Sunday, December 11, 2022

"Checks" Mix

In 1978, this 11 year-old went to see Every Which Way But Loose, starring Clint Eastwood and, among others, a captivating orangutan sidekick who pretty much stole the show. The $5-million film was derided by critics, but audiences adored it and the makers cried all the way to the bank with their $104-million take and soon developed a sequel. By 1996, viewers weren't unfamiliar with the monkey business that can come from an orangutan costar, but a generation had passed, so why not truck it out once more? Hopping on board the Home Alone series bandwagon of slapstick and pratfalls, 20th Century Fox banked on Dunston Checks In to place butts in seats for the new year. Unfortunately, the $16-million production didn't even bring in $10-million after the dust settled. (The truly awful and cheap-looking poster seen here surely couldn't have helped any!) I went to see Dunston for one reason alone... The movie contained a costarring appearance from my favorite post-1960 actress, Faye Dunaway. I looked for nothing more than that, but as the movie started, I was more than surprised at what was being presented to me.

The hotel in the movie, obviously modeled after 1920s architecture, bears no resemblance to the skyscraper on the poster.

Having taken note of said poster, and by now long-weary of the then-popular "Seattle grunge" and virtual absence of glamour in the world, I was very unprepared for the elegant settings and other accoutrements that were about to be displayed before me.

The opening credits feature a flurry of activity as the (fictional) old-school 5-star hotel The Majestic readies for another day of business. Then in the restaurant biz for 14-years, I could take interest in that aspect of it. And as a big fan of Arthur Hailey's Hotel, it was fun to see a vaguely similar sort of establishment on screen once more.

The costume designers and art directors went all in to create a logo and a whole battery of accessories which bore it or employees who wore it. It recalled those days of Airport (1970), when fictional Trans Global Airlines had the logo all over along with a battery of flight crew uniforms to coordinate with it.

I bet there are some young folks out there who don't even realize/recognize exactly what this is, times have changed to such a degree since 1996.

Into this art-deco inspired marvel comes the persnickety Glenn Shadix and his beloved pooch Neil (after the astronaut, Neil Armstrong.)

It became clear rather early on that there was at least going to be an attempt at some creative style here. The concierge is looking into the mouth of this fountain, which has suddenly stopped spouting.

When it bursts back on, a complete melee is created in the hotel lobby. (In the interest of not spoiling every stunt setup or bit of slapstick, I am not revealing all the details of the various antics which occur during Dunston.)

The fountain hasn't malfunctioned. It's just the the manager's two young sons (Eric Lloyd and Graham Sack) have been mischievously wrangling with it to seek revenge on an employee they dislike and the result is total havoc.

Keeping calm under duress, the clerk phones said manager and informs him that he may want to come down to the lobby to check things out...

The manager is one Jason Alexander. And if he thinks he's got problems, well, this is merely an appetizer of things to come.

After seeing to the comfort of Shadix and Neil...

Alexander informs his misbehaving boys that they are grounded. 

There are worse places to be relegated to than a 5-star hotel, however. Despite this hiccup, the family (mom is sadly deceased) is planning a family vacation to take place the following week. First Alexander has to get the hotel's social event of the season, The Crystal Ball, behind him.

Ever-inquisitive Lloyd spots a well-traveled steamer trunk in the lobby. It seems to be emitting some unusual sounds.

He's soon interrupted by the trunk's owner, Rupert Everett (doing his best - or worst? - Terry-Thomas impersonation.)

Everett is then accosted by socialite Jennifer Bassey, who's met him before and who happens to be in New York City without her husband. Everett seems interested...

But he's more preoccupied with what's on her than her!

Up in his suite, he brings Bassey up on his desktop computer and we see he has a run-down on her assets.

He also has an unusual accomplice! Sam the Orangutan plays the title character of Dunston. (I will break from tradition and refer to Dunston instead of Sam, for clarity's sake.)

Everett dons a bellman uniform in order to do some reconnaissance work for the job at hand and Dunston informs him of what he thinks of the plan.

Meanwhile, the hotel is tossed into a tizzy. One after another, employees play a game of telephone, warning the next person in turn of a "Dubrow Alert!"

Staff members freeze in place, unable to fully grasp the terror that is about to befall them...

