Wednesday, November 28, 2012

Fun Finds: 1970s Soap Opera Mags

How appropriate, considering how off-the-hook my life has been lately, that my first post back is about the world of soap operas. Now, I know that not everyone is a soap fan. I do not watch any daytime serials and haven't done so regularly since the late-1990s, though I would occasionally tune in to As the World Turns, especially as it drew to a close.

Still, I enjoy reading about (and occasionally viewing on youtube.com) the classic shows and the stars of the past. In still another of my used book store foraging jaunts, I came upon three vintage magazines, all from the same basic time frame (1974 and 1975), and at a buck apiece, they called my name! I can't begin to scan and post all the contents, but I do want to share some of the highlights, which I hope you will find interesting or amusing. (You may have to open these in a new tab or window in order to read the print or view the pictures properly.)

First up is Daytime TV from May, 1975. Of interest in the news section is a blurb about the upcoming birth of Susan Lucci's baby, who would grow up to be Liza Huber, a soap opera actress in her own right (on Passions from 1999 – 2008.) Astonishingly, Lucci's career was in high gear before, during and after her daughter's, thanks to a forty-one year run as Erica Kane (1970-2011) on All My Children.

There's a blurb about two prospective soaps. One is “Mary Hartman,” which saw life as Mary Hartman, Mary Hartman, but was broadcast at night due to its content. The other was an adaptation of the 1968 film Rosemary's Baby. This one, surely meant to cash in on Dark Shadows' success, never came to fruition.

There's a picture of Another World star George Reinholt chewing on some pizza (more on him later!) and another of singer/hoofer Bobby Van from the Broadway musical Doctor Jazz. If this show doesn't seem familiar to you, it may be because it ran for only five performances before being closed!

Interestingly, Joan Copeland left this show while it was still in previews. (This is a page from one of those rare Playbills.) Reportedly, though it boasted eye-popping sets and costumes, it was unendurably long (with 45 songs listed in one version of it!) and rather boring. Slashing the number of songs by more than half wasn't enough to salvage it.

At the top right of the page above is a shot from a wedding on Somerset between Gloria Hoye and Michael Lipton. It mentions the bachelorhood of Lipton in the caption. Has anyone ever seen the 1969 episode of I Dream of Jeannie called “The Mad Home Wrecker?” In it, Lipton plays an outrageously flamboyant designer who is hired to redo Larry Hagman and Barbara Eden's living room. The result is a flaming (literally!) fiasco that Eden has to rescue from total disaster. Though the highly stereotypical role probably did no one gay any favors, it was still a rather early example (for TV anyway) of a clearly homosexual character.

This page, “You Can See Them in the Movies,” notes the transition of former daytime serial actors to the big screen. Ellen Burstyn, noted here as a candidate for a Best Actress Oscar for Alice Doesn't Live Here Anymore, did indeed go on to win the statuette that year. Her costar Diane Ladd lost to Ingrid Bergman for Murder on the Orient Express. The article also mentions Elizabeth MacRae and her hope of a nomination for The Conversation, but I guess voters weren't ready to grant Lou Ann Poovie, the girlfriend of Gomer Pyle: USMC such an honor!

1970s disaster freak that I am, it was interesting to see all the hubbub in all three issues regarding Susan Flannery's appearance in The Towering Inferno. Her Golden Globe award-winning role (as Best Newcomer, despite being a professional actress for over a decade prior!) should have led to greater movie success, but did not. She did, however, work successfully on television again, primarily as the matriarch on The Bold and the Beautiful from 1987 to the present, winning four Emmys in the process.

There's a sizeable article on Kathryn Hays, who played Kim Hughes on As the World Turns for many years (thirty-two, and would have continued had the show not been cancelled.) She began as an independent career woman on the show (based in part on the series' head writer Irna Phillips' own life), seducing her sister's husband and becoming pregnant, but evolved into a sturdy (some felt saintly) matriarch and cornerstone of the show.

The article notes her rustic series The Road West as being in 1960, but it was actually 1966! Just goes to show that you can't always believe everything you read. Star Trek fans will remember Hays as the wordless empath Gem on a memorable 1968 installment of that series. For three years (1966 – 1969), Hays was the wife of Glenn Ford.

When this magazine was published, The Young and the Restless (long the top-rated soap even now) was but two years old. Some folks might be surprised to know that longtime Days of Our Lives actress Deidre Hall spent two years (1973 – 1975) on Y&R or that young Tom Selleck spent a year or so there, too (1974-1975.) Both of these performers were so little-known at this stage in their careers that their names are misspelled in the caption! Completing the trifecta of ineptitude, the writer has also identified Lanna Saunders as “Laura.” Saunders also went on to Days of Our Lives as Marie Horton, but was forced to leave when she developed Multiple Sclerosis, a disease that took her life in 2007 at age sixty-five.

