As you can imagine, we know every frame of The Poseidon Adventure (1972) by heart and have each perfor- mance, vocal nuance and costuming detail practically memorized. Thus, we are quite familiar with the almost iconic clothing that designer Paul Zastupnevich placed upon the shoulders of his cast during their fiery and watery ordeal. We recall Ernest Borgnine's pink tux shirt (later to be found on Stella Stevens!), Shelley Winters' chiffon dress, Carol Lynley's hot pants and so on. Then there are the earlier, more brief, scenes such as the church service given by Gene Hackman up on deck.
For this windy occasion, Pamela Sue Martin donned a yellow and white cape with a distinctive closure at the neck.
You'll recall that earlier in her cabin, she was seen wearing a yellow blouse and white skirt as she and her brother Eric Shea tussled around about a telegram from their parents, not to mention about going to the church service itself ("Why don't you SHOVE IT!"), so this cape was a fully coordinated accent to her ensemble.
Without realizing it, though, Ms. Martin was being quite fashion forward in her selection of this cape. You see, it was not just a run-of-the-mill item from a store in 1972, but actually a piece of clothing from the far-flung future of 2053, a time we haven't yet reached even now!
The year before Poseidon, Irwin Allen produced a TV pilot called City Beneath the Sea (1971.) The futuristic series, about an underwater compound run by Stuart Whitman and a variety of other subordinates, was not picked up, but the pilot saw release as a feature film in the United Kingdom.
One of his undersea cohorts, Rosemary Forsyth, sports a variety of candy-colored mini- dresses, such as this yellow one with cut-out sleeves.
When she's traipsing through the presumably nippy hallways of the underwater city Pacifica, however, she sports a coordinated cape that fits over her yellow dress. Yep, you guessed it! The very same one that later turned up on Martin in Poseidon.
Here's a close-up look at the detail on that neck-closure.
Forsyth blames Whitman for the accidental death of her husband, which is why she appears so dour in this series of shots.
It's fun that we can take a look at costumer Zastupnevich going green and recycling a bit of clothing from a prior project. As the shipboard church scene in Poseidon is comparatively brief, it was likely determined not to spend too much time or money on clothing for Martin in that fleeting instance. We end with a candid photo taken aboard the Queen Mary (stand-in for the S.S. Poseidon) on the day that scene was filmed.
Showing posts with label Paul Zastupnevich. Show all posts
Showing posts with label Paul Zastupnevich. Show all posts
Wednesday, November 23, 2016
Wednesday, March 16, 2016
A Brief Camp-ing Getaway!
Oh, duckies... We've been overwhelmed by the final rehearsals and opening of our latest stage show (and positively pounded at work as well!), so we can only arrange for a little "camp"-ing trip until things let up a bit. A round of photos that tickle our camp sensibility for one reason or another. We hope you find them interesting or entertaining! Thanks to our cover boy Mark Damon (and his twirling, whirling friend!)