The DuBrow Alert refers to Elena DuBrow, co-owner of The Majestic line of international hotels, played by the one and only Ms. Dunaway.

Carrying a pocket recorder, she makes notes to herself about every detail she's come across since entering the premises (the door is still directly behind her!) including that the lobby is 3 degrees, no, make that 4 degrees too cold...! La Dunaway acknowledged that she was playing a part that was inspired to a degree by Ivana Trump, but she also cited Mike Ovitz. The truth is that her character is more a combo if Ivana and hotel baroness queen Leona Helmsley, complete with aged, inert husband who she treats like a pesky child.

On her way to Alexander's office, she is gently run into by a hotel employee who is carting Neil around. (Note actor Nathan Davis as Dunaway's rather doddering spouse.)

Alexander is busy grappling with his youngest son when he gets the call that Dunaway is on the premises. He's about to toss the child out, but it's too late, she's energetically making her way down his hall!

Once inside, she makes a beeline to his wall where a plaque signifies their 5-star status in the industry. Removing her golden, star-like brooch, she augments the display.

It seems like Le Monde Traveler is assessing hotels all around the world in order to assign a coveted SIXTH star to only one. She's convinced that it will be the Majestic as they prepare for The Crystal Ball.

Certain that they will earn this award, she informs Alexander that she wants him by her side at the ceremony next week. When he protests that he's taking his boys on vacation, having already canceled the prior one, she's having none of it.

Lloyd, tucked under the desk, begins to protest to his put-upon father.

Thus Dunaway is perplexed, as is her husband, when Alexander begins carrying on a conversation with his own lap!

Finally, boss lady spells it out. If he doesn't bring home the sixth star, "time off won't be a problem..." She then wants to liven up the staff a little by having someone fired. She chooses the young lady who ran into her in the corridor.

Alexander soon calls the gal in and tells her he will give her one week's paid time off with the caveat that she has to run out of his office crying, which she does. Dunaway won't recall her specifically beyond that.

Unaware of Everett's burglary schemes, Alexander runs into him and is given a less than stellar appraisal regarding the hotel's operation.


Back in the room, Dunston is entertaining himself with a movie on TV... Planet of the Apes (1968)! - a 20th Century Fox film.

He's under strict instructions as to what the do when the time comes and as he's looking in his trunk, we spy an old poster with Everett, him and his older brother, now sadly deceased (and likely at the cruel hand of his unfeeling master.)

The signal delivered, Dunston heads out the window and goes to Bassey's room, where a red ribbon marks the spot.

On her dressing table, we spy some of the necessary items Bassey needs to pull it together (though no one leaves her contacts sitting out this way....)

Some items are more startling than others...! I presume they figured that the silicone falsies would zip right over the head of most kiddies in the theater.

Dunston looks through all her things, having some fun along the way.

He also tries on the better part of her large hat collection!

Finally! The promised land.

During this escapade, Lloyd is on a rooftop dog run with Neil and suddenly the canine senses something amiss. Soon Neil has rocketed off the roof into space (like Armstrong, the astronaut!)

While searching for his projectiled pup, Lloyd comes into contact with Dunston for the first time, albeit briefly.

Fortunately, Neil has landed into a dumpster rather than the pavement, but Shadix is still nonplussed... and no tip will be forthcoming!

With the ball on the horizon and Lloyd claiming to have seen a monster, Alexander is at his wit's end with his sons and now wants them to stay confined to their suite altogether.

Bassey returns to her rooms and is horrified at the disarray and the absence of her jewelry.

Meanwhile, as Dunston is reluctant to turn over his loot to the dastardly Everett, we see just how nasty he is capable of being if pushed too hard.

Luckily, the orangutan makes a swift escape out the window and into a ventilation shaft.

Even with the necessary discipline, Alexander shows affection towards his sons, who are still trying to adjust to the death of their mom.

Dunaway, suspecting Everett of being the Le Monde agent, mistakes his snooping for Dunston as a thorough inspection of their establishment.

Trying to take his mind off the evening's events, Lloyd flips on the TV... to King Kong (1933!)

He hasn't been imagining things, though. In the night, Dunston comes in and explores around, eating the bananas that have been left for him in the process.

