I recall Joan Rivers saying something like that from time to time on her outrageous awards show fashion re-caps on E! This post is unrelated to that, but has a similar trajectory to it. I'm a big fan of Richard Lamparski's series of books, "Whatever Became Of...?" in which he visited nearly (or almost completely!) forgotten celebrities and caught up with them. He'd ask about their careers, what they've been up to since the spotlight faded and then provide a current (often shocking, to be honest) photo of said persona. He usually also asked if the celebrity in question had any unpleasant memories of their time in La La Land (such as when diminutive Mexican comic actor Pedro Gonzalez-Gonzalez recalled missing the chance to play a regular role - a gardener - on the 1960 sitcom
Pete and Gladys when costar Cara Williams vetoed it or when Danny Kaye deliberately sidelined him away from the camera during a number on his variety show.) We're merely relying on their side of the story, of course, but if something stood out to the point where they still feel the bitterness decades later, perhaps there is at least a kernel of truth to be found in what they are recalling. And after all the time in-between, they often felt no need to remain silent about it. So, in an effort to get another post up, I have sifted through one of
these books (the 11th one in the series) to excavate some tidbits of
testiness to be found among the participants. I don't know why I find it
amusing when stars reveal their animosity for each other, but I do!
|
Kay Aldredge. A decorative 20th Century Fox starlet, Aldridge switched to being the lead in some Republic serials, notably Perils of Nyoka (1942), in which she played Nyoka. A year later she did Daredevils of the West opposite Allan "Rocky" Lane. |
|
Aldridge, who retired after marrying in 1945, referred to Allan Lane as "the most conceited human being I have ever met." He certainly looked pretty handsome here! Maybe got a little too used to being adored... |
|
Later adopting the "Rocky" Lane moniker, he portrayed the character Red Ryder in seven movies when the initial actor exited the role. Lane's most enduring contribution, though, could be his most secret one. From 1961-1966, he, covertly and without credit, provided the voice of the talking horse Mister Ed! Thirty years after his death, he was granted a TV Land Award for that performance. |
|
Björn Andrésen. The sixteen year-old became quite an international sensation from his role in 1971's Death in Venice, as the object of desire for older man Dirk Bogarde. (The other young man in swimwear in Sergio Garfagnoli.) Andrésen, who has worked as an actor ever since though in far less notable projects and with much less emphasis on his looks, was startled to read in a 1984 Films in Review interview with Helmut Berger of his own demise! Berger said that he had died of a drug overdose! |
|
Berger is shown above. Andrésen explains:
“We first met when we were seated
across from each other at the dinner given after the premiere of the
film in Rome. He was very rude, which confused me completely. I
couldn't understand how someone could dislike me when we were total
strangers. I learned later that he wanted to play 'Tadzio.' One
version has it that Luchino [Visconti] had actually promised him the
role.” Berger had worked for the director in The Witches (1967) and The Damned (1969) and would again after Venice.
|
|
We've featured James Franciscus here before and also reported on his TV series Mr. Novak. During Lamparski's interview with costar Dean Jagger (who departed the show after some significant issues with ulcers), the elder Oscar-winning actor shared a thought or two. |
|
Despite its Technicolor presentation and the draw of Dorothy Lamour in another set of sarongs, Rainbow Island (1944) was not a tremendous hit and is all but forgotten today. |
|
Here we find costars Eddie Bracken and Gil Lamb. Lamb has risen to fame as a gangling comedian who had a bit wherein he pretended to swallow a harmonica and then have funny sounds appearing to emanate from his throat. In his Lamparski interview, he addressed a then-hot local comic (George West) who'd appropriated that gag for himself:
“He never asked me if he could do my
stuff, nor does he acknowledge me in the act. People tell me I should
be flattered. I am not flattered. I am incensed.”
|
|
As for his pal in Rainbow Island, Lamb referred to Bracked as "that little bastard." Ha ha! I generally find that a little of Bracken goes a long way myself... |
|
Not sure what the problem was between them, but the gents appeared to be rather undressed for many of the film's scenes. As an aside, Lamour turned down this movie and Yvonne De Carlo was promoted to the lead. Then she changed her mind and De Carlo was back in the ensemble... She was later quoted as saying, "You might have seen Gil Lamb chasing me through the bushes in it." |
|
The gal in this colorful portrait in Catherine McLeod. She worked at many places during her career, but had this to say about 20th Century Fox:
“Stars are treated like stars on any
set, but at Fox everyone knew his or her place and were damned well
kept in it at all times. Who got a table first in the commissary,
where that table was located, who got a chair on the set, where you
parked your car, who spoke to you and who didn't – everything was
determined by one thing only – what salary bracket you were in. I
could never wait to get off that lot.”