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| Hmmm... I like underwear ads that start off with a man naked but for a towel! |
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| I beg your pardon?? |
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| The (cut-off) title of this one was "The Long and the Short of It" (and they were allegedly talking about their briefs...) |
| Presumably a portrait taken for a TV special (?), Chita Rivera brings along the camp and a trio of hirsute safety gays. |
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| In 1950's Return of the Frontiersman, velvet-voiced Gordon MacRae is serenading Julie London, but Rory Calhoun seems to be taking just as much, if not more, interest in what Gordy's got to offer! |
| In the 1962 peplum adventure My Son, The Hero, Giuliano Gemma seems to be positioning himself for something more than a fight with Serge Nubret! Make love, not war, I always say... |
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| We recently mentioned Vince Edwards' career start during our tribute to The Seduction (1982) and here he is (blond!) in Mister Universe (1950) with a collection of cohorts that includes Bert Lahr, Jack Carson and an unrecognizable Janis Paige. |
| Sal Mineo, during one of his films such as Tonka (1958) seems to have been caught with his pants down or over a barrel... |
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| What an odd composition of humpy Van Williams for his series Surfside 6 (1960-1962), but then if I looked the way he did, I'd gaze at myself often, too! |
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| Even crazier is this shot of a couple of gals grabbing their masks, but not the rest of their simian get-ups! |
| Look at him go! Gregory Harrison portrayed a male stripper in the landmark TV-movie For Ladies Only (1981) |
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| You might recognize this couple, but do you know what the project was? No cheating! I'll tell you their names in any case: Jean Simmons and Bert Convy. Answer a little later below. |
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| Just for fun, here's that same press photo upside-down so you can see the flip side! |
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| This over-the-top display of home perfection and romantic ecstasy did backfire a bit when she and her husband divorced about six years after the publication of her guide... |
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| Look who we have here! Linda Rogo and Reverend Scott from The Poseidon Adventure (1972)? |
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| In a trend that went on several times over the course of about a decade, music played while the clothing was shown off by models (or some years, making it even more fun, actresses!) Campy and tacky, but SO MUCH FUN! You can view the whole spectacle here. Do note that the same piece of John Williams music - from The Poseidon Adventure's New Year's Eve party - is reworked for each of the five vignettes! |
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| Someone somewhere felt the need to cast Bert Convy as the medically (and mentally!)-challenged Tony Polar and Jean Simmons as the fire-breathing diva Helen Lawson. They are shown in the program performing a number from their latest alleged spectacular movie musical! True, both had sung before - he in Fiddler on the Roof on Broadway and she in Guys and Dolls (1955) - but they were hardly the types to portray hit musical stars of 1981! Pictured with Simmons is the movie's costumer Jean-Pierre Dorléac, who wrote to me once after reading a blog entry concerning Pamela Hensley, (whose costumes on Buck Rogers he'd designed!) but whose e-mail I accidentally deleted not long after receiving it! My apologies, Mssr. Dorléac! |
Thursday, November 26, 2015
Thanksgiving Dressing
No, not the food kind! We instead offer up this hooty two-page spread from (I think!) TV Guide in which The Young and the Restless' Jeanne Cooper is given a vintage version of What Not to Wear by none other than Irwin Allen's very favorite costume designer and close friend Paul Zastupnevich.
Sadly, the next page of text isn't included/available, though what's there is choice. Zastupnevich gave each one of these get-ups a name! Ah, the '50s and early-'60s. There is a bit of misinformation in this brief article, though, but leave it to The Underworld to snake out the truth. Zastupnevich was not the costume designer for Cooper's musical. He was her co-star! Under the name Paul Kremin, he and Cooper did "Plain and Fancy" at the Riverside Tent Theater in North Hollywood. But Cooper's husband's client (the man was an agent) needed a dress for an event and in desperation turned to Zastupnevich, who had several years of experience in costume design.
The client was Rhonda Fleming. She was so happy with what he came up with that he was touted by her as the full-on designer for her next picture, The Big Circus (1959.) He presented his ideas to the producer, Irwin Allen, and the rest is history. Once grand showman Allen witnessed the flair with which the young designer presented his work, he utilized him forever after. Even then, Allen had assembled an all-star cast. Seen below are Vincent Price, Gilbert Roland, Rhonda Fleming, Victor Mature, Red Buttons, Adela Mara, David Nelson and Peter Lorre.
Surely one of the delights of costuming this mammoth motion picture would have been the fitting of hunky David Nelson (son of Ozzie & Harriet and brother to teen crooner Ricky) for his trapeze leotards!
Under Allen's supervision, Zastupnevich went on to design countless clothes for TV shows like Lost in Space, Voyage to the Bottom of the Sea, Land of the Giants and The Time Tunnel along with movies like The Poseidon Adventure (1972), The Swarm (1978) and When Time Ran Out... (1980), among others. Prudish Allen and he tangled over Stella Stevens' cleavage during Poseidon, resulting in a sizable brooch being plopped into the lowermost regions of it. One of my favorite quotes of his about Voyage to the Bottom of the Sea was that the show was "... all men and monsters, and some of the men were monsters!"