The next morning, realizing that the orangutan is in the ventilation system, Lloyd talks Sack into lowering himself into the vast array of tunnels to try to locate him.

He needn't have bothered, since the simian makes his presence known topside!

Dunaway, secreted amidst a pile of luggage on a rolling rack, tells Alexander that Everett is their man and that he should focus on pleasing that guest in particular.

There's more trouble in store, though...

Dunston makes his way through all the facilities, usually to disastrous effect.

Bassey is receiving a sensuous rubdown from masseur Alexander Walters (then of As the World Turns, whose voice here was overdubbed by another actor!)

When he steps away from her for a moment, she starts to get monkeyed with by Dunston!

Without looking, she thinks that her usual masseur has gone ape-shit on her... and she likes it!

Next, Dunston finds himself interested in the cucumber beauty masks on a pair of gals in the spa.

Alexander finds Everett skulking though the spa as well as getting tongue-lashed by young Lloyd for his treatment of the orangutan. Trying to make the best of things for the hotel's sake, he attempts to smile his way out of the misunderstanding.

Against his will, Lloyd is compelled to apologize.

Dunston's latest trip through the shafts has brought him to a rooftop greenhouse where he reaches for a stray green leaf, clearly missing his natural habitat.

Inside, hooty character actresses Lois De Banzie and Natalie Core are waiting for Alexander to come in and discuss an upcoming charity venture.

Their pet cause is only so because "the good diseases were already taken."

This moment, when Alexander finally lays eyes on Dunston himself, contains a surprising (for a kids movie) curse word that I thought was fall-down funny.

Out he goes to the greenhouse to see for himself.

Meanwhile, the ladies enjoy booze out of a flask...!

Now it's time to get serious. Buck LaFarge is called in to rid the place of this unwanted beast.

This deranged creation is portrayed by one Paul Reubens, making a return on-screen after four years in the wake of his arrest scandal. (Reubens was discovered - oh my god, no way! - masturbating in an adult theater! I mean, who does that?!) 

Alexander and Dunaway can hardly believe their ears as Reubens describes how orangutans can make their way into establishments such as theirs. Mommie Dearest (1981) and Pee Wee's Big Adventure (1985) are movies I practically know by heart. There was no way I was going to pass up the alternate reality universe which had the title characters from each one performing together, even if the subject matter had been tectonic plates...!

As a life-long Dunaway fan, I'm well aware that this was her new(-ish) face, but I think she looks incredible throughout this movie (as well as 1993's The Temp.) It was a controversial decision to make, but I have to concur that her doing so slapped a couple of decades of viable movie work onto her resume.

Reubens plans to use a tranquilizer dart on Dunston, yet remains aware that on the simian's 4' frame, it will more than likely him him.

Lloyd has managed to find Dunston in the greenhouse and wants to get him out asap, but it's too late.

Reubens is on the prowl...!

After a bit of excitement, Dunston has made his escape!

"I like obsessive people... they get things done!"

The orangutan did hurt himself while fleeing, but Lloyd's big brother Sack helps to put him back together with a bandage. Now having to protect Dunston from both his maniacal owner and the animal control agent, the two kids come up with a scheme.

Randomly selecting a name from the phone book, they disguise their furry friend and check him into his own room at the hotel! (Dunston checks in!)

It's just as well because The Crystal Ball is upon them and Dunaway wants Alexander to lock his boys into their room for the night. Nothing can spoil the evening and the La Monde reviewer has to be impressed enough to warrant that sixth star.

Up in Dunston's suite, all sorts of monkey business is taking place. He and Lloyd are taking a bath together while Sack orders all kinds of menu items from room service which feature bananas!

They play frisbee and have all kinds of fun in the luxurious room until time for a nap.

Preparations are under way for the gala event and Alexander is inspecting each aspect...

...and this is the icing on the cake.

If you think this monstrosity of a cake makes it to the end of the movie unscathed, I suggest you watch more slapstick comedy... Ha ha!

Upstairs, Lloyd explains to Dunston what a zoo is (presumably the Central Park Zoo is visible from the window) and how it might be a better place for him to live.

Still believing Everett to be the La Monde critic, Dunaway is all over him at the ball.

Having cut my teeth two decades prior with The Towering Inferno (1974), I'm all in on watching a decked-out Dunaway roam around a garish celebration.