|
|
Though she liked many of the actors she appeared with, she singled out Phil Carey (Return to Warbow, 1958) and Richard Boone (Have Gun, Will Travel) as two of
the three actors she would least like to encounter again. She characterized Richard Widmark as the “worst bastard of all time!” (They worked together in Vanished, a 1971 TV miniseries.)
|
|
McLeod's last part in a feature was 1976's Lipstick and she had a pointed remark about the experience:
“[it was like] being back at Fox thanks to Mariel
Hemingway.”
|
|
I couldn't help thinking that perhaps McLeod got her Hemingways mixed up. Because Mariel was but a 13 year-old total newcomer while older sister Margeaux was the star of the movie and a real big deal in the modeling world... (and was surely more egotistical and high maintenance than li'l sis!) I do find it fascinating, though, that you can be watching a movie and be completely unaware that a peripheral role is being played by someone who was once a leading player in their own right! |
|
A Day at the Races (1937) was easily the most high profile and enduring movie of one Esther Muir. She got along fine with Groucho and the other Marx Brothers. But she did have something to say about a former husband, famed dance formation pioneer Busby Berkeley. |
|
They never worked together, but “living with him was enough of a
strain. Buz was a lovely person in many ways, but a real momma's boy.
I was more his keeper than his wife. He had great gifts, but was very
irresponsible.” Allegedly, Berkeley was a heavy drinker and reportedly tore Muir's dress off at a dance!
|
|
Perhaps you've seen actress Mary Murphy in The Wild One (1953) opposite Marlon Brando. She was married for a quick few months to handsome Dale Robertson, with this to say, years after their annulment:
“Dale is a lovely man. We're still
good friend. There are a lot of men like that. They're great until
they become your husband.”
|
|
Later she drifted into an affair with married talent agent Kurt Frings (whose wife Ketti wrote
the Broadway play “Look Homeward, Angel.”) “Of course, he promised
to marry me and, like a fool, I believed him – over and over. Not
only did he control my private life, he represented me as well. I did
not work one day during that whole period. And he was a 'big agent'
as they say.”
|
|
There's always room for more Dale Robertson...! I thought you might like one more glimpse. |
|
Alan Napier entered the world of eternal cult fandom when he took on the role of Alfred Pennyworth, the knowing and industrious butler on Batman. After a 1988 cast reunion, he had this to say:
“Jolly good to see them all again and
even the Batmobile!
|
|
"...But I've never been able to workup much
enthusiasm for 'The Boy Wonder.'” And, yes, Burt Ward has long been almost as equally annoying as he was appealing during his time in Robin's cowl...! His memoir... well, let's just forget it.
|
|
And finally, not all of the girls shown here are one and the same. The middle one is child actress Gigi Perreau. Flanking her is fellow child star Natalie Wood, who was apparently a keen rival of Perreau's according to the grown up Perreau. According to the Lamparski interview:
"Her only unpleasant recollection is of
Natalie Wood, who was her classmate for a while in grammar school.
The late actress passed notes in class that Gigi did not really
understand, but that disturbed her – messages worded as warnings,
to the effect that she would never become a star but that Natalie
would." And, of course, Natalie did! But in her day, Perreau was no slouch.
|
|
Though Wood later emerged as a jaw-dropping beauty, Perreau was, for a time, actually more conventionally appealing than Wood, who took a while to grow into her features. Also in the interview:
"Van Heflin, whom she supported in
Weekend with Father (1951), was the actor she liked the least. When
he suspected she was stealing a scene, he threatened her with a
knife" Um, wow....! I can only hope he was at least half-kidding! Note that the tyke had third-billing in the posters for the movie.
|
|
Perreau is seen here with Heflin in said film. She's in-between the star and a shirtless Richard Denning, who's looking pretty good! Heflin and Perreau are all smiles here, so maybe she didn't happen to nab any of his limelight on this day. LOL |
|
I may have to check this movie out sometime... It will be hard to look at the Governor on Hawaii 5-O exactly the same after this. Ha ha! |
P.S.- My work life is still RIDICULOUS, hence the long wait in-between posts, but I have not given up. I'm still doing my best to get the occasional bit of blather up and ready asap. It just takes a lot longer, especially with the new interface on this site. It's easier to do photo essays such as the style here versus integrating text and pictures together. Till next time, be safe! Love, Poseidon.
Gigi Perreau had a fun, interesting career as an ingenue in the fifties that encompassed the Douglas Sirk masterpiece There's Always Tomorrow - to tawdry Mamie Van Doren juvenile delinquent flick Girls Town!
ReplyDeleteDon't hate me for this, but it was Alan Napier in "Batman", not Charles Napier. Still love your posts and read them all the time.