Zastupnevich was also nominated for Oscars with these films, losing to Anthony Powell for Travels with My Aunt, Anthony Powell for Death on the Nile and, yes, Anthony Powell for Tess! (What are the chances?!) One presumes that Zastupnevich's office had an Anthony Powell voodoo doll dangling over a lit candle with needles in its head!
Of course he wasn't even nominated for The Towering Inferno (1974) which contained one of my all-time favorite dresses in cinema history, that of Faye Dunaway's. The dress was the subject of my sixth ever post here!
Mr. Z passed away at the age of seventy-five in 1997, his final project having also been Irwin Allen's, a TV-movie called Outrage! (1986), which was uncharacteristic for the duo in content (the trial of a man who killed his daughter's rapist and murderer), but not casting. The parade of names involved included Robert Preston, Beau Bridges, Burgess Meredith, Mel Ferrer, Anthony Newley and Linda Purl! It was a long way from both Jeanne Cooper and Rhonda Fleming.
Sadly, the next page of text isn't included/available, though what's there is choice. Zastupnevich gave each one of these get-ups a name! Ah, the '50s and early-'60s. There is a bit of misinformation in this brief article, though, but leave it to The Underworld to snake out the truth. Zastupnevich was not the costume designer for Cooper's musical. He was her co-star! Under the name Paul Kremin, he and Cooper did "Plain and Fancy" at the Riverside Tent Theater in North Hollywood. But Cooper's husband's client (the man was an agent) needed a dress for an event and in desperation turned to Zastupnevich, who had several years of experience in costume design.
The client was Rhonda Fleming. She was so happy with what he came up with that he was touted by her as the full-on designer for her next picture, The Big Circus (1959.) He presented his ideas to the producer, Irwin Allen, and the rest is history. Once grand showman Allen witnessed the flair with which the young designer presented his work, he utilized him forever after. Even then, Allen had assembled an all-star cast. Seen below are Vincent Price, Gilbert Roland, Rhonda Fleming, Victor Mature, Red Buttons, Adela Mara, David Nelson and Peter Lorre.Surely one of the delights of costuming this mammoth motion picture would have been the fitting of hunky David Nelson (son of Ozzie & Harriet and brother to teen crooner Ricky) for his trapeze leotards!
Under Allen's supervision, Zastupnevich went on to design countless clothes for TV shows like Lost in Space, Voyage to the Bottom of the Sea, Land of the Giants and The Time Tunnel along with movies like The Poseidon Adventure (1972), The Swarm (1978) and When Time Ran Out... (1980), among others. Prudish Allen and he tangled over Stella Stevens' cleavage during Poseidon, resulting in a sizable brooch being plopped into the lowermost regions of it. One of my favorite quotes of his about Voyage to the Bottom of the Sea was that the show was "... all men and monsters, and some of the men were monsters!"
Zastupnevich was also nominated for Oscars with these films, losing to Anthony Powell for Travels with My Aunt, Anthony Powell for Death on the Nile and, yes, Anthony Powell for Tess! (What are the chances?!) One presumes that Zastupnevich's office had an Anthony Powell voodoo doll dangling over a lit candle with needles in its head!
Of course he wasn't even nominated for The Towering Inferno (1974) which contained one of my all-time favorite dresses in cinema history, that of Faye Dunaway's. The dress was the subject of my sixth ever post here!
Mr. Z passed away at the age of seventy-five in 1997, his final project having also been Irwin Allen's, a TV-movie called Outrage! (1986), which was uncharacteristic for the duo in content (the trial of a man who killed his daughter's rapist and murderer), but not casting. The parade of names involved included Robert Preston, Beau Bridges, Burgess Meredith, Mel Ferrer, Anthony Newley and Linda Purl! It was a long way from both Jeanne Cooper and Rhonda Fleming.
Labels:
camp,
Irwin Allen,
Jeanne Cooper,
Paul Zastupnevich,
Rhonda Fleming
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