Speaking of garish, Reubens shows up (along with a bloodhound!) in this get-up.

And, of course, it wouldn't be a party without Dunston.

Alexander can hardly believe his horrible luck when the boys show up to tell him that their simian pal is once again on the go...!

Everett, though, is first to spot him. He dives under a banquet table to reach his unwilling accomplice.

"God, he's thorough..."

Everett pleads with Dunston to give in and come with him.

But instead a series of unfortunate events begins to unfold.

A roomful of elegant partygoers and an orangutan on a chandelier. What could go wrong? The movie is available for viewing here should you choose to check it in, er, out!

Alexander had perfected his craft on the stage and was a rather constant presence on Broadway in the 1980s. Shows included Merrily We Roll Along, The Rink, Broadway Bound and Jerome Robbins' Broadway, for which he won the Tony. He also won bit parts in movies until landing his most identifiable role of George Costanza on Seinfield in 1989. Nominated for seven Emmys without winning, the series shot him to mainstream fame. The year before this, he'd performed in a TV version of Bye Bye Birdie opposite Vanessa Williams. Since the end of Seinfeld, he's remained busy, yet able to choose the projects he wishes to work on. He's currently 63.


Oscar-winner La Dunaway had endured movie career trauma after the squalor of Mommie Dearest (1981) and the coffin nail that was Supergirl (1984), both managing to typecast her as deranged divas. In an attempt to switch gears, she played almost everything else on TV and in lesser movies, but few of them resonated. Barfly (1987) came closest to restoring her reputation during this period with The Handmaid's Tale (1990) also helping to a degree. Don Juan DeMarco (1994) with Johnny Depp and Marlon Brando helped to bring her before mainstream movie audiences again, as did The Chamber (1996), but her hey-day as a cinematic leading lady was over. One of her finest moments from this time was an exquisite episode of Columbo, written by Peter Falk, which brought her an Emmy. The tireless actress has worked successfully on stage, on TV and in the occasional movie. She is currently 81. 


Young Lloyd was already a veteran performer by the time of Dunston. He'd done an episode of The Wonder Years in 1989 and several shows after that. He also had appeared in The Santa Clause (1994) and would return for that film's sequels. He also worked for Woody Allen in Deconstructing Harry (1997.) Though he continued to act (notably in the Christina Applegate sitcom Jesse), he ultimately segued more into the area of sound design, where he's found success. Currently 36, he's still popping up in the latest incarnation of The Santa Clauses

 

Like Alexander, Everett had also begun on the stage in the early-1980s. He burst in films with Another Country (1984) and Dance with a Stranger (1985) before experiencing a setback which was partially rectified with The Comfort of Strangers (1990.) In something of a slump at the time of this film, he scored a showy supporting role in the smash-hit My Best Friend's Wedding (1997) with Julia Roberts and proceeded to An Ideal Husband (1999) and The Next Best Thing (2000) opposite Madonna, which was not a hit, but unlike many of her movies did manage to break even. He's since kept busy with a return to the stage, roles on British TV and a well-received movie The Happy Prince (2018), which he wrote, directed and starred in as Oscar Wilde. He is currently 63.


Sack had gotten started on Broadway with Lost in Yonkers and worked a bit on television, but acting wound up not being his thing in the end. Pursuing an extensive education, which includes a PhD in English & Literate from Columbia University, he's been involved in virtual reality film-making, including writing and directing several projects. He is currently 41.


Reubens was a member of the improvisational comedy troupe The Groundlings wherein he created a variety of zany characters, not the least of which was the zany man-child Pee Wee Herman. After a successful stage show featuring the character, the world was handed Pee Wee's Big Adventure (1985), which became a cult classic. Pee Wee's Playhouse followed in 1986 and ran for five seasons. Reubens receded from view for a time following that adult cinema arrest, but eventually returned with guest roles on Murphy Brown and character parts in movies. Caught up in another scandal in 2002, he was inaccurately accused of possessing child pornography. The lifelong collector of, well, almost anything(!), had scads of vintage erotica that had been characterized as something it was not. Scratching back in the wake of this second incident, he continued to voice-act, pop up in further colorful roles and revisited his most famous character in Pee Wee's Big Holiday for Netflix in 2016. Reubens is currently 70.


