Showing posts with label Nancy Walker. Show all posts
Showing posts with label Nancy Walker. Show all posts

Tuesday, March 7, 2023

Hooray for Hollywood? - Volume One

During my never-ending excavations of used book stores, flea markets and antique shows, I am always looking for something that catches my eye regarding my affinity for classic movies and stars. I recently parted with $3.00 so that I could bring home the book seen here, "Hollywood on Hollywood," a collection of remarks on Tinseltown made by the stars who worked there. Compiled by Doug(las) McClelland, who penned many a biography of famous performers, it is full of a variety of quotes that I will periodically share with my readers. Naturally, I've also unearthed photos to go with! So here come the first 15.

"I have been in show business for twelve years. They have known me in Hollywood but two. Yet as picture-making goes, two years is a long time. Nevertheless, my advice has never been asked about a part in a picture. I found out I was going into Susan Lenox (1931) in Del Monte. Read it in the paper. When I walked on the set one day, they told me I was going to play Red Dust (1932) in place of John Gilbert. I have never been consulted as to what part I would like to play. I am paid not to think." -- Clark Gable, 1932. (This is the first time I had ever heard that John Gilbert had ever even been considered for Red Dust...! More vintage pics and info on Gable here.)

"Hollywood was capable of hurting me so much. The things about Hollywood that could hurt me (when I first came) can't touch me now. I suddenly decided that they shouldn't hurt me-that was all." -- Joan Crawford, Photoplay, 1930s. (This reminds me of JC's approach to eating, too. She would always leave the food that tasted the best on the plate, presumably things like rich potatoes or desserts, in an effort to keep her figure.)

"To survive in Hollywood, you need the ambition of a Latin American revolutionary, the ego of a grand opera tenor and the physical stamina of a cow pony." -- Billie Burke, 1940s. (Best known as Glinda in The Wizard of Oz (1939) and for playing a variety of dithering society types, it sounds like Miss Burke was made of strong stuff underneath that exterior.)

"Hollywood is a chain gang and we lose the will to escape; the links of our chains are forged not of cruelties, but of luxuries: we are pelted with orchids and roses; we are overpaid and underworked." -- Clive Brook, 1933. (I enjoyed this description of the lure of Tinseltown for those brought to it from afar.)

"Hollywood has come a long way since its infancy, when signs on for-rent apartments warned, 'No Dogs or Actors!' We didn't even have the doubtful distinction of first billing!" -- Gloria Swanson, 1949. (Do check out Glo's fur-lined cloak with matching hat and those platform shoes!)

"Back in the forties everybody went to the movies. There were houses open twenty-four hours a day where the seats never cooled. Soldiers, war workers on the swing shift, housewives, school children, couples on a date, pensioners-they all packed in to see the dreams Hollywood printed on celluloid, preferably in gorgeous Technicolor." -- Keenan Wynn, 1959. (Certain parts of Wynn's life could be made into a fascinating movie, too!)

"(In 1930s) Hollywood there was an exclusive clique, and no matter how big a name you were on Broadway, until you made it in the movies you didn't exist. I was just another Broadway star and didn't rate." -- Ethel Merman, 1978. (Regardless of her ability, I don't think that Merm had quite the right face & figure to make it as a leading lady in 1930s Hollywood. But I did enjoy her in the Eddie Cantor musical comedies she made nonetheless.)

"People tell you that the reason a lot of actors left Hollywood when sound came in was that their voices were wrong for talkies. The truth is that the coming of sound meant the end of all-night parties. With talkies, you couldn't stay out till sunrise anymore. You had to rush back from the studios and start learning your lines, ready for the next day's shooting at 8 am. That was when the studio machine really took over. It controlled you, mind and body, from the moment you were yanked out of bed at dawn until the publicity department put you back to bed at night." -- Louise Brooks, 1979. (This is an interesting alternative theory about the shift in personas during the transition to sound, though I doubt it's completely accurate. I LOVE the earrings she's wearing here!)

"Yes, there was racism in Hollywood in the 1930s and 1940s. I dealt with it as I deal with it in my own race; I ignore it and concentrate on non-racism. I have no regrets about my years in Hollywood. I loved the weather there." -- Butterfly McQueen, 1984. (Trivia Tidbit: Miss McQueen was part of the the first incarnation of The Wiz, but her role was cut during out of town tryouts. She remained onboard as understudy to the role of Addaperle, Good With of the North.)

"I'm not a little girl from a little town makin' good in a big town. I'm a big girl from a big town makin' good in a little town." -- Mae West, 1932. (By 1935, only one person in the U.S. was pulling in more dough than Mae West. It was the obscenely-wealthy William Randolph Hearst, which really ought to tell you something about her income...!)

