) and beyond. However, 1972 brought about the exemplary anthology series Police Story, peppered with top writers, directors and performers who brought an edgy, adult, sometimes bleak, angle to the proceedings. With a (nearly always) different cast each week, there was freedom to present practically any type of story. There were some topics covered that episodic TV had heretofore barely allowed, especially with the gritty handling afforded them here. I can't forget to mention the arresting music for the series as well. The gallery of actors and actresses who pop up on the show make it a joy to behold, but this time we're going to zero in on one who certainly caught our eye. It was the very first episode of the series, following the pilot, and was directed by John Badham (who six years later would helm a little something called Saturday Night Fever!)

The ostensible star of this installment is James Farentino, a busy actor of the 1960s and '70s who also later popped up in the second season of Dynasty. Playing an undercover cop who is trying to infiltrate a prostitution ring, he goes ALL-IN with the deliciously crazed clothing options of the early-'70s. One could look far and wide and come up empty-handed when trying to out-do some of the get-ups he has on here. Interestingly, he also plays opposite one of his ex-wives, Elizabeth Ashley, and they even have a love scene, despite having divorced seven years prior!

It's 1972, baby, and no one has ever been able to truly duplicate that overall look and vibe of the people, places and things. Today's cameras always make it all look too glossy and nice (and sharp.)

The photo with the little boy in his arms is of the character's ordinary street clothes. I included that because of the fit of his jeans. You might recognize buxom Francine York in the happenin' yellow ensemble.

Take note of The Underworld's favorite extra, Leoda Richards, in the thick of things above-left as always! While the lower-left outfit was one of the more eye-popping, I really dug this blue see-through shirt, open to the navel...! One of my very earliest posts at Poseidon's Underworld zeroed in on this 1970s look.

This being the '70s, it seems like every third character is sporting a bulge (another one of my earliest observations, which spawned a whole series of posts on the same theme.) The actor above, Eric Server, was playing a character called "Royster," who would later figure prominently in a Police Story spin-off.

Here we have Charles Dierkop who, interestingly, would take over the character of "Royster" in a later episode of Police Story and then carry it on to the spin-off show Police Woman, which starred Angie Dickinson. Dierkop is also sporting some revealing jeans, as he nearly always did on the show. But these are really just appetizers prior to the main course, which is about to be served...

Special guest star in this episode, and playing the villain of the piece, is Fred "The Hammer" Williamson. Williamson was a pro football player (known for hammering his opponents on the field with a swift arm chop!) who retired in 1968 and followed the lead of Jim Brown by turning to acting for a second career. He had a recurring role on Julia as Diahann Carroll's handsome boyfriend and later became a key figure in the Blaxploitation genre of tough-ass action flicks.

Here, he's a highly-charming, yet highly-dangerous, pimp with a penchant for roughing up the women around him. Here, he's even wielding the knife end of a corkscrew to show Farentino what can happen to those who cross him.

This moment, the first real scene with Williamson, was the one that was eye-popping. Greeted by the undercover Farentino (who is accompanied by Ed Bernard, who would also become a regular on Police Woman), Williamson is working one jaw-dropping white-on-white combo.

Hammer time, indeed!

It takes a lot to draw attention away from Bernard's funkalicious outfit, but Williamson manages to do so. Did I mention his character's name is "Snake McKay?!"

During a side-view, we can make out his tighty-whitey briefs.

Only in the '70s, folks...

Even when he's dressed in traditional men's wear, he got a fair amount of torque going on the crotch. He's seen here with Elizabeth Ashley. The clothes sprinkled throughout this episode are about a captivating as the story line.

Here we find Mr. Slick in one incredible jacuzzi...

The one concession to television standards and practices is that his woman is wearing a bikini. You know in their own backyard she'd at least be topless in the real world.

Williamson had, at this time, gone from supporting parts in movies such as MASH (1970) and starred in a couple of his own, notably Hammer (1972), but would very soon explode as a go-to guy in a whole series of rough and ready, lowdown action flicks. Many of these, albeit not for every taste, are among the mostly highly-regarded of the genre. 

He also, soon after this, would become one of the earliest male celebs to pose semi-nude for Playgirl. (In its earliest days, the famous men often showed almost everything instead of everything, though that would soon change - as when Williamson's peer Jim Brown posed a year later in 1974.)

You didn't really think I was going to wrap this up without presenting a couple of examples from that shoot did you?

I wouldn't dare caption this any further... Ha ha!

The End!

Fond Farewell: Waggoner Rolls On...

One of our very favorite television shows as a child of the '70s was The Carol Burnett Show, with the rubber-faced star keeping us entertained to the nth degree through her nutty comic concoctions, aided by a stunning set of costars: Harvey Korman, Vicki Lawrence and Tim Conway. When I was old enough to really watch the show, today's subject had already departed it. It was only through syndicated reruns that I ever saw Lyle Waggoner on the program, and in truth most of the ones he'd appeared in never made it to the pared-down 30-minute versions that were shown (and still are.) But what I saw, I liked. Then he began costarring in a different television series that I adored, so he became even more familiar to me. Today we pay photographic tribute to the career of Mr. Lyle Waggoner, a model of family, fitness and fun who enjoyed his time in the spotlight, but happily segued into another career when the time came to do so. He died March 17th, 2020 at the age of eighty-four following a bout with cancer.

