Showing posts with label Peyton Place (series). Show all posts
Showing posts with label Peyton Place (series). Show all posts

Tuesday, March 6, 2018

Fond Farewell: Dorothy Malone 1924-2018

Do not ask me where I've been that I only found out yesterday about Dorothy Malone's passing, which occurred on January 19th, 2018. It could be because I steadfastly refuse to watch the news (if the event even made the news) and don't keep my hat very far into the ring of current entertainment programming. In any case, Ms. Malone was the subject of a tribute here eight years ago (!), but when one of our cherished stars moves on to the next realm, we like to give them a proper send-off nonetheless with a picture essay.
A pretty young brunette (and beauty pageant winner) from Dallas, Texas, she made her first film appearance in 1940 at only age sixteen. Countless bit roles as models, friends, showgirls and other assorted parts continued through the middle of the decade.
The powers that be began to take notice of Ms. Malone when she played the part of a bookshop proprietress in The Big Sleep (1946), opposite Humphrey Bogart, who may have more on her mind than it appears on the surface.
A very busy career as a leading lady followed, many times in (often) dreary westerns, which were hugely popular at the time. She worked opposite a gallery of actors from Joel McCrea to Ronald Reagan (shown here) and from Randolph Scott to Fred MacMurray to Glenn Ford and more. (Bottom right is Mark Stevens.)
A shift from brunette to a light, golden blonde seemed to unleash a sassier, sexier side to her than she had previously displayed. In color films in particular, her tan complexion paired with huge, liquid eyes and a prominent mouth and the flaxen hair made a striking visual impression.
Occasionally, if a role warranted it, she would return to darker locks, such as in Battle Cry (1955) opposite humpy Tab Hunter
Many more westerns were to come, though she also strove for versatility in lighter fare such as the Dean Martin-Jerry Lewis comedy Artists and Models (1955) as well as romances (though in the case of 1955's Sincerely Yours, opposite Liberace, it was closer to science fiction!) But bigger and better opportunities were on the horizon...
After toiling away in scads of rather unimportant films, Malone was at last on the crest of a career high.
In 1956, she was cast as the promiscuous, shameless Marylee Hadley in the colorful Douglas Sirk soap opera Written on the Wind. All about the romantic entanglements of a wealthy brother and sister and the objects of their affection, she rose to the occasion like never before, lusting after Rock Hudson, belittling her alcoholic brother Robert Stack, snidely cutting down her sister-in-law Lauren Bacall and, in a vivid sequence, violently dancing around in a sheer negligee while her father lies dying on the stairs outside her room.
Lauren Bacall's husband told her before his death that he didn't want her to make any more films like Written on the Wind, but for Malone it was a watershed. She took home the Best Supporting Actress Oscar for her outrageous role.
Having already portrayed a multitude of worried wives, attractive diversions and sultry sirens, she next portrayed the troubled first wife of Lon Chaney in the (fictionalized) biopic Man of a Thousand Faces (1957.) So filled with hate towards her husband in the film (James Cagney), she marches on stage during a performance of his (which did happen in real life) and swallowed a vial of acid, permanently damaging her voice.
Director Douglas Sirk utilized her again (along with Robert Stack and, as shown here, Rock Hudson) for The Tarnished Angels (1957), a lesser-known film whose reputation (like that of its director) has grown over the years. She also costarred with Robert Taylor in Tip on a Dead Jockey (1957.)
At last Malone was ready to carry a film on her own without having to rely on a name-brand leading man opposite her.  For this, she reverted to dark hair once more for the last time.
Too Much, Too Soon (1958) was based upon the autobiography of Diana Barrymore, another in the long line of (troubled) actors from that famous family. A fast-dissipating Errol Flynn was cast as her father John Barrymore, from whom she inherited several issues. The melodramatic movie was hampered by sanitization of the material as well as the presence of the real-life actress as consultant, obscuring some of the harder facts.
After appearing in Warlock (1959) opposite Richard Widmark, Henry Fonda and her fellow Oscar-winner Anthony Quinn, Malone was reunited with Robert Stack for The Last Voyage (1960), a shipwreck drama in which Malone is buried under debris with water rising while her loving, frantic husband and petrified young daughter struggle to free her. It's a gutsy, gut-wrenching performance in a movie that demonstrates some seriously realistic submersion effects.
The ensuing years brought one last teaming with Rock Hudson (and Kirk Douglas) in The Last Sunset (1960) and the first Beach Party (1963) movie as well as a few TV guest roles. Then in 1964 she was selected (with top-billing) to portray the long-suffering Constance Mackenzie in the television version of Peyton Place. The part had first been played in the movies by Lana Turner (earning that actress her only Oscar nomination) and Eleanor Parker. The "widowed" Malone bore the secret that she'd never actually been married and her eighteen year-old daughter (Mia Farrow) was in fact born out of wedlock, her father locked away in prison! Her occupation in the series was as a bookstore owner, a possible nod to her role in The Big Sleep, though not much other than conversation or rearranging ever took place inside. Previous Constances had owned dress shops. Perhaps the bookstore allowed for more men to come and go.
The prime-time soap was a smashing success, airing twice, then three times a week as viewers followed the sometimes daring storylines. Her character eventually reunited with her long-departed love and they wed, having another child together. She was twice nominated for Golden Globes as Best TV Star-Female, but lost to Mary Tyler Moore of The Dick Van Dyke Show and Ann Francis of Honey West. Some significant health issues involving her heart and lungs drove her off the show for a time and eventually she left altogether when her story arc grew stale. (A tiff with 20th Century Fox over her dissatisfaction in the scripts versus her active contract led to a hefty out of court settlement.)
Malone did have better fish to fry as it were. She was mother to two lovely daughters (no, that isn't a young Celine Dion!), Mimi and Diane, from her 1959-1964 marriage to handsome devil Jacques Bergerac. Their bitter divorce and custody battle had occurred just when Peyton Place was beginning. Fearing for her girls' adjustment, she eventually moved back home to Dallas, TX and raised them away from Hollywood, occasionally taking a job on TV or in a movie. (In 1984, she was approached about taking over for ailing Barbara Bel Geddes on Dallas, but declined.) She had two more reasonably brief marriages, one annulled after a few months and one lasting almost two years.
After sporadic TV and low-budget movie appearances (including some Peyton Place reunion telefilms), Malone made one last sojourn onto the big screen in 1992 with a cameo role in Basic Instinct. She played an enigmatic murderess on parole who may or may not have something to do with a recent rash of killings. This part came fifty-two years after her initial endeavor on the big screen.
Despite her long career of appealing and/or sultry roles in the cinema and the fact that she WON an Oscar for Written on the Wind, the current people in charge felt that she wasn't significant enough to be represented in the annual "In Memorium" montage at this year's ceremony held a few days ago. (She share's this appalling distinction with John Gavin and Dina Merrill, among others.) But in Poseidon's Underworld, we would never dream of omitting these people and revel in the fact that we can keep their names alive to whoever may delve below the surface here.
Dorothy Malone was ninety-three when she passed away of natural causes, having cheated death at least once in the 1960s and having provided the world with more than a few memorable performances which will live on long past her demise. We hope that wherever she may be now that she knows she brought pleasure to millions of viewers on the big and small screen.