"We can't afford to be timid. We can't stand back and be pushed off the rungs of the ladder we have already climbed. Once you let Hollywood push you around, you might as well give up. You are beaten. Your prestige as an artist is gone, your importance and value as a personality somehow damaged. This business is not famous for its second chances. Once you arrive at the top, you've got to fight every moment to stay there. Which is why I never have and never will allow Hollywood to kick me around." -- Merle Oberon, the 1930s. (Few showbiz existences have been as captivating to learn about as Oberon's. She was a woman of many mysteries and contradictions and did try to remain a top-billed star almost to the end - even if the movies were a far cry from the ones of her hey-day.)

"I laugh every time I think of the first interview I had here in Hollywood. The article about me said I had ben a landscape engineer and a specialist with mixed-drinks. That's Hollywood! My landscape engineering amounted to digging ditches for the WPA [Works Progress Administration.] My specializing in mixed-drinks amounted to swabbing beer-puddled bars and, later, mixing drinks." -- George Montgomery, 1941. (I tended to like Montgomery, who you can read much more about here, but never found out why Maureen O'Hara claimed in her autobiography to have "loathed him.")

"Why be beautiful in Hollywood, for the love of Pete? With every car-hop in town a sensational looker, Hollywood is strictly a bull market when it comes to beauty. So if you're asking Walker, she's telling you that she'll struggle along with what she's got for the next fifty years or so. It's done all right for Walker so far. -- Nancy Walker, 1944. (Walker was eerily accurate in her prediction...! She died in 1992, close to fifty years after this remark, and was still working. More about her life and career here.)

"Hollywood personalities are really partly applesauce. We deceive the public, and get paid for it. I get paid pretty well so I deceive the public good." -- Gary Cooper, 1946. (Cooper was an actor who often got more mileage out of a part by saying as little as possible - hence his reputation for often saying "yep" and "nope" on screen! But he was granted two acting Oscars along with an honorary one, so it worked out all right...!)

"If you and your husband both work (in Hollywood) you hardly have time to say hello. You just wave in passing. Actually, I have driven home after working all night to see Desi (Arnaz) passing in a car going to work. 'That face is familiar,' I say. 'Oh yes, my husband I haven't seen for days' and I wave. In Hollywood, too-young people see too much, do too much, go too much. They see others getting divorces and they think nothing of trying it. In a small town they are restrained by example and opinion." -- Lucille Ball, 1947. (No doubt this situation was part of why she insisted that he play her husband when the radio favorite "My Favorite Husband" - with Richard Denning - moved to TV as I Love Lucy. Unfortunately, even that plan couldn't save the marriage in the end.)

That's all folks, till next time!

Thursday, May 4, 2017

Oh, "That" Joan!

I mentioned lately in a comment section or two that I've recently been watching a pretty rare 1968-69 half-hour talk show hosted by Joan Rivers. Called That Show, it featured Ms. Rivers delivering a brief monologue that poked a little fun at the chosen topic of the day, followed by a discussion involving one "expert" guest, often an author, businessperson or doctor, and one celebrity guest. Then at the end there was often a Q & A involving members of the small studio audience.
It's been fascinating to see Rivers at this stage of her career and also to see what public attitudes were like in this era (the look of which happens to be a great favorite of mine, albeit this is towards the tail end of it.) Topics ranged all over the place from child-rearing to cuts of meat to vacationing in Jamaica to nudism! There were also fashion shows, often including fur.
Initially, I was only going to run photos of Rivers in her various clothing and hairstyles because that late-'60s look is irresistible to me, so there aren't many photos of her guests. I didn't begin to collect any of those until after having watched for quite a while. However, her celebrity guests included the likes of Marty Allen, Johnny Carson, Jerry Lewis (who rigidly advocated corporal punishment), David Susskind, Roger Smith, Jordan Christopher, Rocky Graziano, Shecky Greene and many others. They were always welcomed with the most glowing, gracious and heartfelt of introductions from their hostess.
In the episode depicted here, guest Nancy Walker discusses the topic of house-keepers and how they should or should not be treated. It's interesting in that Walker was chiefly working on Broadway at the time (not having acted on TV since 1960) and had yet to enjoy her television career resurgence on The Mary Tyler Moore Show (followed by Rhoda), nor McMillan & Wife, for which she would receive three Emmy nominations and two Golden Globe nominations for playing... a maid! Soon after this appearance, Walker began her two-decade stint as diner waitress Rosie on TV ads for Bounty paper towels, a gig that led to the major upswing in her acting career. Walker, like the vast majority of guests on the program, smoked cigarettes throughout; an ashtray provided on set for that very purpose. (Walker died in 1992 at age sixty-nine of lung cancer.)

Also appearing as guests were a rather young Dr. Joyce Brothers and the durable comic actor Orson Bean (who still works occasionally these days at age eighty-eight.) This particular episode had to do with speed-reading. (Have you taken note yet of the hysterical microphones that are attached to each chair and jut up towards the subject's face from the side?)