ReplyDeleteHaven't thought about Lamparski's books for a while. I have a few of them (and had a few more that fell by the wayside). What I do have is( what I believe to be) a hardcover first. It has no series number. It is signed, to a one Edward M. Stone, Sincerely, richard lamparski. (And yes, Lamparski signed his name in lower case.)
ReplyDeleteThough I haven't looked at it in years, I vividly remember (from who knows what series # it was) the "now" photo of the woman who was supposedly the basis for Auntie Mame. If you know the photo, you'll know why it was unforgettable, especially when you think of Rosalind Russell or Angela Lansbury.
I lost track of my copy a few years back (No idea what edition but it had Irish McCalla on the cover) but one thing that always struck me was the matter-of-fact snarkiness in some of his "updates". "After the pubic lost interest in her..." or "His attempts at a comeback failed..."
ReplyDeleteAfter a few editions were published, I wonder if the subjects cast a wary eye at his interest in them.
Many thanks for another wonderful photo essay. Such gems are welcome distractions during these crazy times.
ReplyDeleteI became a fan of Richard Denning after discovering “Mr. and Mrs. North” - on both old radio show podcasts and the subsequent early-50s television series. He was delightful on both, even if his Mr. North often played second fiddle to Barbara Britton’s Mrs. North. Only later did I discover his healthy resume, including a pleasing number of sunbathed roles.
Thanks again and take good care, Poseidon!
bitter69uk, Gigi seems to be basically forgotten by those who aren't tuned in to classic films (perhaps never really getting one of those BIG mainstream hits that even non-film fans know about like Natalie's "34th Street," "The Searchers" and "West Side Story") but she was a pretty successful young actress in her day. And when I've seen her, remarkably versatile and relatable.
ReplyDeleteSkippyDevereaux, no worries. I need to know when I have brain freezes like that!! After seeing "Harry, Cherry and Raquel" - with Charles Napier in the buff! - you can't blame me that he's in the forefront of the Napiers in my mind over dear Alan. LOLOL Thanks!
normadesmond, those "now" pictures are often downright TRAGIC! I can't recall if I ever saw the volume you mention (but how neat to have it!!) I know that photography wasn't as immediate as it is now, when you can instantly see if a digital shot is any good or not, but when you've known a star through the cinema (or even TV) and the raft of studio publicity shots, then are confronted by a snap from what looks to be a Hello Kitty toy camera with little to no regard for lighting or the pose, it can be damning!! LOL Time didn't march acrosst some of these people's faces, it did a flamenco dance!
SteveM, that sounds like the Eighth edition. I appreciate your remarks about the wording. I think at that time, though, celebs were even more disposable than they are now because access to their work was SO much more limited apart from the late, late (LATE!) show on TV and then the emergence of shoddy VHS tapes. Now with TCM and DVD we can really get some decent glimpses at some of these folks and perhaps win a new admiration for them. Another thing that struck me is how there would be a "Whatever Became of..." on someone who was actually still working from time to time or who'd been on a series not that long before...! Tough business.
SonofaBuck, I'm so glad you liked this! I'm not exactly a big fan of Mr. Denning yet, but he is growing on me, especially with this. I'm going to see if I can locate the OBSCURE "Week-End with Father" and see what I think. He seems at times to be mostly a footnote as Lucille Ball's husband on the radio, replaced by Desi Arnaz for TV (or as the governor on "Hawaii 5-O") despite a lengthy, busy career. Thanks!
Hello Richard Denning! I love the last photo, hilarious and sexy. This was really fun and of course these kind of negative comments are much more fun and insightful to read, and in the case of Natalie Wood, vicious!
ReplyDeleteI have had a bad opinion of "Buz" Berkeley after reading the Lorna Luft book about her Mother. He was very mean to little Judy, something I really carry a grudge about. That's an awful story about Danny Kaye too, ate it with a spoon.
Great to see this post and hang in there Poseidon.
Hi Ginge! I did track down a sort of blurry version of "Week-End with Father." I could not believe it was a Douglas Sirk film...!!!! It was innocuous and Richard did spend much of his time shirtless, showing up the less athletic Van Heflin. Sort of an early version of the humliation comedies that have been popular in recent years. And, yes, some of those old time directors/choreographers were incredible taskmasters and treated the performers like mere pieces of their puzzles. Thank you!
ReplyDeleteThis comment has been removed by a blog administrator.
ReplyDeleteForever1267, I'm so sorry but I accidentally deleted your comment. Utterly unintentional. In fact, I was using my phone and a friend's dog bumped me and made me hit the wrong button!! And I couldn't retrieve it. My apologies.
ReplyDelete