Although I tend to have a built-in reverence for those stalwart patriarchal and matriarchal actors from the glory days of soaps, somehow the veteran fixture Macdonald Carey of Days of Our Lives was never a big favorite of mine. Carey spend almost three decades playing the head of the Horton family and was the voice behind that iconic opening phrase, “Like sands through the hourglass, so are the days of our lives.”

I include pictures from this spread in order to please any fans of the show who might like to see them.
Frankly, I'm a bit more fond of his younger brother (the one in the dress uniform in the middle) than I am of him!
This page, featuring photos from a party for the show Love of Life (which ended in 1980), features Ray Wise (who would later play Laura Palmer's disturbed father on Twin Peaks) and Ron Harper (who costarred on the prime-time TV version of Planet of the Apes from 1974-1975.)

This spread below expounds on the revelation that Another World would be expanding to a one-hour format.
Soaps began airing on TV as fifteen-minute broadcasts (can you imagine?) until As the World Turns debuted as a thirty-minute one (along with Edge of Night.) Another World would retain the sixty-minute format for the rest of its run, even going to ninety-minutes in 1979 during the peak of its popularity, but that ended the following year. As the World Turns went to sixty-minutes as well, later in 1975.

Huge stars at the time Jacqueline Courtney and George Reinholt (Steve and Alice Frame) appeared on The Mike Douglas Show together to discuss the change. Lantern-jawed Reinholt (who might have made a good Batman had the part not been so closely adhered to Adam West) sang a song called “Just Let Me Look at You” to her.

This page, from one of the columnists of the magazine, shows a picture of Bill and Susan Seaforth Hayes of Days of Our Lives. Seaforth joined the show in 1968 and Hayes came on board in 1970. They married in real life in 1974 and have come and gone many times over the years. They still appear on the show as recently as this year. Also shown are Brenda Dickson and Donnelly Rhodes from The Young and the Restless. Fallout from the affair of these characters (Jill and Phillip) is still a story component on the show today, a scant thirty-five years later!! Then there's doughy Tony Dow of Leave it to Beaver, who as a teen seemed to promise that he'd grow into a beautful man, but fell somewhat short.

The 1974 serial How to Survive a Marriage was touted to be a topical, somewhat revolutionary style of soap opera (its ninety-minute premiere was the first to have ostensibly nude lovers under the sheets.) The regular thirty-minute series, though, failed to take hold and it was off the air in sixteen months. Ken Kercheval (later to enjoy a long success on Dallas) and Armand Assante (later to star in several big screen films) were among the cast.

The second magazine in the set is Daily TV Serials, with the date of June 1975 on it. This one is an annual, marking the second year in the publication's history.

Benevolent god that I am, I even scanned the key to the sketch of all the featured players on the cover so that you can tell if you guessed their identities correctly!
The Chit Chat section shown here has a picture of Peter Brown (an actor whose been profiled here) stating that he would never marry again after three divorces (he was under forty at the time!) In fact, he went on to marry twice more, once from 1986 to 1999 and again from 2008 to the present. There's also an amusing blurb about everyone's favorite soap world wacko Brenda “Welcome to My Home” Dickson.

At this time, THE daytime hunk was George Reinholt, who played Steve Frame on Another World. He was embarking on a singing career as well and found his way onto an album that paid tribute to composer Jerome Kern, Ben Bagley's Jerome Kern Revisited. I include this advertisement more for the low-cut shirt and hairy chest than for what scintilla of knowledge I possess about the vocal pipes of Mr. R.

This actor-on-actor interview is interesting because the two gentlemen involved (both popular veteran soap actors) were homosexual in real life, but vaguely “in” each other through the course of the article, sidestepping their disinterest in marriage by talking about casual female dates and using the terms “people” and “person” when describing love.

Not only do they share a laugh over a caftan, as shown here:
But as the interview progresses...
...it is revealed that they are headed off to a Mardi Gras vacation together! They back peddle a bit and claim that they don't intend to spend much time together while there, but I'm skeptical.
In this section, the editor picks his favorite memories of the year. One of them is Jeanne Cooper's acting as she discovered her on-screen husband's infidelity. Cooper is still on The Young and the Restless in a key way today and is about to commemorate forty years in the role of Kay Chancellor!

