As I continue to visit these All-Star Party broadcasts, I wish I'd have done them in chrono- logical order instead of so randomly. But they haven't been uploaded in such a time-line anyway, so I didn't have much choice. This one, a tribute to Miss Ingrid Bergman, was from 1979 and has a different feel than the more garish ones that came later in the 1980s. (Even considering that the video quality is less than amazing, there's a overriding aura of brown/beige to it! Occasionally a hint of pink here and there bursts forth.) Needless to say, fans of Bergman ought to enjoy this, but fans of her movie
Casablanca (1942) ought to really appreciate it even more!
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The evening is kicked off by the prior year's honoree, in this case Mr. James Stewart. Stewart was growing a beard for what would be his last (and surely most obscure!) on-screen motion picture, A Tale of Africa, released in 1980.
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Eventually, he moves to what may seem a familiar spot; it's the actual set from Rick's Cafe in the movie Casablanca!
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Next, he introduces Dan Seymour, the original doorman in the film...
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...followed by Leonid Kinskey, the original bartender!
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As Dooley Wilson, the original pianist, had long since passed away, Stewart introduced Teddy Wilson (no relation) to play the piano.
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Still not finished, the actor who played her husband in the film, Paul Henreid, is brought out to round out the scenery.
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Is has to have been interesting for Casablanca fans to not only see these folks reunited, but on the set in which they acted and in color now (not that the decor is bursting with many varied hues.)
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At last the guest of honor is announced and Miss Bergman comes forth.
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Bergman, heralded as one of the screen's natural beauties, is lovely, but I have to confess that I HATED this dress. I hated the design and the tailoring of it. Whoever came up with it may have wanted to pay tribute to her Joan of Arc, but it paid her no favors as far as I'm concerned.
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Henreid and Bergman are seated and given drinks from the familiar bartender.
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As seen here, she is delighted to be reunited with Kinskey after more than 35 years. (This smile turned to a frown when they brought out the remnants of the original hamburger that Ilsa had ordered at Rick's Cafe American back in '42... okay, I made that up....)
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Soon enough, the evening gets a lift when no less than Frank "Ol' Blue Eyes" Sinatra comes out to croon "As Time Goes By!" Note that big ol' pinky ring.
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Bergman's appreciation of the performance is obvious.
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Cary Grant soon bursts forth and is in charge of assisting her to her seat. He and Sinatra escort her to her table. Grant and Sinatra had once costarred in The Pride and the Passion (1957), during which Sinatra was quite a pill, but they appear to have enjoyed this little reunion all right.
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Stewart calls upon Goldie Hawn to speak next. At her table, just behind her, is Mike Frankovich, a producer who had much to do with Hawn's early film career. Next to him is his elegant wife, veteran actress Binnie Barnes.
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Some of you may be wondering... Goldie Hawn? But she was a costar in the 1969 Frankovich-produced film Cactus Flower, in which Bergman was the lead. And she won and Oscar for her kooky performance.
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After an anecdote about meeting Miss Bergman for the first time on set, Hawn is called upon to introduce the folks seated at Bergman's table.
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Among them are Barbara Marx (Mrs. Frank Sinatra), Henreid's wife (of over 50 years) Lisl, Bergman's daughter Pia Lindstrom, Roberto Rossellini Jr, Isabella Rossellini, her husband (never had a clue about this!) Martin Scorcese and Gloria Stewart (James' wife.)
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This was probably my favorite part of the program. The whole situation of Bergman being practically run out of Dodge for her affair and eventual marriage to Roberto Rossellini was not glossed over, but dealt with head on. And Bergman's fellow player in her comeback film, Anastasia (1956), Miss Helen Hayes came forth to run a clip from the movie (for which Bergman won her second Oscar.)
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Upon seeing Hayes, Bergman sprang from her chair and ran to her for an emotional reunion. Even though modern science has sort of spoiled it, Anastasia is a beloved movie of mine and I loved both of these ladies in it.
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Danish comic pianist Victor Borge is next with one of his incident-laden routines.