Alabama-born Shadix was also a member of The Groundlings and parlayed that into showy appearances on various TV shows (the first being The Golden Girls as a cross-dressing band member) and in movies such as Beetlejuice and Heathers (both 1988.) His distinctive voice was put to use on many programs and also in the film The Nightmare Before Christmas (1993.) Returning to Alabama after his sojourn to Hollywood, he was working only when he chose to while enjoying a Victorian home with all the trimmings. But a series of mishaps began to wreck things. The house and everything in it was destroyed in a 2008 fire and in 2010, he suffered a fall in his condominium which ultimately cost him his life at only 58 years of age.


Bassey was a daytime television veteran, having worked on Love of Life, Somerset, The Edge of Night and, most notably, All My Children, where she played libidinous socialite Marian Colby. That role won her Soap Opera Digest Awards as Favorite Scene Stealer and Favorite Couple (with costar David Canary.) This long tenure on the show was balanced by prime-time guest roles and the occasional movie such as The Bonfire of the Vanities (1990.) Always busy, she eventually went to work on General Hospital and still appears in other projects still to this day at age 80.


Sam had come from a Miami tourist attraction, having been sold to a Los Angeles animal trainer at age 1-1/2. He appeared in a number of TV shows, commercials and movies prior to starring in this film. Later retiring to breed with a fellow great ape, he died of heart failure in 2010 at age 21. His performance as Dunston is remarkable and surely took untold hours of preparation and training. Today, much of the heavy-lifting would most likely come courtesy of CGI enhancement. He certainly did provide some remarkable expressions at the proper times in this sometimes touching movie. 

I called this post "Checks" Mix because it's got one seriously mixed bag of cast members and it also was met with mixed reviews. It's not going to be for everybody, but I think time has generally been kind to it (especially since I have so little interest in the offerings we're given at today's multiplex.) Failing at the box office, it did become a hit on home video, turning a healthy profit that way.

6 comments:

A said...

Hi Poseidon! What a great post!

Lots of thoughts: First of all, I guess I don't do movies with apes. I've never even seen King Kong all the way through. I have never seen Every Which Way or Dunston. I blame Planet of the Apes.

I love hotel movies, but even I didn't recognize that ashtray, they've been gone so long and I was a big smoker!.
She didn't have a big part, but you somehow missed Judith Scott who had a long career (but I think I only remember her from Dexter).

Captioning the Crystal Ball photo, you mention The Towering Inferno but to me that shot seemed more like New Years Eve on the Poseidon Adventure!

On the whole Paul Rubens thing, it surprised me to read that it was so long ago - 1991? As to the scandal itself and "who does that?", I think it was more of a general cruising scene rather than just a movie theater.

Appearance-wise Faye does nail Ivana,rather than Leona, but Ivana was much more glamorous (I wonder if it was Faye's idea to go with Ivana). I think she looks great here.

I thought it was funny that Bassey's diamond that attracted Everette was so small.

Thanks for the great post! A.

hsc said...

I only vaguely remember when this came out, but you do make it look like fun, particularly the cast (Faye!!!) and hotel setting.

One thing that strikes me, though, is a distinct similarity between the framecap of Eric Lloyd in his backwards cap peering around the steamer trunk and the poster for MONKEY TROUBLE (1994):

https://en.wikipedia.org/wiki/Monkey_Trouble#/media/File:Monkey_trouble.jpg

which is a kids' comedy about a trained thieving Capuchin monkey that policeman's stepdaughter Thora Birch takes in when he escapes from his Fagin-like gypsy organ-grinder master (Harvey Keitel!).

However, I have a hunch DUNSTON CHECKS IN would be *way* more entertaining for adults (particularly "our kind" of adults!) than MONKEY TROUBLE-- which I've also never seen.

(I did see both the WHICH WAY Clint Eastwood orangutan movies, though-- and MONKEY SHINES, with hunky Jason Beghe at the mercy of a Capuchin. Do those count?)



Thanks for yet another fun post, Poseidon! Love to all and be safe and well, everyone!

Gingerguy said...