By the way, the editor (named Jon-Michael Reed) writes with a melodramatic and flowery lilt that makes my musings here seem as if they were penned by Paul Bunyan! As the piece continues, we get to see a shot of Susan Lucci's old face (upper right)...

...and nods to cutie Gary Swanson, Wesley Eure and “newcomer” Dixie Carter!
The final page has a breathless tribute to the actress Julianna McCarthy, who played Liz Foster on The Young and the Restless. An original cast member (and the mother of Jill Foster until it was retconned - oh, how I loathe that word - that Jill was adopted), she left the show in 1983, but made sporadic appearances up until as recently as 2010 when the character was killed off.

A wedding tribute section shows what daytime TV brides were wearing in the mid-'70s.
This segment was sort of neat. General Hospital's Emily McLaughlin (Nurse Jessie Brewer and the real-life widow of that hunk ), arranged a luncheon for a gaggle of fellow West Coast soap opera actresses. Only six were ultimately able to attend, including Karen Lynn Gorney, Suzanne Rogers, Jeanne Cooper, Rachel Ames, Patty Weaver and Trish Stewart.

Here's a color shot of all the ladies gathered together:


There's a section in which the stars have sent in little notes of thanks for the way this magazine has handled them. In this first one, we get a sideways glimpse of why Kay Chancellor (Jeanne Cooper) still mourns her long-dead husband Phillip (played by Donnelly Rhodes) as well as a shot of Elizabeth Hubbard, one of my own all-time favorite actresses in daytime.

Here's a happy shot of some doctors and nurses of General Hospital:
Fans of vintage Another World should enjoy this color picture of the actors involved in the legendary love triangle of Alice, Steve and Rachel.
This color page has another picture of the aforementioned Gary Swanson, then of Somerset, but a longtime student of Lee Strasberg and eventually a significant member of The Actor's Studio. Swanson is still an actor in TV and movie projects. One Life to Live fans might like this shot of award-magnet Erika Slezak and her then TV-husband Lee Patterson.

Again, I point to the nearly unrecognizable face of Susan Lucci on this next page! I recall thinking that Nick Benedict (who played Phil, one of Lucci's many husbands) was sort of hunky as a young viewer. Of course, Knots Landing fans will also spot that show's James Houghton in the group wedding shot at the top of the page.

Check this page for an unrecognizable Dixie Carter! Also, buried amongst the rest of the cast at the bottom right, is a young Christopher Reeve in his pre-Superman days.
Striking a martial arts pose (and apparently the talons don't affect anything?) is then-Search for Tomorrow star Morgan Fairchild!
This final color page has a sad footnote in that the actor shown at the very bottom, George Welbes, died in real life at age forty from a cerebral hemorrhage. Welbes had been working on the soap How to Survive a Marriage, but is likely best known for his bare-all participation in the famous Broadway show “Oh! Calcutta!”

Look at this ad on the back cover for a magazine called TV Showpeople. Do you recognize all the stars represented in the collage?
The last of the three magazines is called Weekday TV and this one is dated August 1975.
The opening section has a picture of Y&R's Brenda Dickson practically bursting out of her rolled-neck knit top! Then, the big news of the day... Another World's George Reinholt is fired! This behind-the-scenes scenario rivaled the storylines of the soaps themselves and ultimately wound up as a healthy chunk of soap writer Harding Lemay's memoir Eight Years in Another World, published in 1981. Again, still more on this later.

This article on Y&R producer John Conboy shows an early photo of Miss Donna Mills. And check the '70s halter get-up on Jamie Lynn Bauer! Lastly, though we all know how much I love a pair of snug trousers on a man, conversely I am less excited by the same on a female. Miss Jeanne Cooper's slacks may very well have been the ones to coin the term “camel toe!”

Back with the aforementioned Val Dufour again, it seems impossible to believe that this man set the hearts of many female fans aflutter. (But he did. He often was found near the top of fan polls.) Shopping for blue-bells and hamming it up in the kitchen or shopping with his dog in his arms, he makes a curious “lady killer.”

