Wednesday, June 26, 2024

Poseidon Quickies: Andes (Near) Mint

No, this isn't a post about Andes Mints, though there have probably been some folks along the way who wouldn't have minded this Andes in their mouth. Ha ha! I've been exploring unusual entertainment options as of late (well, perhaps that in itself isn't so unusual for me!) and I fell upon the most obscure movie. The vaguely "cursing" title got my attention and then after a glimpse at the poster I decided that I needed to at least give it a look. While it's hardly a stellar classic, it really delivered far more than I expected from its rock-bottom budget and limited cast. The movie is called Surrender - Hell! (1959) Based on a true story of survival in the Philippines during WWII, it stars Keith Andes. As is often the case, I now bring you a few of the highlights. 

Andes portrays Col. Donald Blackburn, stationed on the island of Luzon in the midst of a Japanese takeover. While the majority of U.S. soldiers on site opt to surrender, Andes spirits away and begins to hike through the unrelenting jungle terrain to the opposite side of the island.

Eventually, he falls in with a band of civilian refugees who are under constant threat of discovery by the Japanese soldiers on patrol. Andes finds himself hiding beneath a large rock slab with a female who is trying to make her way home.

Said female is Susan Cabot, playing a Filipino (!) lady who'd been caring for a sick uncle prior to the invasion. Now the only survivor of his household, she's trekking back to her parents' home on the opposite side.

They join up to complete the journey, but Andes is soon felled by a nasty case of malaria and can't go on.

After setting up a small camp, Cabot locates some supplied from an abandoned home nearby and uses some food and utensils found there to make Andes some rice soup.

Thanks to her TLC, Andes eventually regains his strength and can continue on.

Along the way, an inviting swimming hole is discovered and the two take time out for a refreshing frolic.

It's not revealed as to whether Cabot retrieved this swimsuit (!) along with the ratty pot and rice she obtained from the house, but there she is wearing it nonetheless...! I prayed that Andes was skinny-dipping.

Yes...?

...YES?

Nope... He's got some briefs on (that I doubt would've been army issued!)

In any case, it was a welcome injection of beefcake to the proceedings.

I mean, if you have to cross a jungle to escape a plethora of enemy troops, this is the way to do it.

Suddenly, they hear some of the troops I'm referring to and have to instantly take cover.

One of the soldiers descends into the grotto-like swimming hole and discovers Cabot's clothes. Luckily, they evade capture, but the need to cower closely together leads to some startling intimacy between them.

Cabot's fear almost could read as ecstasy as the wet couple clings to one another. 

Cabot's got almost nothing to wear as they proceed onward, so Andes gives her his shirt, for which not only she, but also we, are grateful. 

Their arduous trek across the island is almost over.

They finally make it to her parents' where we're treated to not only the sight of their lovely home, but also the sight of Andes' lovely torso.

Unfortunately, before long, Andes (hiding in the nearby hayloft) has come down with a relapse of malaria. Cabot is again left to nurse him. (This time in a pretty and stylish sundress!)

Right when he's moaning about being hot with fever, more enemy soldiers appear at the homestead! Cabot has to keep him quiet as they search and loot the place.

Initially, I thought I'd found one of my infamous bulges in this shot, but it turned out to be just a crease in the fabric of his trousers. (Even with that said, it could be a leftover impression... Don't believe me? Google image search Andes' nude modeling pics. You'll see.) But then, just like that, Cabot is out of the movie!

Andes has one period alongside some rebel forces led by a pony-tailed female guerilla before heading to another village with a band of resistance fighters. There, he comes into contact with still another lady. This one is all fired-up over her brother's death. After some initial antagonism towards Andes, she decides to join him in his efforts to defeat the Japanese. Portrayed by the single-named Paraluman, she is forever being misidentified in photos as Cabot thanks to their similar hairstyles (and requisite 3-inch eyebrows!)

I'm glad that whoever made this movie knew where most of its strengths lie... For not long after meeting the fiery Paraluman, Andes is seen washing up behind a woven screen.

The scene is set up with implications that are rather delicious, but unfortunately the effect is spoiled when we inadvertently spy some low-slung shorts on Andes right off the bat...

Anyway, he's over there soaping himself up all over.


Then he, for some reason, calls Paraluman over in order for her to rinse him down!

She puts down the items she was carrying as he smugly informs her how and where he'd like her to pour the carton of rinse water onto him.

She obligingly does his shoulders and back. But when it's time for his chest...

...she dumps the remaining water right in his face!

(Somehow in the editing, the deluge that was hitting him around his chin in the wide shot has suddenly become a hose-like spout hitting him on his forehead in close-up!)

Whatever the case, he's been properly doused.

As he begins to open his eyes to look at Paraluman...

...she's got other ideas of where to look entirely!