Still another episode dealt with "high society" and Cliff Robertson was the celebrity guest. Robertson's then-wife, heiress turned actress Dina Merrill (who's still with us now at ninety-three!), was born to it, yet dropped from the once-famed social register of New York City thanks to her marriage to Robertson.
Here we see Rivers interviewing Pat Montandon, selected by Esquire magazine as one of the Top 19 party hostesses of the time. She wrote a well-received book called "How to Be a Party Girl." Needless to say, we're most drawn to her fall of blonde tresses! She proceeded to write several other books over the years as well and was briefly married to famed attorney Melvin Belli.

On that same show, Johnny's wife Joanne Carson was the celebrity guest. She was a heralded party-giver in her own right, though not so much due to the frequency as to the creativity of each one.  She almost resembles a young Miss Jane Seymour in the lower-right shot, doesn't she? When Johnny and she divorced in 1972 after a decade of marriage, she got half a million dollars in cash and art plus $72,000 per year until Johnny's death in 2005. (His third marriage turned out to be far costlier, however.)

This is Mary Travers of Peter, Paul & Mary fame. Her episode was about the changing nature of teenagers and how much more advanced (and in some cases trouble- some!) they'd been becoming as the conditions and attitudes had changed so rapidly during the 1960s. She doesn't look much unlike Janice, the lead guitarist of the band on The Muppet Show!

Here we see Rivers welcoming a floral design "expert" (the centerpiece - made up of pieces of fresh fruit and covered in scary, craggy black branches with thorns - was positively atrocious!) along guest Diana Sands.

Rivers and Sands were put through their paces as makeshift floral designers with Rivers, naturally going for laughs. Sands, a very successful Broadway actress who transitioned to television and film, was claimed by a rare form of cancer at only age forty. She was set to star in Claudine (1974), but had to drop out. Her friend Diahann Carroll took on the role and gleaned an Oscar nomination for it. (Ellen Burstyn won for Alice Doesn't Live Here Anymore.)

Rivers' audiences tended to love her corny jokes. Her humor, known for its outrageous- ness, was still rather tempered here. She's talk about her crazy "cousins" Sheila or Hubie or her hairstylist "Mr. Phyllis" and poke fun at her own shortcomings. Every once in a while it might get the teensiest bit risque (such as when she claimed to have bought a Venus Fly Trap, but it's "fly" was always open!), but generally it was soft and her audience demonstrated tasteful decorum. The lady below nearly ruptured herself during Joan's shenanigans, however.
Eventually, the artist-rendered opening titles for the show (which featured a caricature or two of Rivers) were replaced with a more colorful intro, in which the text glowed brighter every second or so before going dim again.

These episodes also featured a longer, slightly more relaxed hairstyle for Joan (though it was still shellacked with hairspray, thank God.) It has become a weekday treat to see what dapper little drip-dry or woven number she's going to be sporting, what piece of jewelry is selected and how her hair will be done as I check out these old programs.
Earlier eps had seen her experimenting with long falls situated under her own comparatively short hair.
The makeup is more than a tad clown-like! She fiddled with this scarf endlessly, something I could still catch her doing sometimes decades later when she became a fashion maven on E! Entertainment Television through shows like Fashion Police.
Here, she was in a midway period, growing her hair longer from the shorter bouffant she started off with. Almost a Bea Benaderet thing going on this time!
It's  so much fun to see her wear a coordinating or contrasting bow with each of her delightful 1960s get-ups.
Even more fun, though, was when guest Carol Lawrence came by and was wearing a huge Grecian goddess hairpiece!
Her episode was about the pros and cons of natural childbirth. As the mother of two boys with then- husband Robert Goulet, Lawrence had gone through one natural birth and one Caesarean when it was determined that delivery the traditional way was impossible in that case.
I have, for unknown reasons, almost universally been drawn to any woman named Joan. It's downright strange. Though not everyone was fond of Joan Rivers, I adored her. I loved her gusto, her guts, her determination and her never-ending ability to laugh at life, even in the face of tragedy. I feel that on more than one occasion she was given the short end of the stick, but somehow she always persevered.
(I was never able to transfer my affection for her to her daughter Melissa, however, who was an infant when this show was produced and who looks so much like her mother in many of these pictures.)
Rivers had already had work done on her nose at this point and vociferously supported cosmetic surgery on this program for those who wished to have it performed on themselves. While it might not be right to call her a pretty woman, she did have a certain sense of elegance, even when manically darting around the set and goofing for the cameras.
There has been a DVD release of some of the episodes of this obscure show, which, as I say, is an amazing time capsule of of a long-gone era, one that was in considerable social flux.

I don't know where our Miss Joan is now, but I do hope wherever it is there is peace and plenty of laughs!