Monday, February 22, 2016

Fun Finds: TV Radio Mirror, August 1966

It's time again for another traipse down memory lane with a showbiz magazine from Hollywood's days gone by! This time, we have a mid-'60s issue of TV Radio Mirror (cover price $0.35 for a 90-page magazine!) that features a parade of photos and stories, many of which center on gals with the last name of Lennon or participants in the then-hot prime-time soap Peyton Place (1964-1969.) The colorful cover depicts two movie actresses who had made successful transitions into the world of television, Barbara Stanwyck and Dorothy Malone. (FYI - You may find these various page scans easier to read by opening them in a new tab or window.)

Most of us who are familiar with "Old Hollywood" recognize the name of columnist Earl Wilson who was a pretty prominent showbiz journalist in his day. His column "Inside Story" begins by questioning whether an actress (namely Marlo Thomas) can achieve what's necessary for a successful career without becoming too "mannish" in the process. Mention is made of her brother Tony, who'd been flirting with an acting career as well, but he ultimately turned to producing (in fact, he executive produced Benson, 1979-1986, and The Golden Girls, 1985-1992, both considerable hits, among other shows.) Also included is a picture of Miss Stanwyck accepting an Emmy (for The Big Valley) and blurbs about Sheila MacRae taking over from Audrey Meadows for The Honeymooners and Johnny Carson's recent bon mots.

