Tuesday, December 8, 2015

Nunny Business

Let me spell this out in black & white... Today we're taking a look at some notable on-screen nuns from the movies (as well as some TV.) I'm not trying to make a habit of it, nor break any rule(r)s, just putting them out there for your perusal. You may find a special favorite or perhaps take note of one that's sorely missed from my incomplete line-up. I can't gather up all of 'em, you know! Thanks to our cover girl Mary Astor from an early screen appearance. And now, onward and nunward we go!

In 1933, Miss Helen Hayes played a conflicted nun in The White Sister.
In 1958, she donned a habit once more for an episode of The United States Steel Hour called "One Red Rose for Christmas" with Patty Duke.
Ingrid Bergman portrayed Sister Mary Benedict in The Bells of St. Marys (1945.) She copped an Oscar nomination for the part, but Joan Crawford won that year for Mildred Pierce.
Here's a rather rare glimpse of her character in color. This was the sort of role that lent to her wholesome image (which folks later delighted in shredding when she became pregnant by a man other than her husband!)
Celeste Holm and Loretta Young (a devout Catholic) played nuns on a mission to build a children's hospital in Come to the Stable (1949.) Young became pregnant, too, in 1935 with married costar Clark Gable, but avoided her own scandal by dropping out of sight for a while and then returning with an "adopted" baby girl!
I couldn't resist sharing this artist's rendering of the sisters (who I presume were merely walking in step together and not one-legged apiece?)
Few people who've seen the strikingly photographed Black Narcissus (1947, featuring Deborah Kerr, as seen here) can forget it.
Deb got into the habit in 1957, too, with Robert Mitchum in Heaven Knows, Mr. Allison, as a shipwrecked sister. She was nominated for an Academy Award, but Joanne Woodward won that year for The Three Faces of Eve.
Another shipwrecked sister was Joan Collins in Sea Wife (1957), which costarred Richard Burton.
Nearly thirty years later in 1986, Collins got her nun on once more as part of a disguise during a Moldavian rescue on Dynasty!
1959 found Audrey Hepburn in The Nun's Story, about a sister working in The Belgian Congo. Hepburn was Oscar-nominated, but the award went to Simone Signoret for Room at the Top.
In 1960, Lilli Palmer played a reverend mother helping Jewish children escape from an Italian prison camp in Conspiracy of Hearts.
1963's Lilies of the Field had Lilia Skala enlisting the aid of Sidney Poitier to build a church. Poitier won an Oscar for his trouble, though Skala was nominated for both a Golden Globe and an Oscar as well (Margaret Rutherford took each of them home for The V.I.P.s.)
The favorite novitiate of many a moviegoer, Julie Andrews helped to kick off a nun frenzy after the 1965 blockbuster The Sound of Music. Nominated for an Academy Award, Andrews lost to another Julie (Christie) for Darling.
In there swinging as soon as possible was Debbie Reynolds in The Singing Nun (1966.)
Rosalind Russell scored a hit with 1966's The Trouble with Angels.
This one merited a sequel, Where Angels Go, Trouble Follows (1968), with unlikely nun Stella Stevens on board (and with Father Van Johnson!)
Mary Tyler Moore underwent a transformation in Change of Habit (1969) with Elvis Presley, though she spent the bulk of her screen time in street clothes as part of the movie's central conceit.
About as far away from MTM and The King as one could be was Vanessa Redgrave as a frenzied, delirious nun in The Devils (1971.)
Of course, in the midst of all this, Sally Field was flitting around Puerto Rico as The Flying Nun (1967-1970!)
Study though she might, she still ran into difficulty with her special attribute.
Sophia Loren got in on the action in 1972's The Sin, about a nursing nun who falls for one of her patients.
Who could forget singer Helen Reddy as a novice nun (along with mentor Martha Scott) in Airport 1975 (1974)?
Reddy's guitar-wielding nun was later parodied by singer Maureen McGovern (known in part for her interpretation of disaster movie theme songs from The Poseidon Adventure, 1972, and The Towering Inferno, 1974) in the zany Airplane! (1980)
Yet another nun with a crisis of conscience was Kathleen Quinlan in The Runner Stumbles (1979), which costarred Dick Van Dyke as a priest with whom she begins to fall in love.
Just prior to playing one of the toughest matriarchs on TV with Falcon Crest (1981-1990), Jane Wyman hopped on board The Love Boat for a 1980 episode in which she was a nun. (Seen here with Arte Johnson, her real costar of the piece was old flame Dennis Morgan.)
Meg Tilly was one of the cinema's most emotionally-tormented nuns this side of Vanessa Redgrave & Co. in Agnes of God (1985.) Tilly was Oscar-nominated, but lost to Angelica Huston in Prizzi's Honor.
On a lighter note came Sister Kate (1989-1990), a sitcom which starred Stephanie Beacham, fresh from Dynasty, as a non-nonsense den mother at an orphanage. Low ratings had the producers dumping her habit posthaste and outfitting her in navy blue cardigans with her hair showing!
Whoopi Goldberg scored a major hit in 1992 with Sister Act, about a lounge singer who hides out from the mob as a nun. A sequel and a Broadway musical followed.
Meryl Streep played a formidable nun in 2008's Doubt and was Oscar-nominated (losing to Kate Winslet in The Reader.) You may have gathered by now that being nominated for playing a nun is easier that WINNING!
But not all the screen nuns are female. Ha! Here, St. Mary Vincent (aka Vincent Price) is in disguise for Dr. Goldfoot and the Girl Bombs (1966.)
Then there are undercover cops Burt Reynolds and Jack Weston in Fuzz (1972.)
Robbie Coltrane and Eric Idle were evading their gangster boss in Nuns on the Run (1990.)
And finally we come to Leslie Nielsen going undercover as a nun in 1996's Spy Hard.