I went ape shit for this one. My Nephew was around 9 or 10 when this came out and I often watched movies with him. Guess what? this one was number one on the list (also terrible Jim Carrey movies). I did get a kick out of the Terry Thomas imitation and am always on board for Faye Dunaway. It's not good but definitely watchable and I think I liked that the Hotel and guests were sort of glamorous/. Faye looks really good, kind of the last time she didn't look a little simian to me, no offense Dunston. This film is bananas

BryonByronWhatever said...

As you brought it up, I assume you've read "The Mommie Dearest Diary: Carol Ann Tells All" by Rutanya Alda? Frankly I gave up on Ms. Dunaway when she finally broke her silence in a TCM interview and blamed her performance on Frank Perry's inability to reign her in (not in those words). As if. They had already worked together 10 years earlier without issue but by this time she had become a terror.

Poseidon3 said...

A, as a child I was PETRIFIED of anything related to "Planet of the Apes." I changed my tune once I saw James Franciscus in virtually no clothing in "Beneath the Planet of the Apes!" Ha ha! And the "King Kong" remake hit theaters as I was 9 and it was aimed at my age group. He was a rather kinder, gentler ape than the 1933 one, I thought. As for Ms. Scott, there's no mystery as to how I missed her. For all general purposes, I stopped watching scripted TV in 1996 and stopped seeing movies in theaters around 2000, so I simply have never seen her in any other thing than this movie...! I agree with you about the ball resembling the SS Poseidon party, but was tying in FD to the situation. I can't post it here, but I won a Halloween contest in October of 1991 by going as Pee Wee at the X-rated theater. I carried a sign that said, "I was in the lobby!" which was a quoted alibi of his at the time. The movie showing was "Nurse Nancy." And, yes, that diamond seemed very small to me, too. Maybe what there was of it was "cherce." LOL

hsc, God, yes, there is a similarity! I had no real recollection of the movie "Monkey Trouble" (even though I actually liked Thora Birch when so many of my friends didn't! LOL) The "Dunston" VHS cover went with Eric Lloyd and Dunston in front of the trunk (and that is where the movie caught on!) So you're onto something there. I definitely saw "Monkey Shines" and thought that Jason Beghe would proceed to more leading roles, but it didn't happen...

Gingerguy, you really monkeyed around with your comments this time...! Ha ha ha! I tell you, after "Dynasty's" 1989 cancellation, I seemed unable to find any glamor in the world. (That was the year that Demi Moore wore bike shorts to the Oscars...!) Although in the long run it may have done more harm than good, it was 1994 before Joan Rivers began to shame performers into dressing properly for awards ceremonies. Things had become pretty rough prior to that. So I was thirsty for some glitz by the time "Dunston" came along. (And, yes, I have suffered watching FD's procedures mess up her face... very sad.)

BryonByronWhatever, I didn't read that book and never would. I do think there could be a gripping book written, though, about the conception, pre-production, filming, editing and release of "Mommie Dearest." It's an unbelievably captivating subject and a polarizing movie (with a polarizing star in it!) I can't really go into it all in-depth here, but I think that Faye in some ways has a point and then also simply became consumed by the part (and by part I mean just that. It was not JC!) She went bat-shit and probably feels shame over it and feels the need to point the finger at others for "allowing" it. But the whole concept and execution was so exploitative and unbalanced that she had no chance of coming out of it unscathed. I think Anne Bancroft could see this more clearly and wisely took a hike from it. Her earlier work with Perry was nowhere near as explosive or squalid, much more introspective, so it's hard to compare them (and maybe she was anticipating a similar result as "Puzzle" is her own favorite movie, so she felt let down when the second film went so out there.) But, ultimately, we have to own what we do and she's been reluctant to do that 100%. (She's probably at, like, 20%!)

hsc said...

About the diamond necklace: the framegrab lists her assets as including a "2Kt Diamond *Costume* Necklace" valued for insurance at "$12,000"-- which I assume means this is just her "everyday" jewelry, not the *serious* stuff (in contrast with the trove shown in the other framecap when Dunston's in her stash).

I've always imagined a movie about the making, marketing and ultimate reputation of MOMMIE DEAREST, but I guess that'd have to wait until both Faye and Christina are no longer around-- and even then, would there still be the audience for it by that point?

Anyway, love to all and be safe and well, everyone!