The second page recounts a tribute to Mike Todd, created by his son Mike Todd Jr, and notes that Elizabeth Taylor refused to take a check for her times spent contributing to the project. Other blurbs concern upcoming TV specials with Tony Bennett and Robert Goulet and a blind item concerning an unruly music group. Photos include one of Sammy David Jr with his then-wife May Britt as he accepts a Man of the Year award from the Friars and another of Bill Cosby with his wife and mother. Forty years ago, his wife couldn't have dreampt what lay in store down the pike!

The end of his column has a sizable entry on actress Pamela Raymond (who I had never heard of) relaying her experiences as a heroine on the daytime drama The Secret Storm. Strangely, this article has her married to a writer named Larry Martin while today's www sites such as imdb.com and wikipedia.org have her married to actor Ben Cooper from 1960 to her death in 2008! He finishes up with bits about Jack Jones, Burt Ward and a plea for reporters to stop attacking celebs en masse when spotted at the airports or press conferences.

The next section, called "What's New?" is by Eunice Fields and centers on the recent Emmy Awards ceremony. Danny Kaye and Bill Cosby had co-hosted it from two coasts, something that seems almost surreal now although technology would actually make it far easier to accomplish. BTW, I love Mary Tyler Moore's hair in this photo, far removed from the usual way she wore in on The Dick Van Dyke Show (1961-1966) or The Mary Tyler Moore Show (1970-1977.)

As the column continues, we get a rare photo of John Wayne and Claire Trevor reunited a dozen years after the last of their four movie collaborations. There are also blurbs about Batman (1966-1968) stars Adam West and Burt Ward, Yvette Mimieux and a new pet jaguar (!), a piece on how film actors were invading the Broadway stage, the infamous "singing" star Mrs. Miller, Ed Ames and Phyllis Diller.

Finally, she recounts the broken engagement between Aaron Spelling and Leticia Roman (which I hadn't ever known about), suggesting that Carolyn Jones might be re-entering his life. In actuality, he'd recently met Candy, who would become his longtime wife and the mother of his children. Roman soon went into California real estate with great success. She also touches on Raymond Burr, Bill Cosby, Nancy Sinatra, Natalie Wood & Stuart Whitman (!) and Judy Garland's latest failed marriage.
This featured biography of Cliff Robertson was done just prior to his marrying Dina Merrill. They were wed in 1966, but divorced in 1989.

This next segment "Show Biz" speculates about the televising of Luci Johnson's (daughter of then-President Lyndon Johnson) upcoming wedding as well as whether the President's other daughter Lynda would wind up married to actor George Hamilton. Luci's first marriage ended in 1979 while Lynda married a decorated marine who proceeded to a successful political career.

Some great pictures come up next, featuring Charles Chaplin, daughter Geraldine and Marlon Brando on the set of the huge flop A Countess from Hong Kong (1967), Honor Blackman of Goldfinger (1964), Jack Cassidy and Shirley Jones during the premiere of the Broadway show "It's a Bird... It's a Plane... It's Superman," opera star Gladys Swarthout, Hedy Lamarr, Roy Rogers and Dale Evans and the merry-go-round love lives of Barbara Parkins and Ryan O'Neal. In the accompanying article, Superman star Bob Holiday is touted as sure to go places on screen, but he never acted in any TV or film projects beyond those associated with Superman.

The next page has a photo of Christina Crawford on her wedding day with her famous mother (and matron-in-law) Joan. The article refers to their sometimes "stormy" relationship, though producer Herman Cohen claimed he saw Crawford slip her daughter $5,000 (a quite considerable sum then) to ensure that the newlyweds would have a terrific honeymoon. This first husband of Christina's reportedly never heard word one about any child abuse from her. There's a shot of Robert Vaughn and his son by Joyce Jillson (I had no clue...) At the bottom is a photo of Corinne Griffith, a silent movie actress who shaved twenty years off her age and disavowed her prior career during an annulment hearing with her fourth husband! Her behavior led to the writing of the novel Fedora by Tom Tryon.
Capsule summaries (and candid opinions from the author) of some then-in-release movies are found on this page of TV Radio Mirror.
Now we come to a succession of articles, some with fun color portraits like this one of Eva Gabor (of Green Acres, 1965-1971) and her fourth husband Richard Brown. Brown was a textile manufacturer and stockbroker who later worked for Filmways production company.