Here's some more of James Houghton as I know he still has fans out there.
Then a bachelor, he eventually married and had two children.
After working as an actor on Knots Landing and The Colbys, he eventually returned to his roots and became a daytime soap writer himself and worked for years on Y&R and The Bold and the Beautiful!
This is part of a big article on Susan Flannery. It's interesting that the coiffed and painted-up publicity shot that she reportedly detested is my favorite photo of her in the spread!
The never-married Flannery was often escorted to events by costars or closeted gay actors. This sort of social shell game was as old as Hollywood itself or older and still goes on, sometimes on a grand, high-stakes level, even today.
Wildly popular in her role of Laura Horton on Days of Our Lives, she had trouble successfully translating that fame into prime-time TV and movies, but upon returning to daytime with The Bold and the Beautiful, she established herself as a powerhouse presence in that realm again.
Today (see below), Flannery is a rather burly, intimidating, shorn-haired lady; quite a contrast to the delicately feminine persona she put forth at this time. She does some deft sidestepping in this article (the only option open to her then, really!) though I can at least applaud her for not salivating over her “hot” male costars the way some men attempted (and still attempt) to do with regards to describing the ladies they worked with.
Mary Frann was appearing on Days of Our Lives at this time and would stay there until 1979. In 1982, she landed her most prominent role as the wife of Bob Newhart in his sitcom Newhart.
She discusses her dietary habits here and it was speculated that some of the strenuous dieting that she endured over the course of her life and career may have been a contributing factor in her premature death of a heart attack at only age fifty-five in 1998. It's unclear when her marriage to the man shown with her here ended.
I mentioned earlier in this post how I had a bit of a crush on Nick Benedict (Phil of All My Children.) Looking at this article, I begin to realize why...
Are you ready for these jeans?! Play ball indeed!

You have to love the '70s...
Now we take a peek at how some of the stars stay in shape. I can't say I approve of what yummy Charles Frank is wearing for his bike ride. He belongs in some spandex shorts and maybe some gloves (and nothing else!)
Susan, Susan, Susan.... I just don't know what to say about this hilarious pose and that ghastly swimsuit. By the way, Beau Kayzer, shown lifting weights, played Jeanne Cooper's son on Y&R and in her recent autobiography, she recalls their having a relationship together at one point. Score one for Jeanne!
Brenda Dickson is described hilariously that she “will never be model skinny” but swims and plays tennis to stay in shape. Not in that top! Then there's Susan Seaforth Hayes showing off her belly-dancing costume. And, lastly, the omnipresent George Reinholt and his hairy forearms using a resistance exerciser.
This last article reflects on his shocking firing from Another World (and features an awkward, but somehow still eye-catching picture of him in his low-cut, clingy sportswear.) At this point, we're going to finish up with the magazines and look at George a tad further.

Born in South Philadelphia, Pennsylvania on August 22nd, 1939, Reinholt was on Broadway before he turned thirty in the smash hit Cabaret, understudying Bert Convy as Cliff and later playing the role of Ernst. While still working in Cabaret, he appeared on the daytime serial The Secret Storm and then took the part of Steve Frame on Another World in 1968.

From the time his character was introduced to blonde, demure Alice Matthews (played by Jacqueline Courtney) during a wedding reception, the duo captivated viewers with their tormented love story, aided tremendously by the venomous villainy of Rachel Davis (played at the time by Robin Strasser.) Steve and Alice were wed in 1971, but the happiness was short-lived.
Steve had impregnated Rachel in a weak moment and after his and Alice's divorce in 1973, he and Rachel (now played by Victoria Wyndham) married to give the son a “stable” home. A mistake from the beginning, they proceeded to divorce and in 1974 Steve and Alice remarried once again.
They broke apart yet again, but were on the verge of finding true happiness when Reinholt was abruptly fired and his character Steve was killed in a helicopter crash. The show's producer Paul Rauch and the series' head writer Harding Lemay had been at loggerheads with Reinholt for quite a while over his attitude and behavior on the set. He was publically dismissive of the show's writing and was increasingly difficult to deal with during filming. He also perpetuated his bad boy image by posing semi-nude in a magazine, which sent Proctor & Gamble into a tizzy and violated his “morals clause.” (Someone PLEASE find this entire picture for me!)

Reinholt himself would later admit that his ego got the best of him during this time. Though he'd rid himself of his South Philly accent, he was still a combative personality with some strong opinions. Lemay also disliked the work of Courtney, pointing out her failure to memorize dialogue, which led to frequent bouts of looking down to read words tacked to her cuff or some other place. (This and most other shows were done live for many years before later turning to video tape.) Both she and Reinholt had strong objections to proposed new directions for their characters. Before long, she was also fired from the serial.

After he was let go from AW, Reinholt snagged a spot on One Life to Live and even secured a role for Courtney, who followed him to the show. They were playing different roles (Tony Lord and Pat Kendall), but found themselves in similar romantic entanglements and torment. Courtney stayed on OLTL until 1983 when she was dismissed (coincidentally right before Paul Rauch was to take over the helm of that soap!) Ms. Courtney died prematurely in 2010 of melanoma at only age sixty-four. For his part, Reinholt didn't last as long as she did on OLTL. He was fired from the show in 1977.