Tuesday, December 1, 2015

Kentucky Darby

Now don't panic too much. We aren't going to delve deep into the childhood career of freckle faced Darby Hinton, best known for his stint on Daniel Boone (1964-1970.) We simply couldn't resist the title for this post, though, which draws from his role as Israel Boone, son of the legendary Kentucky trailblazer. (As is often our goal here in The Underworld, there's a method to our madness.) Hinton, born into a bloodline of actors on August 19th, 1957 (that's my birthday, too!), was first cast in TV commercials at the tender age of six months and proceeded to work further from there!

Before he was even two, tragedy struck when he, his parents and two sisters (who also worked as child actors) were visiting Catalina Island. His father, actor Ed Hinton, was called to Utah for work on a film and boarded a small private plane to expedite his journey. However, after he asked to circle back in order to wave at his wife and kids, the plane collided with a cliff and crashed into the water, killing all on board. (Ed Hinton is second from the right in this photo from 1955's Devil Goddess.) Thus, his family was forced to watch in horror as their beloved patriarch perished before their eyes.

Darby Hinton, already a veteran of many commercials and several film and TV appear- ances at age six, was taken to audition for the highly-anticipated The Sound of Music (1965), though there wasn't even a role for a boy his age. He somehow wound up lost on the lot and, literally, stumbled into Fess Parker, who was preparing Daniel Boone and soon charmed the star into offering him the role of his young son on the upcoming series!

This photo on the set is of Hinton with his mother Marilynn. She emerged as a great Hollywood socialite, throwing many dazzling parties and maintaining a busy, active charity schedule. The godparents of her children included figures of no less fame than Jane Russell, Steve Cochran, Denise Darcel and Charlton Heston (Darby's)! Mrs. Hinton did not remarry after the 1958 death of her beloved husband.

Hinton was taken under the gentle giant Parker's wing and a fatherly relationship developed over the course of the successful series. Hinton also guest-starred on other hit shows such as Route 66, Wagon Train, The Big Valley and The Adventures of Ozzie & Harriet. Afterwards, he attended school in Switzerland and embarked on the adventure that was World Campus Afloat (later named Semester at Sea), a shipboard educational exercise that left him with a lifelong sense of adventure.
During the mid-1970s, Hinton continued to work, occasionally on TV, but more often in low-budget flicks with sometimes gritty subject matter. As the 1980s dawned, he guest-starred on Magnum, P.I. and The Fall Guy, gigs that would put him in stead for the part that forms the, uh, meat of this post! In 1985, Daniel Boone's li'l boy was cast in a mind-boggling bit of low-budget entertainment called Malibu Express! Express sprang from the mind, pen and directorial hand of one Andy Sidaris, a former sports-programming director who turned to intentionally raunchy, but light-hearted, action films stuffed to the gills with as many Playboy Playmates as he could muster.

In my wildest dreams, I never would have even begun to watch an Andy Sidaris movie, not just because they are usually considered far from "good," but also because I have a near-zero interest in Playboy Playmates. However, a loyal friend and true of Poseidon's Underworld made it a point to tell me that these movies often served up equal or near-equal beefcake along with all the female T&A. Malibu Express was noted in particular. So when I happened upon a DVD set which included TWELVE of these movies for $5.50, I really felt I had no choice but to pick them up and at least get to see Express for the first time.