Waggoner was born on April 13th, 1935 in Kansas City, Kansas. After service in the U.S. Army, he attended a technology school and played a role in a local production of L'il Abner. The 6'4" hunk was married at twenty-six and had been a door-to-door salesman of various products from encyclopedias to corn-cob holders when he decided he might need to give professional acting a try. Almost daily, customers would look at the man before them and remark, "You ought to be in pictures." In 1964, he turned a large profit on some salt (for ice melting) and picked up and moved to Hollywood. He was placed in MGM's New Talent Program after networking at a party filled with actors and agents. The eventual result was a role on Gunsmoke followed by a supporting part in a low-budget 1966 epic called Swamp Country.

The video release, long after the theatrical one, elevated his billing several steps above what it had been in 1966. Prior to these lesser acting gigs, Waggoner earned money as a model, putting that square jaw to use in a Schick razor ad and hawking other products for what was a great yearly take in 1965, $20,000.

The lean, handsome neophyte next popped up in Catalina Caper (1967) a hooty, campy, beach party type of mystery/adventure flick with Tommy Kirk starring.

Waggoner played one of the bad guys, his tall dark looks mostly lacking the sunny smile that would soon be his trademark.

Far more degrading was his "role" on an episode of Lost in Space, in which he was, literally, third alien on the right!

The tough times were far from over for the fledgling actor. He next found himself "playing" a virtual chess piece as an alien in the highly tacky and low-budget movie Journey to the Center of Time (1967.)

Waggoner was working, but not in anything worthwhile. The credits of this one didn't even get his name right, spelling it "Waggner!" 

In 1966, Waggoner had come incredibly close to winning what would be a game-changing part on TV, that of millionaire Bruce Wayne, who moonlights as Batman. He screen tested for the role (and God knows he had the chin for it), but it came down to Adam West and him for the part and West had a better grip on the comic elements of the deliberately cartoon-y show. Waggoner later acknowledged that he didn't have the chops at that time to essay the part properly. But things were about to get better...

In 1967, increasingly popular comedienne Carol Burnett was about to break through in very very own sketch and music series after a successful stint on The Garry Moore Show. Her producer husband wanted a handsome, "Rock Hudson-like" hunk for Carol to swoon over in skits.

Burnett flipped over the tall, beautiful Waggoner and he joined Harvey Korman and Vicki Lawrence as costars of The Carol Burnett Show.

Needless to say, Waggoner learned a great deal about acting, comic timing and practically everything during his tenure on the show (which was from 1967 to 1974.) Never quite zany enough to have developed his own wacky, running character, he was most often used as a straight man for the other cuckoos.

He did memorably ape then-hot Olympic swimming champion "Mark Spritz." (Mark Spitz, for you young'ns was our generation's Michael Phelps - and better looking from my point of view.)

In one sketch with Burnett playing a version of Charo, Waggoner performed in only a Speedo, with Spitz's mustache, medals, and milk on hand (Spitz was a spokesman for the American Dairy Association.)

He said nothing at all through the entire sketch, so that he could expel a mouthful of water (!) near the very end! Burnett did what many viewers might have liked to when she ravaged him on the TV host's (Steve Lawrence) desk.

He also played a humpy guard to a horde of Ben-Hur-ish galley slaves, flogging them to a faster pace until ancient Tim Conway shows up to wreak havoc.

Everyone acknowledges costumer Bob Mackie's sparkling and colorful confections for Burnett, but he also had fun dressing (or barely dressing!) Waggoner...

The show was famous for its moments in which the cast (usually egged on by the insane Conway) broke character and lost it in the middle of a skit. Waggoner had a memorable one of these instances when his WWII prisoner went up against Germany's greatest interrogator... The preposterous Conway whipped out a Hitler hand-puppet and threatened Wagner with it.

He began to hit Waggoner with "this club"...

...and then tried to "break him" (or break him up!) with an endless rendition of "I've Been Workin' on the Railroad." I regrettably let Tim Conway's passing go by without a tribute back in May of 2019, and he was a truly hysterical comic performer - particularly on this show. But let's be honest... I almost always go for the hunks!

Waggoner loved the folks at The Carol Burnett Show, but there simply wasn't enough for him to do, certainly little of much challenge, so he left in 1974 with Conway as a permanent replacement instead of frequent guest star. While on hiatus in 1972, he tried to branch out with a part in the decidedly offbeat horror movie Love Me Deadly.

In it, he played the ostensible leading man, romancing pretty blonde Mary Charlotte Wilcox. But she's got a secret. And it's a DOOZY! I will be watching and profiling this movie very soon. I'd never even heard of it until researching this post.

While he was still on Burnett, Waggoner had done several TV guest roles, comedic and dramatic, as well as a few specials and TV-movies. He also quite a lot of theatre (including "The Owl and the Pussycat" with Gilligan's Island's Dawn Wells!), but in 1973 he really took a leap of faith when he became one of Playgirl magazine's first celebrity centerfolds!