Though he had landed a supporting role in the highly obscure Dick Shawn comedy Looking Up (1977), his career was in crisis. Something of a rescue came when he was hired for the Broadway musical The Grand Tour, starring his old Cabaret costar Joel Grey, but the Jerry Herman opus (set in Paris right before German occupation) only ran for 61 performances.

Almost nothing was heard from Reinholt after this as he faced some tremendous personal problems. His mother fell ill and died, followed not long after by his father. The home he'd purchased for them with his once-great earnings was taken from him. He slid into a depression and battled an alcohol dependence. By the late-'80s, he was living a quiet, obscure life in a one-room apartment (a converted garage, actually) and unable to secure any acting jobs.

On the 25th anniversary broadcast of Another World in 1989, Reinholt made an appearance before Rachel as the ghost of Steve Frame (the role had been reactivated for a time by David Canary, but then killed off again for good.) He then won a part on the horror anthology series Monsters, working opposite Karen Valentine in an installment called, “The Young and the Headless,” a vague nod to his soap roots. There was also a reunion of sorts with Courtney in 1994 for the TV special 50 Years of Soaps: An All-Star Celebration.
By 1997, pushing sixty and still without significant income, he advertised himself in a local paper (back in Pennsylvania where he had returned) as an available escort for ladies who needed a date to parties, events and so on, but the media picked up on it and implied that he was attempting to be a gigolo. He appeared on The Sally Jesse Raphael Show to combat these rumors. In truth, there was little chance of him having pimped himself out to rich ladies for he had been a homosexual all his life, something that was hidden from all those adoring female fans who put him at the top of his profession.

Show business is chock full of so many rags to riches to rags stories and this is another sad one. In 1975, George Reinholt was a household name, worshipped by fans nationwide. Within a couple of years he was virtually invisible! Now seventy-three, we really don't know how he's doing, how he's made ends meet or what he's been up to. Still, the legacy of his corner in the Rachel-Steve-Alice triangle remains an indelible part of television history.
The days of the soap opera presented in these magazines is done and gone forever. The genre itself is on its last legs, with only a handful of programs left (though a couple of them do still retain a strong, loyal following.) The world of those early glory days (before rampant psychos, evil twins, back from the dead storylines, demonic possession and so on!) can be a fascinating one in spite of the quaintness.  I hope you liked the stories and pictures found in these magazines.

Monday, November 26, 2012

A Message in a Bottle from The Underworld

Hello, my devoted followers.  Did you think I had forsaken you lately?  This month is an all-time low when it comes to the frequency of posting!  I assure you I am still in the blogging game, I've just been caught up in a tidal wave of activity, some good and some bad.

Not only did the Thanksgiving holiday bring a busy four-day weekend of family commitments, but I've been attending many theatrical productions (one of which required me to write a nine-page critique!), several parties and have begun my seasonal part-time job at night.  Then at work I was flooded with all kinds of extra duties because of some unscheduled absences.  If all this wasn't enough, I've also had a next-door neighbor die, the husband of a co-worker die, the child of my best friend in the hospital near death and the wife of another good friend leave him for one of his "frenemies."  So there's been plenty of hand-holding and so on.  Peyton Place was never this full of tragedy and angst!

But I will be back ASAP with more Underworld merriment, I promise!

Wednesday, November 14, 2012

Right on the Mark!

When we profile an actor in The Underworld, it's often due to his handsome looks rather than for any Herculean acting talent and today is no exception. However, what today's featured performer had in addition to boyishly adorable features was a well-placed heart with a desire to be a constructive role model to others. And he certainly wasn't a bad actor. He just never made significant enough inroads in that field to sustain a lasting career (and there was more than a little stigma left over from his most famous part!) We refer to 1960s dreamboat Mark Goddard.

Born Charles Goddard on July 24th, 1936 in Lowell, Massachusetts, he was the last of five children born to his parents. Always an athletic young man (and six feet tall), he helped bring state-level glory to both his high school baseball and basketball teams. He even toyed with the idea of pursuing a basketball career, but turned to the idea of acting instead, no doubt thanks to his lean, good looks.

Two years in to his studies at The American Academy of Dramatic Arts in New York City, he opted to head for Los Angeles, California where the promise of television and film work seemed more likely. This was 1959, when westerns ruled the television airwaves and though young Goddard had practically no experience with horses, his healthy physique could support the cowboy drag with ease. After being in town only three weeks, having brazenly called contacts he didn't know and headed to movie lots without an appointment, he got lucky.