The article proceeds to cover all sorts of jibber-jabber about their marriage and home life (these magazines always have long, text-filled articles that look like so much, but which say so little!) More captivating are the various staged photos of their ornately-decorated home and glamorous existence together.

This was the longest-lasting of Gabor's five marriages, but even it was not to be forever. They divorced in 1972 and she wed for the last time in 1973, a union that ended in 1983. None of her five marriages resulted in a child. Ms. Gabor suffered a fall in 1995 at age seventy-six and complications from that eventually led to pneumonia and respiratory failure. Her equally-famous sister Zsa Zsa is still alive today at ninety-nine, though in miserably poor health.

This article about Dick Van Dyke's journey from young Christian to Athiest and back to believer. The article later describes his rise from the theatre to a starring role in Bye Bye Birdie (1963) when Laurence Harvey (!) couldn't fit it into his schedule and how Gower Champion made a dancer out of him when he doubted that he could even waltz.
 This is great color photo is of Chuck Connors of The Rifleman (1958-1963), currently starring in Branded (1965-1966) with his wife, Indian actress Kamala Devi. She costarred in Geronimo (1962) with him and appeared in several episodes of his series. 
Devi was extremely lovely on screen and was a decent actress, though she all but gave up her career to serve as Mrs. Connors (as the article states.) Things went swimmingly until about 1973 when Connors filmed Soylent Green and met one of the curvy ladies playing "furniture" (the sexist term for female companionship in the futuristic movie.) He and Devi divorced in 1973 and a couple of years later he married the gal in question. (They, too, divorced in 1980.) His first wife bore him four sons, but that marriage had ended in 1961.
  
This next article is really something. The tone of the piece is extremely friendly, fawning and positive and yet the whole thing is laced with a tinge of mystery and secrecy.  On the surface, it's about how Rock Hudson discovered and helped a small town guy named Harvey Lee Yeary, who would eventually become Lee Majors.
  
Here we see the young star from The Big Valley (1964-1969) enjoying a moment with his rod & reel in his home with a large portrait of Hudson looming in the background over his shoulder.
   
This is one of the rare instances in which I'm going to include the whole article because rumors of this association have been bubbling up for decades and decades. I knew better than to even mention Majors' name to my aunt who went to Eastern Kentucky University at the same time he did.
    
The rumors have included all sorts of things including those of a sexual nature. It's a nearly forgotten fact now, but Hudson used to come to Kentucky for the Derby, but keep a house nearby for all sorts of shenanigans. One year he allegedly took some of the players on the 1962 U.K. football team to bed, causing a huge local scandal! We may never know the exact circumstances of this scenario.

Now entering Lennon World! At left is the fairy tale wedding of Janet Lennon to then-stage manager Lee Bernhardi. (He later went on to become a producer and TV director.) This was quite obviously one big, splashy ceremony!
   
Seen on this page is the patriarch of the gargantuan family of singers, Bill Lennon. The caption reads that he will "long recall" this day, but in actuality he was horribly shot and killed by a deranged fan of Peggy Lennon just a few years after this (and at only age fifty-three.)
This is a great and gorgeous photo of the young couple on the big day with Maid of Honor Kathy Lennon by their side.
The magazine also includes snapshots from the large reception.
   
But it doesn't stop there. Now the story continues onto their honeymoon in Palm Springs!
   
Photo ops galore continue as the couple is shown in a variety of active or romantic poses.
   
This part of the article describes the way Bernhardi would continually surprise his love with a yellow rose throughout their courtship.
   
Not too long ago, the over-the-air channel Buzzr was showing vintage episodes of Tattletales from the early 1970s and Lee and Janet were on as a couple. Sad to say, after ten years of marriage and three children, they divorced. Janet remarried the same year (1976) to a man that remains her husband today.

Just when you thought you'd crossed the threshold on Lennons, we find christening photos from Dianne Lennon's son's big day.
   