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Then, amid a train car set from Murder on the Orient Express (1974), Richard Widmark sings the praises of Bergman (who won her third Oscar for a remarkably small role in said film.)
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Peter Falk appears to relay a tale about that Oscar night. He was the presenter of the Best Supporting Actress statuette and when Bergman won, she revealed that Valentina Cortese (in Day for Night, 1973) really ought to have won as far as she was concerned.
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Fellow Swede, and one-time drama school classmate of Bergman's, Signe Hasso stands up to recall the actress's breakthrough film Intermezzo (1939), which is followed by a procession of violinists. (Note Sammy Davis Jr next to Hasso, just across the aisle from Sinatra.)
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Then Sweden's Council General is brought out to punctuate the proceedings with a special announcement and presentation.
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He bestows on Miss Bergman, a rarely-given medal dating back to the 1700s for her artistic merit, offered by the King of Sweden! This shaped up to be quite the night.
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One of her costars from Gaslight (1944), Joseph Cotten, introduces a climactic clip from that film, which earned Bergman her first Oscar.
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Out of what seemed like a sea of thick eyeglasses comes Jack Albertson. (I don't know if today's older stars have all gotten Lasik or walk around half-blind or what, but there are fewer examples of this now!) Albertson is one of only two-dozen (to date) thespians to have won the "Triple Crown of Acting" (an Emmy, a Tony and an Oscar.) Miss Hayes is also one and so is Bergman. Having heard rumors that Bergman might retire, Albertson breaks into a rather startling rendition of "You Oughta Be in Pictures." As it was, Miss Bergman was already grappling with cancer and made one final TV-movie before it claimed her in 1982 at only age 67.)
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As was the custom, Monty Hall then came forth and made the presentation of a hospital wing in Bergman's name. "The Ingrid Bergman Pediatrics Floor" was granted to a Des Moines, Iowa hospital.
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Two-time costar Cary Grant stood up to introduce Bergman in order for her to give her remarks on the night. Even though he'd requested this spot in the show, his intro was so very brief it was downright awkward! Just as we settled in to hear a long list of accolades for her, he was down after a brief sentence or two...! (Seen in the lower left corner at his elbow is Barbara Harris, who would become his fifth and last wife.)
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This was surely a memorable, emotional evening for Ingrid Bergman, from various reunions to the presentation of her medal and her hospital floor. The evening wrapped up with Bergman narrating some rare, early home movies of her. She had a fourth child, Isabella's twin Isotta, who was not there for some reason. Few knew that the star was battling a disease that would take her life in just a couple of years.
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We wrap up this post, as usual, with a selection of crowd shots that include various notables. Here is David Janssen with wife Dani Crane. He would be dead even before Bergman after suffering a heart attack in 1980 at only age 48!
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Behind Jack Albertson can be found Charles Bronson and his wife Jill Ireland. They were virtual fixtures at these events.
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Ted Knight of The Mary Tyler Moore Show and Too Close for Comfort.
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Hal Linden of Barney Miller.
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Laugh-In's Dick Martin was also nearly always at these events. Behind him is prickly, legendary TV host Jack Paar.
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On the left is Martin Balsam while on the right is Keenan Wynn.
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Finally, adding a splash of color to the rather neutral proceedings is Miss Rhonda Fleming. The program can be seen in its entirety right here.
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7 comments:
More fun! Did Keenan Wynn and the Bronson's sleep on that set?
I'm so surprised they kept those 2 sets around, Casablanca makes mores sense, as it was already revered. Ingrid so matronly. I wish this had been done "Cactus Flower" era as she and Goldie were groovy in that. Scorsese and Isabella were married??? He is Mr Italian but I had no idea. I'm struck by how mature they all look. Pre Botox is one thing but hair and clothes are much younger now on middle aged people. In the days of 7 tv channels specials like this were manna from heaven
I am positive that I must have watched this when it was originally broadcast but I don't remember it vividly, so this recap was most welcome!
Oh, I adore Ingrid! Such innate grace and an open, earthy friendliness. You just felt watching or listening to her that if you met her on the street or at a function, she would be the same as you saw her.