One of his first gigs was a guest spot on Chuck Connors' The Rifleman. He then caught the eye of producer Aaron Spelling who was producing his very first series (of many, many to come), a western called Johnny Ringo. Spelling wanted a young deputy to play opposite the series' star, singer/actor Don Durant, and settled on the novice actor.
Upon the advice of Chuck Connors (perhaps due to his TV son's character name of Mark McCain, played by Johnny Crawford), Charles Goddard had adopted the new name of Mark Goddard. Thus, Durant, Goddard and Karen Sharpe began starring in what was a reasonably successful show. (Sharpe was fired about halfway through the season in a dispute with Spelling over playing the character her way, as a gutsy tomboy, or his way, as a delicate lady.)
In between the pilot and the series production, Goddard was drafted into the army! He was discharged in time to do the show, but his curly locks had been chopped shorter in the process. Even though ratings for the series were decent, the glut of westerns on television (thirty on the air at this time!) caused the program's sponsor to pull the plug on it and support a sitcom in its place. All was well, though, because he now had experience and contacts. He did several guest appearances on shows including an installment of The DuPont Show which costarred Myrna Loy, The Chevy Mystery Show with Walter Slezak, Nick Adams' The Rebel and an episode of Zane Grey Theater opposite Tuesday Weld (as shown here.)

Even better, he was signed on for the second season of an existing series called The Detectives Starring Robert Taylor. The series starred former movie superstar Taylor and was undergoing a cast shake-up, which left room for an additional character. Goddard joined Taylor and fellow costar Tige Andrews (later to costar on The Mod Squad) and, for one season, Russell Thorson, who departed in 1961.

Do you know who he's posing with in this publicity shot from The Detectives?  It's Donna Douglas, prior to her embodying (for all time, apparently!) Ellie Mae Clampett on The Beverly Hillbillies!

Goddard was with the show from 1960 to 1962, the third and final season being an hour-long program instead of thirty minutes. Adam West joined the show during that season as well. Goddard next filmed a semi-musical, Desilu-produced TV pilot with Ethel Merman called Maggie Brown, about a single mother who operates a South Pacific-set nightclub frequented by sailors (sign me up!), but it didn't come to fruition.

In 1961, Goddard married Marcia Rogers and the two proceeded to have two children together. They generally seemed a happy couple and were socially active amongst their peer group in Tinseltown. They were particularly close to a starlet named Karyn Kupcinet who was a busy TV actress in the late-'50s and early-'60s and who was dating fellow actor Andrew Prine.
Unfortunately, Kupcinet (seen here with a young James Caan) was a very troubled young lady with a propensity for diet pill abuse and a roller-coaster relationship with Prine, who was not as on-board with monogamy in their relationship as she was. She struggled with depression and anxiety over her obsession with her weight and with Prine until one day Goddard and his wife found her dead in her apartment! She was nude and seemed to have been strangled.

Countless theories popped up about it; everything from an accident occurring during a nude dance to a mob hit in relation to the Kennedy assassination. Her autopsy was reportedly mishandled by a coroner with a drinking problem. Prine was also questioned. The case, however, was never solved and remains that way to this day.

Goddard was a frequent guest star on many of the hit TV shows of the time, in a variety of genres. He did Burke's Law, The Beverly Hillbillies, The Bill Dana Show, The Virginian, Gunsmoke, Perry Mason and The Fugitive. He also landed yet another regular series role, this time on the sitcom Many Happy Returns, as the son-in-law of a fussbudgety return department store clerk played by John McGiver. As shown here, Elinor Donahue played his wife. The show only made it one season from 1964-1965.

A first for Goddard came in 1965 when he made his debut on the big screen. The bad news is that it was in the trifling Disney comedy The Monkey's Uncle, starring Tommy Kirk and Annette Funicello (and a chimpanzee!) The film was a hit with kids, but added little, if any, luster his career.

A more provocative part came his way that same year in A Rage to Live, all about the struggles of a nymphomaniac (played by Suzanne Pleshette) who is deflowered as a teen by one of her brother's friends (played by Goddard) and decides she likes it! She proceeds to attract a variety of men from Bradford Dillman to Peter Graves to Ben Gazarra.

Goddard's appalled mother in the film was played by Brett Somers, who would later go on to fame as a regular panelist on Match Game. His horny, sometimes rude character gave him a chance to play something different than the idealistic good guys he'd come to portray most often. You can read more about this deliciously faux-dirty movie here in a profile I did on it a while back.