This is his startled expression when he realizes she is checking him out! I thought this bit was rather daring for 1959, though - as I mentioned - the overall effect of it was spoiled somewhat when the cameraman caught the fact that he had clothing on...

Another surprising thing to me was that this was the story of a real colonel and that man was a consultant on the film (and did have a hairline similar to Andes.) Did the real Donald Blackburn mind it or like it that during the ordeal in which he won a Silver Star, he's constantly seen dipping his wick into various island females!

After the fateful day at the bath shack, Paraluman and Andes are no longer antagonistic to one another. They now enjoy picnics and other interludes.

Now, she likes what she sees.

There's still a war on, though, so the two participate in rebel activity, conspiring to destroy a bridge that he Japanese are hastily putting together. But then comes a most unusual wrinkle.

In Andes' continued attempts to form a combat unit to overthrow the invading Japanese, he ultimately heads to the mountains and meets with tribes of HEADHUNTERS! (Cue the jungle music from Gilligan's Island!) This is not some screenwriter's flight of fancy. The real Blackburn truly did recruit such tribes when earning his medal.

It was most unusual to watch a 1950s war flick in which many of the extras had large portions of their behind visible.

By this point, the 1:25 low-budget oddity had utterly met and exceeded any curiosity value I'd had concerning it. Between the beefcake of Andes, the romantic elements, the scenery and now loincloth-garbed soldiers, I could find precious little with which to criticize the movie. Should you want to give it a whirl, it is free with ads on Tubi.

This was my first encounter with Paraluman. She might not trip off the tongue of every American film viewer, but she enjoyed a 45-year movie career as the "Greta Garbo of the Philippines." Along the way, as it was in this case, she'd make an appearance in a U.S. film that was being shot in her country.

Watching her in Surrender - Hell, I didn't see much Garbo in her, but at various times she reminded me of Claudette Colbert, Dolores Del Rio and even Lilli Palmer. She was of German and Filipino heritage. She died in 2009 from cardiac arrest at the age of 85

This was Cabot's final film. She soon set in motion a series of crazed events that were almost as jaw-dropping as some of her movies. It started with a passionate fling with the King of Jordan (reportedly instigated by the CIA!), an illegitimate son with mental and physical disabilities and, ultimately, her murder at the hands of that grown son. She was 59 when he bludgeoned her to death in 1986.

As for Andes, I have to say that he's not exactly my usual type, but at the same time I found him strangely captivating. Possessed of a sonorous voice, he'd been acting on radio since age 12! While serving in the U.S. Air Force during WWII, he participated in a stage show which was later made into a movie Winged Victory (1944), and he was given a small role in it. After the war, he seriously attempted a movie career. (Perhaps you recall him in 1947's The Farmer's Daughter, alongside "brothers" James Arness and Lex Barker?!)

His big break came in 1952 when he got to canoodle with Marilyn Monroe in Clash By Night. (It was presumably in the rather lean years between that Andes posed for the nude figure photos that still circulate on the Internet.)

His character was pretty brutish in that one and here he's seen with a towel around Marilyn's throat!

I had to include this amusing shot of Andes practicing on the movie's director Fritz Lang. (There were surely a few people jealous of this moment, Lang having been quite the tyrannical director at various stages of his career!)

Andes was employed regularly thereafter, in Blackbeard the Pirate (1952), Back From Eternity (1956) and The Girl Most Likely (1957), among others, though he was never part of a huge breakout hit or well-regarded classic.

Aging into character roles, he was on most of the hit TV series of the 1960s (including Star Trek, in which he was still sporting an impressive physique) as well as some in the 1970s. He also has the distinction of having been Lucille Ball's leading man in her Broadway foray Wildcat. Andes worked on screen until 1980, but ultimately preferred life as a successful charter boat captain. However, a very painful bout of bladder cancer later led to him committing suicide by hanging in 2005 at age 85, when the agony of the disease became unbearable.

The End.

4 comments:

Gingerguy said...

Poseidon, I always get my money's worth from a stop here. The mention of "wildcat" was worth the price of admission as I forget there were other actors involved in that Broadway misfire. I definitely saw the Claudette Colbert resemblance with Cabot. He had a great combo of hot body and manly face, yes please. I am sure the intention was not to make people laugh but that Marilyn Monroe photo is a scream for the wrong reasons.

Dan said...

And a few years later came “No Man is an Island”, in which another hunky GI, Jeffrey Hunter, eluded capture. Mr Hunter had the advantage of color to show off those baby blues.
Other than a couple “Perry Mason” appearances, I can think of only one thing I’ve seen Andes in - “A Life at Stake” with Angela Lansbury. A middling noir film that at least had the good sense to start with a shirtless Mr. A. He should do more for me, especially with that rich voice, Maybe it’s because he seems to have just one setting - intense.

joel65913 said...

Hi Poseidon!