Plus, she was one of the most skillful actresses of the Golden Age. Her method was very pure and simple with minimum if any affectation. Love that she was Susan Hayward's favorite actress even though their techniques were quite different. They worked together early in both their careers in Adam Had Four Sons (Ingrid's second Hollywood film before she found her footing and Susie's first role of any note unsurprisingly playing a faithless hellion) and remained admirers of each other and on friendly terms for the remainder of Susan's life.
Well after that little excursion into my actress obsessions let us return to the show at hand. First to most of the older men wearing those monstrous eyeglasses. Those were the days when glasses were just that-glass and they needed those big heavy frames to support the weight, add in lined bifocals and it's a wonder we could see their eyes at all!
I agree Ingrid's dress is unbecoming but then she was never known as a style icon. The best I ever saw her look in her mature years was when she presented the surprise double Best Actress award to Kate Hepburn (or actually director Anthony Harvey who accepted for her and Barbra Streisand). It was a beautiful flowing gown with silver accents including around her neck. Speaking of Oscars, her acceptance speech for Murder on the Orient Express when she basically handed it off to Valentina Cortese (who honestly should have won) is an amazingly gracious moment.
I do remember Isabella Rossellini and Martin Scorsese being hitched for a few years. I was not surprised it was short-lived, they seemed an odd match to me.
So many familiar faces in that sea of black and beige!! Bless Rhonda Fleming for breaking with the crowd and going for a flattering pink. I really must click on the link and revisit the show, hopefully the memory of seeing it the first time will come flooding back!
That remark about her smile turning into a frown as the remnants of an almost 40 year old hamburger was HILARIOUS!! That ranks up there with that remark about some TV movie with Burgess Meredith wanting to perform oral sex on a guy and the picture you had was brilliant. My warped sense of humor loves this type of stuff.
Gingerguy, hilarious....! Maybe the Orient Express section had a pull-down sleeping berth. I'm glad I wasn't the only one startled to learn about Marty and Isabella. Only someone who lived through it can truly understand the LIMITED ACCESS to broadcasts back in the day. Today the sky is virtually the limit!
joel65913, if you re-watch this and don't get a little choked up here and there I would be surprised, especially if you are so fond of Ingrid. That's really neat about Susan Hayward and her. I didn't know that. I do love Ingrid's remark to Valentina... "Forgive me, I didn't mean to!" So special and gracious. It came after what could have been misinterpreted as a dicey comment, "It's always nice to win an Oscar." !! LOL I hope you enjoy(ed) watching the show!
SkippyDevereaux, Ha ha ha!!!! I'm glad that my perverse sense of humor made you laugh. I try to subtly slip in a zinger or two whenever possible. I had forgotten about ol' Burgess, but it's in a post on a TV-movie about a plane in distress ("SST: Death Flight" I think?) I write very much like I speak and I continually try to punctuate conversations with off-the-cuff crap like that. Hah! Thanks much.
Been out of the country the past two weeks, so have some catching up to do. Well, maybe not all that much, since I have no memory whatever of these tributes. But those were my college years, which happily coincided with the disco years so, yeah, not much television happening then. I’ll have to give these a watch some time.
The guests list are a bit of a head scratcher to me. Never connected Ingrid with Ted Knight or Dick Martin but, who knows? Maybe they got together for canasta.
Bergman seems to have been one of those performers truly loved, not just admired by her peers. I believe she was initially asked to play the countess in MOTOE, but she preferred to play the nursemaid. Maybe she felt more comfortable playing the humbler role - or, more likely, knew what she could do with it.
In the penultimate pic, is that Karl Malden between Balsam and Wynn?
Dan, I've heard that about Ingrid being offered the Countess role first! Savvy of her to mine the gold out of the less showy part. (Wendy Hiller scared me shitless as a 7 year-old moviegoer! The whole movie did, though, from the opening kidnapping to the reveal of the knifings.) I did consider Karl in that pic, but decided that he didn't really look like that in 1978. I think it's someone similar and not he... But I can't be sure with the video quality so limited. Thanks!
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