Any further immediate forays into the movie business would have to wait, however. He had agreed to costar in a pilot for still another TV series and this one would not only be picked up, but would run three seasons and, more importantly, become a cult culture touchstone that survives vigorously to this day. The pilot was called “Space Family Robison,” a riff on the Robert Louis Stevenson classic novel Swiss Family Robinson, and concerned a father and mother with three children who depart the Earth in a spaceship along with one fellow astronaut (Goddard) only to be stranded in outer space, unable to return home.

After the pilot was shot, it was determined that there should be an antagonist on board who could be part of the series to provide conflict. So the pilot was re-shot with the addition of Jonathan Harris as a crafty saboteur named Dr. Smith. It was also renamed Lost in Space. Because all of the billing for the show had been contracted previously, Harris suggested and obtained “Special Guest Star” billing for the run of the show, the chief stars being Guy Williams and June Lockhart.

From the start, Goddard regretted signing on to the show since he was on the threshold of finally obtaining a movie career, but it turned out to be a success. Ironically, even though his own role and that of the other adult stars wound up being shunted to one side in order to showcase Harris, child actor Billy Mumy and the famous Robot, he found himself becoming extremely fond of the literate, articulate and flamboyant Harris. They would become lifelong friends. (Harris' character, a highly effeminate variation of Clifton Webb with a dollop of Martita Hunt tossed in, could not have come off as more gay, though the actor himself was reportedly not so.)

Goddard was paired often with the eldest child of the Robinson family, played by Marta Kristin. As a youngster watching the series in reruns, I couldn't quite decide if I wanted to strangle Kristin out of jealously or simply be her so I could cling to the delectable Goddard every time something threatening happened. They certainly made an attractive couple (and their romantic relationship was downplayed more and more as the series progressed, resulting in practically nothing by the end.)

Now we know that this below is absolutely nothing more than a suggestive fold in the trouser leg of Mr. Goddard's and not a representation of Mark Jr., but isn't it fun to momentarily presume otherwise? (Click to, er, enlarge! LOL)
Lost in Space began in black and white, with a comparatively serious and sinister tone, but in its second season switched to color. The clothing of the actors thus became almost comically garish, with plenty of bright orange, pink, yellow, green and rust velour in various combinations. It took quite a man to pull off some of these looks and Goddard succeeded on that count.

Still, with Harris, Mumy and the Robot (who was regularly insulted by Harris in a never-ending series of alliterative ad-libs such as “Nickel-plated Nincompoop” or “Miserable Mass of Metal”) stealing 90% of the focus, Goddard's contributions, like the others, became more and more negligible.

During one of the hiatuses of Space, Goddard accepted a film role which afforded him something different to do rather than yell at the scheming Harris or fend off “killer vegetables” (Lost in Space had begun to devolve to that level.) The Love-Ins was a thinly-veiled (yet enhanced) rendition of the LSD-espousing Dr. Timothy Leary.
Richard Todd played the lead, James MacArthur (Danno of Hawaii 5-O fame) and Susan Oliver were a couple of his followers and Goddard was one of the chief drug dealers who is enmeshed in the “far-out” and “groovy” storyline (which is filtered through the staid sensibilities of Columbia Pictures versus any other gritty independent company.) Needless to say, this movie did not signal a new era in Goddard's cinematic career.

In the wake of Lost in Space's cancellation (in 1968), Goddard and Marcia were divorced after eight years of marriage. He also returned to the occasional TV guest role such as on The Mod Squad (shown at right) and on Adam-12 (a special episode in which he played, in flashback, Martin Milner's best friend, an officer who is killed in the line of duty.) That was in 1970 and his career momentum slowed considerably after that. He remarried in 1970 as well, to actress Susan Anspach, then on a roll from Five Easy Pieces.

He took a minor, unbilled role in the 1972 Woody Allen film Play it Again, Sam (in which Anspach had a bigger part), but didn't work on screen again until the 1974 TV-movie The Death Squad. Here, he joined Robert Forster, Claude Akins and Melvyn Douglas in a story about vigilante policemen who have been killing criminals who in their estimation weren't dealt the proper hand of justice by the court system. The project was a swiftly-made cash-in on Clint Eastwood's Magnum Force, which was on the verge of release (and, in fact, came out two weeks before this telefilm aired.)