The married father of two drew the line at full-frontal nudity (and in its very early days, the magazine did not feature such in any case), but showed off a still splendid physique.

This, only one year after Burt Reynolds' infamous Cosmopolitan centerfold, was pretty much skin for a working actor to show outside a film role.

This alternate frame from the shoot shows a squintier smile, as he's about to laugh, versus the photo selected for the magazine (and another millimeter or two of personal space.)

That gorgeous body was still being put to use in 1975 when Waggoner filmed a pilot for a new TV series. He'd missed his shot with Batman, but when Wonder Woman came along, he was cast as her best friend and object of affection Steve Trevor, a plane crash victim rescued by the Amazons of Paradise Island.

I'm on record as being obsessed with Chris Pine, who plays Trevor in the new movies, but we weren't exactly starved of beefcake when it came to Waggoner, at least in the pilot. The series proper never gave us yummy scenes like this one!

Having helped to heal Waggoner, Wonder Woman (played by the divine Lynda Carter) returns with him to America in order to help him win WWII.

While he remained mostly buttoned up on the show, thereafter, at least he looked dapper in his uniforms and still had his square-jawed handsomeness on display.

After one season, the show switched networks as well as time periods! This time, the show was set in the mid-1970s and Waggoner was playing his own son, Steve Trevor Jr. Not only was the romantic angle played down now (how perceivably icky for slow-aging Wonder Woman to now go after her loved one's son...), but Waggoner slowly but surely kept winding up on the sidelines of almost all the stories. It led to tension and disappointment for the two remaining seasons on the air.

Wonder Woman was never a top ratings grabber, but it amassed a cult following that exists to this day. Waggoner finally had a signature role on a notable series, but the dynamic in which it began (with him being the "name" star opposite unknown Carter) and the way it emerged (with Carter losing her early baby fat and becoming a lean, tan, international sensation while his part decreased) did cause a certain amount of unhappiness. Happily, years later, the two were able to look back with fonder memories of the series and their time together.

Waggoner continued trying to branch out in new directions. In 1978, he'd played a small role in Darren McGavin's Zero to Sixty as a bartender to whom the star poured out his problems, often with a hand on him...

...only to find out that he was sitting in a gay bar, unbeknownst to him!

Having already embarked on a career steeped in a certain amount of camp, he helped solidify that standing by appearing opposite Zsa Zsa Gabor as rich passengers on the splashy new series Supertrain (which flopped incredibly.)

Waggoner made the familiar rounds on The Love Boat and Fantasy Island and, as shown here, joined Carol Lynley as a guest on Charlie's Angels. The forty-five year old was still in decent shape, but was about to do even better.

Waggoner had wed his wife Sharon in 1961 and the two eventually had two sons together. The two of them had always placed an importance on good health and personal fitness. As the writing on the wall with Waggoner's career became clear, he opted to supplement his occasional acting gigs with a successful business. He developed a movie location trailer company that became an industry leader. (That early success as a salesman was paying off once more.)

He and Sharon also were models of middle-aged physical fortitude.

In these 1980s photos from a beach-side event, they were arguably in the best shape of their lives.

Theirs was a long (sixty years!), very happy union in which it is nearly impossible to find photos of them together in which they are not clinging together and beaming with happiness. It's one of Hollywood's best kept secret marital success stories. Somehow, amid the craziness of the '60s, '70s and '80s and the temptations of Tinseltown, they held firm as a devoted, very satisfied, couple who were only parted when Mr. Waggoner passed away a few days ago.

Even with the success of Star Waggons, his trailer rental company, he continued to pop up on TV or in the occasional movie. In the notoriously awful 1984 flick Surf II, he played a sunglasses-wearing police chief. (BTW, the film's best joke is that there never was a "Surf I!")

The makers had deliberately set out to make the worst movie ever (though there is worse, believe it or not!) As Chief Boyardee (get it?), he never removed his sunglasses, which was probably a smart decision.

The powers that be in La La Land might not have had any great use for a handsome, in-shape silver fox, but he remained active and continued to pop up on the occasional show such as Murder, She Wrote or on various sitcoms.

One of his more memorable latter-day appearances was on the hit series The Golden Girls, in which he appeared as himself, a date of Bea Arthur's who - in a tale that winds up being one of Blanche's dreams - is competing for her affection with Sonny Bono.

He also took part in some of the reunions involving his old costars from The Carol Burnett Show. (In fact, he reportedly missed out on getting to film a cameo in the 2017 Wonder Woman because he was busy with a Burnett Show event - a 50th anniversary celebration - during the time it would be shot.)

One thing Mr. Waggoner never lost (including his fit and trim physique) was that winning smile.

Though he quit acting in 2005, he still was making personal appearances while in his eighties until his health became affected recently.

If you are a casino frequenter, you know that his handsome face shines out from two different Wonder Woman slot machines that have proven to be very popular. He is unlikely to be forgotten any time soon.

We do mourn the passing of this genial gentleman with the handsome face, bright smile and winning attitude. Our condolences also go out to his adoring family who have had to say goodbye to him. We're so glad we had this time together...