This Lennon marriage is one that took. Dianne and her husband Dick Gass (yes, you read that right) are still wed today and have been since 1960.

Now we come to the story on Jill Ireland and her new love Charles Bronson. The one hitch was that she was still married to Bronson's friend David McCallum! The painting on this page is by Bronson, by the way.
   
The article notes that the portraits of McCallum and Bronson were inserted for the purposes of illustrating the story and were not on display this way in real life! Ireland and Bronson had met several years prior, but grew closer when they became partners in a gallery called "Art Actually." Ireland declares in the article that she and David were heading for separation long before Bronson entered the picture. She and Bronson wed in 1968 and remained that way until her death of cancer in 1990 when she was but fifty-four.

The cover story (or half of it) concerned the "man" that Dorothy Malone wept over. Who it turned out to be was her younger brother Bill, killed at sixteen when a freak storm blew up on the golf course for which he was a caddy and he was struck by lightning! That occurred in 1954 and in 1956 when Malone won her Oscar for Written on the Wind, she reportedly said, "This is for you, Bill..." unplanned and from her heart.
   
The man that Miss Stanwyck "weeps for" is also her brother, who'd recently passed away. Stanwyck was the youngest of five children. There were three older girls, then her brother Byron and then her. When Stanwyck was two, her mother (pregnant again) was dealt one of those cruel blows that seem to haunt the lives of so many people who later went on to movie stardom. A drunken man on a streetcar fell and kicked her in the stomach. She later began to hemorrage and died along with the unborn baby.
  
As a result, Stanwyck and her brother were passed around between their older, married sisters and a variety of families who kept them temporarily during hard times in New York City. Ultimately, Byron grew up to become the loving head of his own family and worked in the business as an extra (the siblings are seen here during an episode of The Barbara Stanwyck Show, 1960-1961.)
  
 Now we find another happy couple, costars of Peyton Place (1964-1969) Christopher Connelly and Pat Morrow.
  
The article is heavy on suggesting a pending engagement announcement for the pair, and they do seem blissfully happy in their variety of romantic poses.
   

The photos in this collection have the earmarks of one of those dating montages that you'd see in many movies of the late-'60s and early-'70s (later lampooned in the movie The Naked Gun: From the Files of Police Squad, 1988, by Leslie Nielsen and Priscilla Presley!)
Unfortunately, this tan, toothy twosome was not to be. In 1969, Connelly married former teen actress Cindy Carol and in 1975 Morrow wed Rosalind Russell's son. That union lasted about eight years while Connelly's lasted until his untimely death in 1988 from lung cancer. He was forty-seven.
The results of a recent write-in poll reveal to all who was deemed "TV's Most Beautiful Girl" in 1966. Runners-Up were Sally Field (of Gidget), Linda Evans (of The Big Valley), Kris Nelson (of The Adventures of Ozzie and Harriet - and mother of the twin singers who later made up Nelson!), Inger Stevens (of The Farmer's Daughter) and Anne Francis (of Honey West.)



While the winner (the "Queen!") was determined to be Barbara Parkins of Peyton Place (but soon to be selected as one of the leads in Valley of the Dolls, 1967.)
   
This lovey-dovey couple is Burt Ward (who played Robin on Batman from 1966-1968) and his wife Bonney. (She was the daughter of composer and musical director Mort Lindsey.) They'd met a couple of years prior and were wed in 1965.

At this time she was pregnant with their daughter Lisa, though (despite the goo in this article) this marriage would soon be kaput and Ward married an actress who'd appeared on Batman as one of The Joker's gang. Today Ward is married to his fourth wife (since 1990), having grappled with insurmountable typecasting from his days as The Boy Wonder.

Before we close, I'll leave you with two color advertisements from the magazine. The first one has a young lady enjoying the hell out of life thanks to Tampax tampons. This sort of approach led to the infamous joke about the boy who came into the drug store and demanded a refund on a box of tampons he'd recently purchased. When the clerk asked why, the kid responded that there was false advertising. The box had proclaimed that with these he could ride a horse and a motorcycle, play tennis and swim!  Ha ha!

The last one is one of the many, typically-oblique ads for Modess sanitary napkins. The campaign ran for years and usually consisted of a highly glamorous model in a gown with only the words "Modess... because" as copy. And that about does it till next time!