Again, he made ends meet with plenty of guest work on shows like Barnaby Jones, Petrocelli, Switch, The Streets of San Francisco and Quincy, M.E. Then he took part in what is surely one of the most unusual blips on his resume. Still tan, lean and handsome, he took a featured (but non-singing) role in the 1977 Broadway musical The Act, all about a fading film star staging a comeback on stage in Las Vegas. The star was portrayed by none other than Liza Minnelli, who won a Tony for her work (despite plenty of absences and uneven behavior during those heady, Studio 54 days.) The overpriced show ran for 233 performances, but was incapable of making back its money. (He almost has a Billy Crystal thing going on here!)
By 1978, his marriage to Anspach was over. (The split may or may not have had to do with Anspach having a child that she later claimed to belong to her Easy Pieces costar Jack Nicholson!) Goddard did take a supporting part in an oddball 1978 thriller called Blue Sunshine, which starred Zalman King (later to enjoy a measure of success directing a series of Red Shoe Diaries softcore movies.)

It concerned the aftermath when some 1960s hippies had taken some LSD in their youth only to wind up a decade later losing their hair and morphing into zombie-like killers! Goddard played a politician who was in danger of flipping out any moment thanks to his prior drug use. The generally obscure, low-budget movie retains a cult following these days.

During this catch as catch can phase of his life, he popped up on Benson, B.J. and the Bear and also played the bad guy (albeit a rather tame one) in the craptacular mess Roller Boogie (1979.) He portrayed a shifty land developer who wants to buy up a Venice beach roller rink, much to the dismay of Linda Blair (yes, that Linda Blair) and her spandex and satin-clad cronies. After taking nearly an hour to show up in the 103-minute film, he is ultimately fended off with (I'm not making this up) projectile fruit...

Understandably, considering the caliber of work available to him, Goddard welcomed the opportunity to begin appearing on daytime television. First came a stint on One Life to Live in 1982, followed by another on The Doctors in 1983. In 1984, a longer assignment came with a role on General Hospital, then the #1 soap opera on TV, in which he played a character named Derek Barrington (no doubt inspired by the #1 prime-time show Dynasty's Blake Carrington.)

After departing General Hospital, he played a guest role on Jake and the Fatman and then did something rather unexpected. At age fifty, he went back to school in his home state of Massachusetts, earned a Masters Degree in Education and proceeded to become a teacher at a school for students with behavioral problems. At this stage in his life, he saw no use in waiting around for the scarce decent acting gigs that might come his way and was determined to do something positive and fulfilling.

Having costarred in one of science-fiction television's most enduring favorites, there was no chance he was going to be completely forgotten, but he was anonymous enough to the younger generation of students for his fame not to be too much of a distraction. He also began to make the rounds at various conventions and fan events in his off time, frequently appearing with Marta Kristin once again. In 1990, he married for a third time to a lady he met in Massachusetts and remains with to this day.

In 1998, renewed interest in Lost in Space came about thanks to a big screen remake (you know, how every conceivable TV show under the sun was being re-envisioned as a feature film? Usually a shitty one...) He was approached to make a cameo appearance along with all of his surviving costars and he did, as a General. Mumy, however, was bumped out of his cameo when it was declared that having him play his old character as a grown-up would be too distracting and then-eighty-four year-old Harris flatly refused the entire enterprise, proclaiming, “I will have you know I have never done a walk-on or bit part in my life! And I do not intend to start.” Goddard's role was taken on in this new version by...  Matt LeBlanc...

Also in 1998, a retrospective special called Lost in Space Forever was done in which Harris and Mumy reprised their roles (along with the Robot, naturally) and the rest of the cast, including Goddard, reminisced about their time on Lost in Space.

Having gotten his toes wet in the public conscience again, he took on a supporting role in an independent film called Overnight Sensation (2000.) In it, he played a washed-up agent who helps a novice writer drum up interest in his screenplay while attending the Sundance Film Festival. Sean Dugan (later to work on the TV series Smash) and Maxwell Caulfield were among the other performers in the little-seen film.

A final (to date anyway!) role came in 2010 with the obscure, low-budget movie Soupernatural. The story concerned the appearance of Jesus Christ serving soup at a church festival and the hubbub that occurs thereafter. Goddard was stunt cast along with a plethora of other “past their sell by date” stars such as Lou Ferrigno, Pamela Sue Martin, Dee Wallace, Butch Patrick, Paul Peterson and Kathy Garver (the last three former TV child stars.)

Today, Mark Goddard is seventy-six years old, but remains a slender, healthy man with a bright smile and a willingness to help others. Aside from the students who benefitted from his instruction over the years, he has a reputation among sci-fi fans for being a warm, friendly presence at various events.

He wrote about some of his life and career in a slim, 120-page volume called “To Space and Back,” which delighted as many people as it left wanting still more from him. Considering some of the huge names he rubbed elbows with, many of them not mentioned in this post, he probably could have penned a book twice as long! In any case, we adore Goddard for his kind nature, his sense of humor and needless to say his adorable, boy next door, good looks.