It's true. The plotlines of these movies don't merit any sort of in-depth assessment, nor is there much in the way of acting to be found, especially from the curvaceous ladies who, literally, at the drop of a hat, remove their tops and act like they're in heat. But it's also true that there is plenty of masculine charm on display as well, especially in this one with Hinton.

He plays a private investigator, very much in the mold of Tom Selleck's Thomas Magnum, complete with thick mustache, wavy hair and red sports car (in this case, a DeLorean!) Right off the bat, the spoofy nature of the film is demonstrated when Hinton heads into a shooting gallery and, firing off a ginormous gun, never once hits the target in question.

Before he enters the building, we're given a close-up of Hinton's crotch, swaddled in tight, faded jeans.
The budget for the film doesn't appear to have accounted for underwear, since Hinton looks to be going commando in most of his scenes (including this one at a race track.)
At Hinton's houseboat (called Malibu Express), he enters his kitchen to get some coffee brewing, then strips off in order to head downstairs for a shower.
Soon, we glimpse a big ol' close-up of Hinton's backside as he rinses off with the shower head attachment. Lest we be mistaken into thinking that this is a double, the camera rises without any cuts to reveal the face of our star.

All throughout the movie, Hinton and others fall into bed at the slightest provocation. It's practically along the lines of "Hmmm, it's 73 degrees. Let's get it on!" But who's complaining when it's just one more chance to see our hunky hero shirtless?

Just when you think things can't get much better, Hinton serves up another Underworld fixation, the Speedo! While investigating a case at a luxurious mansion, he does a few laps in the pool and steps out of it wearing this number.
Sidaris' films, though healthily stuffed with boobs, butts and bombs, often contain a surprising gay element as well. This movie, for example, has a drag queen in it (as do others of his.) This fight scene below has rather obvious gay subtext as well as shirtless Hinton is held at bay by two bare-chested bodybuilders while Art Metrano threatens to "blow his dick off!"
Praise Jesus, he's back in a Speedo again, this time after a swim in the company of Sybil Danning!
Following a murder at the mansion, he continues to investigate and question suspects, all the while remaining in this skimpy swimwear. (You never caught Thomas Magnum doing that!)
The final part of the movie is more conven- tional and though Hinton has still more sex and shirtless scenes, it becomes more about race car and helicopter chases and explosions than bodies on display. This shower sequence with him in some wet pants is welcome, however.

His tan, otter-like body is shown off to great advantage time and again. Sadly, he never made another film for Andy Sidaris. Married twice and with a total of four children, he's continued to act sporadically and has been trying to launch an adventuresome reality series that explores American history, including that of Kentucky's Daniel Boone.

Still handsome at fifty-eight, he popped up in the Bill Paxton miniseries Texas Rising (2015) and just finished a docudrama based on the ill-fated Donner Party wagon train. Though his beefcake-y, Speedo years are likely behind him, we may still see more of Mr. Hinton on screen in the years to come.

Editor's Note: Due to interest in Mr. Hinton's TV commercials (in the comments section), I've added this picture from a holiday jewelry ad that's been getting airtime recently. We've probably seen him in all sorts of ads and never even realized it.



THE END

Thursday, November 26, 2015

Thanksgiving Dressing

No, not the food kind! We instead offer up this hooty two-page spread from (I think!) TV Guide in which The Young and the Restless' Jeanne Cooper is given a vintage version of What Not to Wear by none other than Irwin Allen's very favorite costume designer and close friend Paul Zastupnevich.

Sadly, the next page of text isn't included/available, though what's there is choice. Zastupnevich gave each one of these get-ups a name! Ah, the '50s and early-'60s. There is a bit of misinformation in this brief article, though, but leave it to The Underworld to snake out the truth. Zastupnevich was not the costume designer for Cooper's musical. He was her co-star! Under the name Paul Kremin, he and Cooper did "Plain and Fancy" at the Riverside Tent Theater in North Hollywood. But Cooper's husband's client (the man was an agent) needed a dress for an event and in desperation turned to Zastupnevich, who had several years of experience in costume design.