This is one I’ve yet to catch up with and since I’m always on the lookout for obscure flicks from the 30’s through the 50’s I’m delighted to hear I can give this a watch on Tubi!!

Keith Andes is someone whom I’ve been familiar with since I was a wee kid thanks to his co-starring role in “Blackbeard, the Pirate.” That was the film where I discovered my beloved Linda Darnell when it showed countless times on the “Saturday Morning Matinee” which I plopped myself down in front of early each weekend morning at 8AM while my folks caught up on their sleep!! In fact that’s where I first became aware of Irene Ryan as Linda’s tippling maid long before I saw her as Granny Clampett!

Keith was never an actor of great scope but since his role called mostly for daredevil antics, usually shirtless, in dazzling Technicolor I was always kindly disposed to him. The majority of his pictures seemed to lean to the adventure side of things (“Clash by Night” being an exception. That mood piece is interesting in many ways, among them the atypical casting of Marilyn as just an ordinary girl, albeit an extremely attractive ordinary girl but not one singled out as special) and he is competent in them but little else. He did have a nice, somewhat gravelly voice that added to his appeal, and he had an incredibly fit, defined physique for the fifties. I didn’t know that about his ending, how sad. Cabot’s end of course is even sadder.

Having not seen this yet but looking at the poster I can see the filmmakers, or at least the art department, had a fairly good idea of what they had on their hands and how to sell it! Maybe once I give it a look I will check back in with more thoughts! Thanks for the tip!! 😊

hsc said...

Thanks for yet another great post, Poseidon-- you're always coming up with these films I've never heard of, and never fail to glean some interesting (and hilarious) content in them!

Not only was SURRENDER-- HELL! totally off my radar, two out of the three top performers are similarly-- though not completely, it turns out-- outside my range.


I was definitely *aware* of Keith Andes through beefcake photos from various roles-- especially BLACKBEARD THE PIRATE-- and from mentions of his breakthrough appearance with Marilyn Monroe in CLASH BY NIGHT. I most certainly took note of his muscled body, smooth torso offset by perky nipples, and his looks that fell somewhere on a continuum between early Peter Graves and early Steve McQueen.

However, I didn't think I'd actually seen him in anything other than the STAR TREK episode "The Apple"-- where his memorably buff body was sadly offset by a *ridiculous* platinum blonde bouffant wig, bad makeup, and a lengthy, ratty wraparound skirt that looked like a dilapidated tablecloth-- until I checked his credits.

Though I haven't seen any of his movies, I *did* watch him regularly on a now-obscure short-lived CBS sitcom, GLYNIS (1963), where he was the patient husband to Johns' proto-Jessica Fletcher writer/amateur sleuth. (You could call it "MURDER", SHE HUSKED.) Oddly, the main thing I remember is her, not him, and one episode where they demonstarted how to see what had been previously written on a notepad by carefully rubbing a pencil across the impressions left on the top sheet.


And since I'd never heard of her before, I figured Paraluman was probably totally off my radar, but I checked her credits to see if she'd been in any of those cheesy Filipino '70s horror flicks like the "BLOOD ISLAND" series with John Ashley. She wasn't in those, but she was in DAUGHTERS OF SATAN (1972) with Tom Selleck and in THE LOSERS (1970) with William Smith-- so even though my eyes and memory were busy elsewhere, yes, I *have* seen "the Greta Garbo of the Phillipines"! (And I gotta love a screen name like that-- an archaic Tagalog word for "muse" or "magnetic needle," according to Wikpedia.)


However, Susan Cabot was the one star in this I was quite familiar with, though her casting as a Filipina is mind-boggling and apparently "because the script says so," without any attempt to make her look even vaguely "ethnic" with a wig or eyeliner. I always loved her late '50s drive-in movies, like SORORITY GIRL, VIKING WOMEN/SEA SERPENT and THE WASP WOMAN, which may actually be her last, depending on when it was shot. (It previewed just before SURRENDER-- HELL! but went into full release after.)

And the circumstances of her death need a little clarification, since there was a good amount of misreporting for years. Cabot's mental state had deteriorated drastically in the final years of her life, with her depression, suicidal tendencies and paranoid delusions rendering her unable to take care of herself by 1986, and she was being cared for by her 22-year-old son, Timothy Roman.

Roman was charged with second degree murder, and the drugs he was taking for his physical condition were cited in his defense as allegedly causing mental impairment and reduced culpability. However, he also testified thet Cabot had gone into a psychotic episode and while he was trying to call for help, she attacked him with a scalpel and a barbell bar, and that he struck her with the barbell bar in self-defense. The charges were reduced to involuntary manslaughter and he was convicted, and sentenced to three years' probation and mandatory counseling, with credit for the 2 1/2 years he'd been jailed awaiting trial. He died in 2003.


Thanks for another fabulous post, Poseidon! This blog is always the best! Love to all, and be safe and well, everyone!