The client was Rhonda Fleming. She was so happy with what he came up with that he was touted by her as the full-on designer for her next picture, The Big Circus (1959.) He presented his ideas to the producer, Irwin Allen, and the rest is history. Once grand showman Allen witnessed the flair with which the young designer presented his work, he utilized him forever after. Even then, Allen had assembled an all-star cast. Seen below are Vincent Price, Gilbert Roland, Rhonda Fleming, Victor Mature, Red Buttons, Adela Mara, David Nelson and Peter Lorre.
Surely one of the delights of costuming this mammoth motion picture would have been the fitting of hunky David Nelson (son of Ozzie & Harriet and brother to teen crooner Ricky) for his trapeze leotards!
Under Allen's supervision, Zastupnevich went on to design countless clothes for TV shows like Lost in Space, Voyage to the Bottom of the Sea, Land of the Giants and The Time Tunnel along with movies like The Poseidon Adventure (1972), The Swarm (1978) and When Time Ran Out... (1980), among others.  Prudish Allen and he tangled over Stella Stevens' cleavage during Poseidon, resulting in a sizable brooch being plopped into the lowermost regions of it.  One of my favorite quotes of his about Voyage to the Bottom of the Sea was that the show was "... all men and monsters, and some of the men were monsters!"

Zastupnevich was also nominated for Oscars with these films, losing to Anthony Powell for Travels with My Aunt, Anthony Powell for Death on the Nile and, yes, Anthony Powell for Tess!  (What are the chances?!)  One presumes that Zastupnevich's office had an Anthony Powell voodoo doll dangling over a lit candle with needles in its head!

Of course he wasn't even nominated for The Towering Inferno (1974) which contained one of my all-time favorite dresses in cinema history, that of Faye Dunaway's. The dress was the subject of my sixth ever post here!

Mr. Z passed away at the age of seventy-five in 1997, his final project having also been Irwin Allen's, a TV-movie called Outrage! (1986), which was uncharacteristic for the duo in content (the trial of a man who killed his daughter's rapist and murderer), but not casting. The parade of names involved included Robert Preston, Beau Bridges, Burgess Meredith, Mel Ferrer, Anthony Newley and Linda Purl!  It was a long way from both Jeanne Cooper and Rhonda Fleming.

Monday, November 23, 2015

Mini Pop Quiz: Who's That Guy?

This muscle-bound man is familiar to most moviegoers, though to a good many of you, his face is unfamiliar. Folks who hail from the same geographic area as he will more than likely find it simple, as will diehard fans of the film(s) he is associated with, but for a lot of us, this is something of a stumper.

The shots of this gentleman in a skimpy leather get-up are from a 1972 horror flick called Vampire Circus. The circus is filled with shape-shifting vampires, dangerous animals, diminutive clowns and others. The guy in question is the resident strongman and flunky. His role in the movie is wordless.

His chief function, apart from occasionally knocking someone around or disposing of a body, is to look strapping and hunky in his li'l outfit, which he does rather nicely.

As I say, practically all of us have seen him in a famous role on-screen. Thing is, we never saw his face (or, as in this case as well) heard his voice! His voice was provided by another actor, one who was renowned for its quality. The physically imposing character he enacted was really a force to be reckoned with. Does that sew it up for you?

Yes, this man is David Prowse, the body behind the black helmet and costume of one Darth Vader, chief villain of Star Wars (1977), The Empire Strikes Back (1980) and Return of the Jedi (1983.) Vader's voice, of course, came courtesy of James Earl Jones.





Here is a shot of Prowse decked out in his suit, minus the iconic helmet:
To a generation of moviegoers, Darth Vader was the epitome of a powerful, threatening menace. While it's true that Jones (and the heavy respiration of the helmet) contributed enormously to the success of the part, Prowse's build and movements also aided in putting the part across.

Somewhere along the line, the once- amiable relationship between Prowse and series creator George Lucas (seen here with beard and glasses, along with director Irvin Kirschner) disintegrated into outright animosity. It stems from allegations that Prowse revealed key plot plots to the media about the sequels despite being sworn to secrecy and/or from the fact that in the third film, the character's unmasking was played by someone other than Prowse, a Shakespearean actor named Sebastian Shaw, whose less-than-three minute scene was shot in one day under a blanket of secrecy.

As a result, Prowse has been banned since 2010 from any official Star Wars conventions. Despite Jedi (a movie budgeted at $32 million) having taken in $475 million, Prowse has never been paid residuals due to what he calls "Hollywood accounting." I thought you might like to see the man behind the mask (he's seen here as a weightlifter in a 1968 episode of the British TV series The Champions.)

The 6'6" bodybuilder, who competed as a weightlifter prior to acting on TV and in movies, had slimmed down quite a bit by the time of Star Wars, as one can see from this portrait. Now eighty years of age, he has been stricken by several physical ailments from hip replacements to arthritis to prostate cancer, but is still well-regarded by many fans for his work in the legendary movie trilogy.